scholarly journals Analysis of the Possibilities of Using HBIM Technology in the Protection of Cultural Heritage, Based on a Review of the Latest Research Carried out in Poland

2021 ◽  
Vol 10 (10) ◽  
pp. 633
Author(s):  
Dorota Janisio-Pawłowska
Keyword(s):  
Cultural Heritage ◽  
Present Article ◽  
3D Model ◽  
Early Stage ◽  
Digital Tools ◽  
Data Recording ◽  
3D Objects ◽  
Historical Objects ◽  
The Creation ◽  
Protection Of Cultural Heritage

The implementation of HBIM technology in the research carried out with historical objects remains at a very early stage and constitutes only a fracture of current studies, including in Poland. This process becomes indispensable for the analysis of the existing condition, management and protection of cultural heritage. Therefore, it proves necessary to elaborate directions and guidelines for the implementation of HBIM technology. The present article deals with research and analysis of Polish conservation studies. We discuss the methods for recording information, the scope and detail of the elaborated 3D model, including library objects. The possibility of further editing of objects, the digital tools applied and the data recording formats were all analyzed. The tables present the discrepancies in the creation of 3D objects. We described and compared the studied objects. The collected analyzes were used to summarize important parameters and collected data. This in turn allowed us to elaborate universal guidelines that could be used in the implementation of HBIM technology in other countries as well. Digital tools and data recording formats used to develop the discussed models of objects pave the way to the possibility of further editing and implementation of HBIM technology.

scholarly journals Good Practices for Web-Based Cultural Heritage Information Management for Europeana

Information ◽  
2021 ◽  
Vol 12 (5) ◽  
pp. 179
Author(s):  
Andreas Giannakoulopoulos ◽  
Minas Pergantis ◽  
Sofia Maria Poulimenou ◽  
Ioannis Deliyannis
Keyword(s):  
Cultural Heritage ◽  
Information Management ◽  
Digital Tools ◽  
Web Based ◽  
Good Practices ◽  
Online Platform ◽  
Byzantine Art ◽  
Funded Project ◽  
World Cultural Heritage ◽  
The Creation

This paper presents the digital tools, online platform and methodology created during the implementation of BYZART, a European co-funded project for the enrichment of Europeana collections with heritage objects for Byzantine art and archaeology provided by the partners of the project. The creation of the platform and its usability are thoroughly described as well as the importance of such tools for the preservation and promotion of world cultural heritage. Also, the paper discusses the adaptation of the methodology to other projects, for the engagement of communities in the field of heritage datafication, and we demonstrate how existing content can be re-used by “meta-creators” to develop new content, applications and presentation paradigms.

scholarly journals PROCEDURAL 3D MODELLING FOR TRADITIONAL SETTLEMENTS. THE CASE STUDY OF CENTRAL ZAGORI

2017 ◽  
Vol XLII-2/W3 ◽  
pp. 369-376 ◽  
Author(s):  
D. Kitsakis ◽  
E. Tsiliakou ◽  
T. Labropoulos ◽  
E. Dimopoulou
Keyword(s):  
Cultural Heritage ◽  
Large Scale ◽  
3D Model ◽  
Information Science ◽  
Research Work ◽  
3D Models ◽  
3D Modelling ◽  
3D Objects ◽  
Technological Advances ◽  
3D Scene

Over the last decades 3D modelling has been a fast growing field in Geographic Information Science, extensively applied in various domains including reconstruction and visualization of cultural heritage, especially monuments and traditional settlements. Technological advances in computer graphics, allow for modelling of complex 3D objects achieving high precision and accuracy. Procedural modelling is an effective tool and a relatively novel method, based on algorithmic modelling concept. It is utilized for the generation of accurate 3D models and composite facade textures from sets of rules which are called Computer Generated Architecture grammars (CGA grammars), defining the objects’ detailed geometry, rather than altering or editing the model manually. In this paper, procedural modelling tools have been exploited to generate the 3D model of a traditional settlement in the region of Central Zagori in Greece. The detailed geometries of 3D models derived from the application of shape grammars on selected footprints, and the process resulted in a final 3D model, optimally describing the built environment of Central Zagori, in three levels of Detail (LoD). The final 3D scene was exported and published as 3D web-scene which can be viewed with 3D CityEngine viewer, giving a walkthrough the whole model, same as in virtual reality or game environments. This research work addresses issues regarding textures' precision, LoD for 3D objects and interactive visualization within one 3D scene, as well as the effectiveness of large scale modelling, along with the benefits and drawbacks that derive from procedural modelling techniques in the field of cultural heritage and more specifically on 3D modelling of traditional settlements.

