scholarly journals Making the Call: Art and Politics in Ronald Harwood’s Taking Sides

Humanities ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 118
Author(s):  
Ann C. Hall

Set in Germany during the denazification processes following World War Two, Ronald Harwood’s Taking Sides (1995 play, 2001 film) pits German conductor Wilhelm Furtwängler against a relatively uncultured American interrogator, Steve Arnold, to, as Harwood says, examine the role of an artist under a totalitarian state and an American’s mistreatment of the world-renowned maestro. While there is certainly a contrast between the old world, represented by the classical music of Furtwängler, and the new, represented by Arnold’s affinity for jazz, there is much more at stake in both the play and the film. As the interrogation progresses, Arnold, who worked as an insurance claims adjuster during his civilian days, senses Furtwängler’s arguments about art as apolitical, are what he calls “airy-fairy” excuses. Arnold knows Hitler favored Furtwängler, used his music to inspire his atrocities, and gave Furtwangler access to almost anything he wanted. Critics frequently praise the play and film for its balanced presentation of the two sides. However, by examining the play and the film in terms of Aristotelian tragedy, this essay makes clear that Furtwängler’s refusal to take sides has grave consequences, consequences that only the crude, “ugly American” Arnold is willing to discuss.

2019 ◽  
Vol 20 (2) ◽  
pp. 37-41
Author(s):  
Maftuna Sanoqulova ◽  

This article consists of the politics which connected with oil in Saudi Arabia after the World war II , the relations of economical cooperations on this matter and the place of oil in the history of world economics


Author(s):  
Alexander Naumov

This article reviews the role of Anglo-German Naval Agreement of 1935 in escalation of crisis trends of the Versailles system. Leaning on the British Russian archival documents, which recently became available for the researchers, the author analyzes the reasons and consequences of conclusion of this agreement between the key European democratic power and Nazi Reich. Emphasis is placed on analyzing the moods within the political elite of the United Kingdom. It is proven that the agreement became a significant milestone in escalation of crisis trends in the Versailles model of international relations. It played a substantial role in establishment of the British appeasement policy with regards to revanchist powers in the interbellum; policy that objectively led to disintegration of the created in 1919 systemic mechanism, and thus, the beginning of the World War II. The novelty of this work is substantiated by articulation of the problem. This article is first within the Russian and foreign historiography to analyze execution of the Anglo-German Naval Agreement based on the previously unavailable archival materials. The conclusion is made that this agreement played a crucial role in the process of disintegration of interbellum system of international relations. Having officially sanctioned the violation of the articles of the Versailles Treaty of 1919 by Germany, Great Britain psychologically reconciled to the potential revenge of Germany, which found reflection in the infamous appeasement policy. This launched the mechanism for disruption of status quo that was established after the World War I in Europe. This resulted in collapse of the architecture of international security in the key region of the world, rapid deterioration of relations between the countries, and a new world conflict.


2018 ◽  
Vol 1 (2) ◽  
Author(s):  
Mohd Kasri bin Saidon ◽  
Zolkefli bin Bahador ◽  
Khaliza binti Saidin

This paper is a brief review on social situation in Tanah Melayu (Malaysia), specifically in the state of Kedah, prior to World War Two. Generally, the situation and social understanding in Kedah was influenced by the influx of immigrants especially the Chinese who came for economic reasons.  These immigrants brought with them the culture and the way of life in the Mainland China. This, in a way, affected people’s lives in Kedah. With the strong support from the Chinese, communism began to make its mark among other ethnic groups in the society. The Triads culture became strong and it lead to other anti-national activities. This, in turn, affected the economic, political, and social influence. All these aspects seemed to have become the foundation of a bigger influence after the surrender of Japan. They have also become the foundation for social equality and differences during   the Emergency period from 1948-1960.


2021 ◽  
pp. 31-60
Author(s):  
M.I. Franklin

Chapter 2 sets the compass through a work that seems to have little to say about sampling. 4’33” (four thirty-three) by John Cage is based on no (performed) sounds, no flashy pyrotechnics in its execution, nor reverence for the notion of music as a singular, individual creative act, or performance. The chapter considers Cage’s evocation of “silence” as the sampled material that is at stake in this iconic piece. I consider how silence, and silencing work in the context of censorship and social control given that the timeframe for the inception of 4’33” resonates with post-World War II, mid-twentieth-century United States during the Cold War. Engaging with this work can also tell us something about the role of censorship in public arts life half a century later, in the US shortly after the Al Qaeda attacks on September 11, 2001. As I argue, when regarded as a material of music, and thereby as a source from which to “sample” silence, 4’33”offers both a sonic and “sound-less” baseline for the four case studies to follow. “Silence” as rendered in Cage’s work, its wider connotations and evocation of the sensation of sound-filled stillness also serve as a signal for instances of domination, of how oppression can take place quietly, without fanfare. Considering silence as a geocultural, socio-musicological matter allows us a moment to retune our ears and minds by encountering the broader (in)audible domains through, and from which sampling practices take place.


