scholarly journals Reflection, Ritual, and Memory in the Late Roman Painted Hypogea at Sardis

Arts ◽  
2019 ◽  
Vol 8 (3) ◽  
pp. 103
Author(s):  
Rousseau
Keyword(s):  
Religious Affiliation ◽  
Fourth Century ◽  
Natural World ◽  
Wall Painting ◽  
Western Anatolia ◽  
Late Antique ◽  
Roman World ◽  
Social Negotiation ◽  
Discrete Nature ◽  
Late Roman

Wall painting in the Sardis hypogea expresses a regional visual language situated within the context of Late Antique approaches to decorative surfaces and multivalent motifs of indeterminate religious affiliation. Iconographic ambivalence and a typically Late Antique absence of illusionism creates a supranatural world that is grounded in the familiar imagery of home and gardens but does not quite reflect the natural world. Ubiquitous and mundane motifs were thus elevated and potentially charged with polysemic allusions to funerary practice and belief. Twelve fourth century C.E. hypogea form a distinctive corpus with a largely homogenous decorative program of scattered flowers, garlands, baskets, and birds. Related imagery is common throughout the larger Roman world, but compositional parallels from Western Anatolia suggest a particularly local visual vocabulary. The chronologically, geographically, and typologically discrete nature of the Sardis corpus set it apart from the standard of Rome while underscoring commonalities in late Roman funerary decoration and ritual. The painted imagery evoked funerary processes and ongoing social negotiation between the living and the deceased.

scholarly journals Religious Lives of Image-Things, Avodah Zarah, and Rabbis in Late Antique Palestine

2016 ◽  
Vol 17 (1) ◽  
pp. 91-122
Author(s):  
Rachel Neis
Keyword(s):  
Fourth Century ◽  
Late Antique ◽  
Roman World ◽  
Byzantine Period ◽  
Material Turn ◽  
Religious Lives ◽  
Religious Image ◽  
Late Roman

Abstract Drawing on rabbinic sources redacted in the early third and late fourth/ early fifth centuries, this paper tracks the intertwined lives of divine image-things and rabbis living in late Roman and Byzantine period Palestine. The paper argues that the religious image-things of others (or avodah zarah, in rabbinic terms) pressed in different ways on rabbinic notions of animation, materiality, agency, and representation, as well as on the boundaries between the thing, the human, and the divine. Additionally, the paper argues that while rabbis attempted to neutralize the claims of such image-things, in part by exposing their materiality, their excess nonetheless escaped such rabbinic efforts. Finally, the paper argues that in the fourth century, along with the “material turn” in the Roman world inspired by Christian engagement, we find not only a greater sense of the excess in the things of avodah zarah, but also a concomitant thingification of the rabbinic sage.

Religious Dissent in Late Antiquity, 350-450

2019 ◽  
Author(s):  
Maijastina Kahlos
Keyword(s):  
Roman Empire ◽  
Late Antiquity ◽  
Conflicts Of Interest ◽  
Fourth Century ◽  
Late Antique ◽  
Religious Groups ◽  
Religious Dissent ◽  
Roman Society ◽  
History Of ◽  
Late Roman

Religious Dissent in Late Antiquity reconsiders the religious history of the late Roman Empire, focusing on the shifting position of dissenting religious groups. The groups under consideration are non-Christians (‘pagans’) and deviant Christians (‘heretics’). The period from the mid-fourth century until the mid-fifth century CE witnessed a significant transformation of late Roman society and a gradual shift from the world of polytheistic religions into the Christian Empire. This book demonstrates that the narrative is much more nuanced than the simple Christian triumph over the classical world. It looks at everyday life, economic aspects, day-to-day practices, and conflicts of interest in the relations of religious groups. The book addresses two aspects: rhetoric and realities, and consequently delves into the interplay between the manifest ideologies and daily life found in late antique sources. We perceive constant flux between moderation and coercion that marked the relations of religious groups, both majorities and minorities, as well as the imperial government and religious communities. Religious Dissent in Late Antiquity is a detailed analysis of selected themes and a close reading of selected texts, tracing key elements and developments in the treatment of dissident religious groups. The book focuses on specific themes, such as the limits of imperial legislation and ecclesiastical control, the end of sacrifices, and the label of magic. It also examines the ways in which dissident religious groups were construed as religious outsiders in late Roman society.