scholarly journals A proposal of a 3D segmentation tool for HBIM management

2021 ◽  
Author(s):  
Vincenzo Barrile ◽  
Antonino Fotia
Keyword(s):  
Cultural Heritage ◽  
3D Model ◽  
Laser Scanner ◽  
Perfect Reconstruction ◽  
Building Information Modelling ◽  
Information Modelling ◽  
South Italy ◽  
Building Information ◽  
Heritage Building ◽  
Modelling Techniques

AbstractThere are several studies related to the cultural heritage digitization through HBIM (Heritage Building Information Modelling) techniques. Today, BIM (Building Information Modelling) software cannot represent old buildings with complex prominent and particularly detailed architecture perfectly, and multiple software are combined to obtain the buildings’ representation. In this paper, in order to find an alternative way of replicating the complex details present in antique buildings, a new methodology is presented. The methodology is based on a process of direct insertion of various 3D model parts (.obj), into a BIM environment. These 3D model elements, coming from the points cloud segmentation (from UAV and Laser Scanner), are transformed in intelligent objects and interconnected to form the smart model. The methodology allows to represent detail of the objects that make up an element of cultural heritage, although not standardizable in shape. Although this methodology allows to ensure a perfect reconstruction and digital preservation and to represent the different “defects” that represent and make unique a particular object of cultural heritage, it is not however fast compared with the traditional phases of point cloud tracing and more software are necessary for data processing. The proposed methodology was tested on two specific structures’ reconstruction in Reggio Calabria (South Italy): the Sant’Antonio Abate church and the Vitrioli’s portal.

Using ISO and Semantic Web standard for building a multilingual terminology e-Dictionary: A use case of Chinese ceramic vases

2021 ◽  
pp. 016555152110221
Author(s):  
Tong Wei ◽  
Christophe Roche ◽  
Maria Papadopoulou ◽  
Yangli Jia
Keyword(s):  
Semantic Web ◽  
Cultural Heritage ◽  
Knowledge Sharing ◽  
Use Case ◽  
Knowledge Infrastructure ◽  
Ming And Qing Dynasties ◽  
New Perspective ◽  
Digital Protection ◽  
Protection Of Cultural Heritage

Cultural heritage is the legacy of physical artefacts and intangible attributes of a group or society that is inherited from past generations. Terminology is a tool for the dissemination and communication of cultural heritage. The lack of clearly identified terminologies is an obstacle to communication and knowledge sharing. Especially, for experts with different languages, it is difficult to understand what the term refers to only through terms. Our work aims to respond to this issue by implementing practices drawn from the Semantic Web and ISO Terminology standards (ISO 704 and ISO 1087-1) and more particularly, by building in a W3C format ontology as knowledge infrastructure to construct a multilingual terminology e-Dictionary. The Chinese ceramic vases of the Ming and Qing dynasties are the application cases of our work. The method of building ontology is the ‘term-and-characteristic guided method’, which follows the ISO principles of Terminology. The main result of this work is an online terminology e-Dictionary. The terminology e-Dictionary could help archaeologists communicate and understand the concepts denoted by terms in different languages and provide a new perspective based on ontology for the digital protection of cultural heritage. The e-Dictionary was published at http://www.dh.ketrc.com/e-dictionary.html .

Trees as natural barriers against heavy metal pollution and their role in the protection of cultural heritage

2014 ◽  
Vol 15 (3) ◽  
pp. 227-233 ◽  
Author(s):  
Katarina Kocić ◽  
Tijana Spasić ◽  
Mira Aničić Urošević ◽  
Milica Tomašević
Keyword(s):  
Heavy Metal ◽  
Cultural Heritage ◽  
Metal Pollution ◽  
Heavy Metal Pollution ◽  
Natural Barriers ◽  
Protection Of Cultural Heritage

Memorialising Europe

2008 ◽  
Vol 17 (2) ◽  
pp. 6-33 ◽  
Author(s):  
Peter Jan Margry
Keyword(s):  
Cultural Heritage ◽  
Civil Religion ◽  
Political Agenda ◽  
The Political ◽  
European Identity ◽  
European Values ◽  
Identity Based ◽  
The Creation ◽  
Political Unification ◽  
European Form

In the economic and political unification process of Europe, the idea of the creation of a pan-European identity was put high on the political agenda. With the failure of this effort, the emphasis shifted to the apparently less fraught concept of 'shared cultural heritage'. This article analyses how the politically guided rediscovery of Europe's past has contributed to the creation of a 'Religion of Heritage', not only by raising up a political altar for cultural heritage, but also through the revitalisation, instrumentalisation and transformation of the Christian heritage, in order to try to memorialise and affirm a collective European identity based on its Christian past. In the context of this process, the network of European pilgrims' ways appears to have been an especially successful performative form of heritage creation, which has both dynamised Christian roots as a relevant trans-European form of civil religion that has taken shape, capitalising on the new religious and spiritual demands created by secularisation, and responded to the demand for shared - and Christian inspired - European values and meanings in times of uncertainty and crisis.

