scholarly journals Orwell’s Tattoos: Skin, Guilt, and Magic in ‘Shooting an Elephant’ (1936)

Humanities ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 124
Author(s):  
Lisa Mullen
Keyword(s):  
Historical Evidence ◽  
Skin Ego ◽  
Authoritarian Politics ◽  
Written Word

This paper considers the significance of the talismanic tattoos on Orwell’s hands, which he acquired in Burma during his time as a colonial policeman from 1922 to 1927. It examines historical evidence suggesting that such tattoos were understood differently by British and Burmese people, and concludes that, for Orwell, their meaning was multilayered: first, they were a means of understanding Burmese culture more intimately; second, they were a psychological attempt to cathect his feelings of guilt about his complicity in colonial injustice by remaking his ‘skin-ego’; and third, they were a gesture towards the possibility that inscription—first in the form of tattoos, and later in the written word—might be a way to understand and process his self-alienation. The paper goes on to examine Orwell’s 1936 essay ‘Shooting an Elephant’ in the light of Orwell’s interest in inscription, and traces its themes of mark-making, magic, and authorship, arguing that these ideas enabled him, at a crucial moment in his development as a writer, to map his experiences of colonialism onto his wider commitment to anti-fascist and anti-authoritarian politics.

The written word

1989 ◽  
Author(s):  
Dona Alpert
Keyword(s):  
Written Word

Nasty and Brutish? an Empirical Assessment of the Violence Hypothesis

2017 ◽  
Author(s):  
Karl Widerquist ◽  
Grant S. McCall
Keyword(s):  
Historical Evidence ◽  
Contemporary State ◽  
Empirical Assessment ◽  
Early States ◽  
Consensus View

This chapter empirically investigates two hypotheses often used to support the claim that virtually everyone is better off in state society than they could reasonably expect to be in any stateless environment. “The strong violence hypothesis” is the claim that violence in stateless societies is necessarily intolerable. “The weak violence hypothesis” is the claim that violence in stateless societies tends to be higher than in state society. Section 1 uses anthropological and historical evidence to examine violence in prehistoric stateless societies, early states, and contemporary states. Section 2 reviews evidence from modern stateless societies. Section 3 attempts to assemble anthropologists’ consensus view of violence in stateless societies. Section 4 evaluates the strong and weak hypotheses in light of this information, arguing that societies in which sovereignty is most absent maintain the ability to keep violence at tolerable levels. Although it is reasonable to suppose that stateless societies tend to have higher violence than contemporary state societies, some stateless societies have lower violence than some states. Because these findings reject 350 years of accumulated theory of sovereignty, Section 5 briefly discusses how bands are able to maintain peace without state-like institutions. Section 6 concludes.

The theory and history of ekphrasis. A summary and prospects of research, or, forty-five articles on ekphrasis

2019 ◽  
pp. 188-215
Author(s):  
N. M. Perlina
Keyword(s):  
Development Process ◽  
Source Material ◽  
Cross Cultural ◽  
Cultural Characteristics ◽  
Literary Evolution ◽  
History Of ◽  
Written Word ◽  
Similar Development

The article is devoted to ekphrasis, its historical and literary evolution, as well as aspects of its stylistic, cultural, and ideological origins. The research is based on the versatile collection of The Theory and History of Ekphrasis [Teoriya i istoriya ekfrasisa], which contains a number of previously little known texts and theories on ekphrasis, developed in regions with different ethnic and cultural characteristics. The author spares no effort in the examination of this monograph and, using the observations made by various scholars, discerns a similar development process of cross-cultural and cross-aesthetic transformations and transpositions, which, however, adopts divergent paths. Transpositions, the author suggests, occur in the model of a text awaiting a pictorial interpretation. The article concentrates on the ways to present an image anticipated in a written word, and to generate a new text, whose subject and content draw not only on poeticized observations of the source material, but also on metapoetic tales about its creators.

ACTION ON MATTER: THE HISTORY OF THE UNIQUELY AFRICAN TAMPER AND CONCAVE ANVIL POT-FORMING TECHNIQUE

2003 ◽  
Vol 1 (1) ◽  
pp. 3-35 ◽  
Author(s):  
Judy Sterner ◽  
Nicholas David
Keyword(s):  
Historical Development ◽  
Weight Ratio ◽  
High Volume ◽  
Efficient Production ◽  
Arid Environments ◽  
Historical Evidence ◽  
Culture History ◽  
History Of ◽  
And Diffusion

The publication, largely by ethnoarchaeologists, of new data on the tamper and concave anvil technique of pot-forming (TCA) permits a reassessment of this uniquely African technique, its toolkit, and its culture history. A survey, inspired by the technologie culturelle school, of its varied expressions in the southern Saharan, Sahelian and northern Sudan zones from Mali to Sudan and extending north into Egypt emphasises the potential of the technique for the efficient production of spherical water jars of high volume to weight ratio, much appreciated in arid environments. The technique is demanding and therefore practised for the most part by specialists. The origins and diffusion of the technique are assessed in the light of the ethnological, archaeological, linguistic, and historical evidence, and a four stage historical development is sketched.

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