2019 ◽  
pp. 13-31
Author(s):  
Tim Strangleman

This chapter looks at the decisions made by Guinness related to the building of its English brewery at Park Royal in west London. It places these decisions within the context of Anglo-Irish politics of the 1920s and 1930s. Using a variety of archive sources, oral histories, and autobiographies, it tells the story of how the Park Royal site was identified and developed in secret. The chapter looks at the building and architecture of the brewery and the role of the world-renowned architect Giles Gilbert Scott. It also relates the experience of some of the early workers employed at the site during construction and subsequent production. The chapter finishes at the end of the Second World War in 1945.


Author(s):  
Carson H. Varner ◽  
Katrin C. Varner

This paper examines developing issues and attitudes that unite and divide the United States and the European Union as the discussion and regulation of agriculture evolves. While some terms, such as “organic,” are defined in law in both the United States and European Union, the increasingly used “sustainability” is an evolving concept. The main sustainability issue is how to provide food and fiber for a rapidly growing world population. In this context, the role of biotechnology is questioned. Americans tend to favor what are sometimes called genetically modified crops, while Europeans remain cautious. Europeans lean more toward organic farming, while Americans assert that much of the world will starve if organic methods are required. This paper reviews the directions that the discussion of these issues is taking and will show areas of agreement and where the two sides diverge.


2019 ◽  
Vol 72 ◽  
pp. 03009
Author(s):  
Saassylana Sivtseva ◽  
Olga Parfenova

The historical and cultural heritage, expressed in monuments, architectural structures, dedicated to the Great Patriotic War, today is significant. The purpose of the article is to determine the role of society in perpetuating the memory of the Great Patriotic War. The authors conclude that the events of World War II find a lively response from the public. At the same time, new tendencies in commemorative practices are traced - tragic pages of history that until recently were “uncomfortable” (and in Soviet times banned for research), such as human losses, extremely high mortality of the civilian population from hunger, forcibly transferred to special settlements, - began to be reflected in the construction of monuments, memorable places. The location of these monuments is specific - they were erected at a certain distance from public places, at the territories of churches (victims of famine, victims of political repressions), which is associated with the predicted ambiguity of their perception.


2019 ◽  
Vol 21 (1) ◽  
pp. 66-96
Author(s):  
Kate Burlingham

In the late 1960s and early 1970s, individuals around the world, particularly those in newly decolonized African countries, called on churches, both Protestant and Catholic, to rethink their mission and the role of Christianity in the world. This article explores these years and how they played out in Angola. A main forum for global discussion was the World Council of Churches (WCC), an ecumenical society founded alongside the United Nations after World War II. In 1968 the WCC devised a Program to Combat Racism (PCR), with a particular focus on southern Africa. The PCR's approach to combating racism proved controversial. The WCC began supporting anti-colonial organizations against white minority regimes, even though many of these organizations relied on violence. Far from disavowing violent groups, the PCR's architects explicitly argued that, at times, violent action was justified. Much of the PCR funding went to Angolan revolutionary groups and to individuals who had been educated in U.S. and Canadian foreign missions. The article situates global conversations within local debates between missionaries and Angolans about the role of the missions in the colonial project and the future of the church in Africa.


2020 ◽  
pp. 250-272
Author(s):  
Tessa Thorniley

John Lehmann’s The Penguin New Writing (1940-1950) is considered one of the finest literary periodicals of World War Two. The journal was committed to publishing writing about all aspects of wartime life, from the front lines to daily civilian struggles, by writers from around the world. It had an engaged readership and a high circulation. This chapter specifically considers Lehmann’s contribution to the wartime heyday for the short story form, through the example of The Penguin New Writing. By examining Lehmann’s editorial approach this chapter reveals the ways he actively engaged with his contributors, teasing and coaxing short stories out of them and contrasts this with the editorial style of Cyril Connolly at rival Horizon magazine. Stories by, and Lehmann’s interactions with, established writers such as Elizabeth Bowen, Henry Green and Rosamond Lehmann, the emerging writer William Sansom and working-class writers B.L Coombs and Jim Phelan, are the main focus of this chapter. The international outlook of the journal, which promoted satire from China alongside short, mocking works by Graham Greene, is also evaluated as an often overlooked aspect of Lehmann’s venture. Through the short stories and Lehmann’s editorials, this chapter traces how Lehmann sought to shape literature and to elevate the short story form. The chapter concludes by considering how the decline of the short story form in Britain from the 1950s onwards was closely linked to the demise of the magazines which had most actively supported it.


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