KEPELBAGAIAN BUDAYA DALAM KONSEP “HARMONI JAWA” DI KAUMAN YOGYAKARTA

2019 ◽  
Vol 7 (1) ◽  
pp. 45-60
Author(s):  
CAMA JULI RIANINGRUM
Keyword(s):  
Cultural Heritage ◽  
Descriptive Analysis ◽  
17Th Century ◽  
Unique Characteristic ◽  
Analysis Method ◽  
Cultural Traditions ◽  
Qualitative Descriptive ◽  
The Creation ◽  
Residential Settlement

Harmoni adalah suatu kondisi yang serasi dari perbedaan dan pluralitas yang kemudian dengan bentukaslinya masing-masing dapat saling menyesuaikan dan menyatu dengan seimbang. Dalam Budaya jawadisebut selaras, yaitu terciptanya kehidupan yang nyaman dan indah dalam keragaman. Salah satu wujudharmoni Jawa secara visual dapat terlihat di sebuah permukiman di Yogyakarta, yang merupakan suatuwilayah permukiman warisan budaya Jawa dari abad ke-17. Digunakan metode analisis deskriptif kualitatifyang bertujuan untuk memaparkan keterkaitan dan jalinan semua aspek pembentuk yang mencerminkanproses adaptasi sehingga terbentuk harmonisasi permukiman. Pada masa kini, permukiman ini memilikikeunikan yang khas yaitu sebuah bentuk permukiman yang merupakan perpaduan yang harmonis daritiga budaya, yaitu budaya Jawa, Islam, dan budaya modern. Kondisi yang terbangun karena masyarakatnyataat pada tradisi budaya Jawa dalam melakukan adaptasi terhadap perubahan dan perkembangan jaman. Harmony is a synchronous integration of differences and pluralities which in their respective original statessucceed in adjusting to each other thereby forming a balanced union. In the context of Javanese culturecalled selaras, namely is the creation of a comfortable and beautiful existence within a diversity. One ofthe visual forms of Javanese harmony can be observed in a residential settlement in Yogyakarta, an areaof Javanese cultural heritage from the 17th century. A qualitative descriptive analysis method was usedaimed to describe the interrelationships and interweaving of all forming aspects reflecting the adaptationprocess which enabled the creation of such harmonious condition in a residential settlement. Today, thissettlement possesses a unique characteristic, that takes the form of a residential settlement where threecultures, namely the Javanese, Islamic, and modern cultures, are blended in harmony. This conditiondeveloped as a result of the community’s adherence to Javanese cultural traditions during their adaptionto changes and developments over the course of time.

From the Rise of Authentic Italian Restaurants in America to the Creation of New Multicultural Food Tourism Experiences

2021 ◽  
Vol 21 (1) ◽  
pp. 5-16
Author(s):  
Alessandra Campanari ◽  
Alessio Cavicchi
Keyword(s):  
Cultural Heritage ◽  
Business Models ◽  
Business Environment ◽  
Ethnographic Study ◽  
Italian American ◽  
The Us ◽  
The Creation ◽  
Food Tourism ◽  
Globalized World ◽  
Food Identity

With the emergence of culinary multiculturalism in the globalized world, ethnic restaurants have become central symbols of postmodern life, no longer relegated to a domestic and community sphere, but able to attract non-ethnic customers without necessarily destroy food cultural heritage. In line with this trend, the article aims to contribute to the literature on new food tourism experiences by examining contemporary Italian restaurants in the US to investigate how Italian food identity in ethnic restaurants is advertised and sold. Starting from the literature on Italian culinary immigration in America, from the rise of the first Italian restaurants to the invention of the Italian American culinary tradition, the article provides an ethnographic study to understand the changing business environment that is leading new entrepreneurs in foodservice to diversify their business models towards the creation of new food tourism experiences as a result of an ever-changing dialogue between tradition and innovation.

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