Economy and Power in Late Roman Britain

2015 ◽  
Author(s):  
James Gerrard
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
Roman Period ◽  
Roman Britain ◽  
Agricultural Resources ◽  
Roman World ◽  
Surplus Extraction ◽  
Late Roman Period ◽  
The Relationship ◽  
Late Roman

This chapter reviews the relationship between power and economics in fourth-century Britain. It argues that the Roman past has often been intuitively understood as rational and that its economics can be easily characterized as ‘proto-capitalist’. The Roman period was, however, both complex and irrational. Agricultural production was the powerhouse of the economy and provided the foundations of both power and status during the late Roman period. The focus on the agricultural economy allows the structures of power – tax, tribute and surplus extraction – and their transformation to be studied. During the fifth century the imperial superstructure collapsed, but the continued local control of agricultural resources provides a mechanism for how the late Roman world was transformed into early medieval societies.

Two Late-Antique statues from ancient Messene

2005 ◽  
Vol 100 ◽  
pp. 387-405 ◽  
Author(s):  
Georgios Deligiannakis
Keyword(s):  
Social Status ◽  
Fourth Century ◽  
Cultural Environment ◽  
Late Antique ◽  
Traditional Religion ◽  
Traditional Values ◽  
Greco Roman ◽  
Insight Into ◽  
Rare Instance ◽  
Late Roman

This article gives a first publication of two late antique statues; it discusses their archaeological context suggesting an appropriate date and tries to place them in their historical and cultural environment.The statues of Messene are important because they represent a rare instance of two late antique statues from Achaia for the study of which a precise archaeological context is available. They were the products of a local workshop and could be dated to the first quarter of the fourth century. The two late antique statues, of an emperor (perhaps Constantine I) and of Hermes, and a third earlier one showing Artemis Laphria, were part of a late Roman sculptural assemblage. It is here argued that they all stood together in niches, inside the reception room of a wealthy town mansion. They offer a vivid insight into the taste and self-representation of the owner of the house. It is suggested that they represent a mix of contemporary political reference and traditional values of the Greco-Roman aristocracy: loyalty to the Imperial House, social status and education, euergetism, and perhaps traditional religion.

KEEPING THE DEMONS OUT OF THE HOUSE: THE ARCHAEOLOGY OF APOTROPAIC STRATEGY AND PRACTICE IN LATE ANTIQUE BUTRINT AND ANTIGONEIA

2009 ◽  
Vol 5 (1) ◽  
pp. 273-310 ◽  
Author(s):  
John Mitchell
Keyword(s):  
Late Antique ◽  
Urban Decline ◽  
Coastal City ◽  
Roman World ◽  
Ancient City ◽  
Social Insecurity ◽  
Characteristic Features ◽  
Late Roman

Amulets and amuletic imagery are characteristic features of the Late Roman world and yet few examples can be localised, physically contextualised or dated. Excavation of the late antique phases of a large peristyle house in the coastal city of Butrint in southern Albania, ancient Epirus Vetus, has produced a remarkable assemblage of apotropaic devices and protective forms which goes some way to correcting this deficiency. These, together with the imagery on a remarkable mosaic pavement in the sanctuary of a small 6th c. A.D. chapel in the nearby ancient city of Antigoneia, show the range of subjects deployed, in a period of increasing social insecurity and urban decline, to assure safety, health and success in life and a safe passage to the next world after death.

Unearthing Houses in Porphyreon and Chhim. Structure, Spatial Development, and Decoration of Domestic Spaces in Late Antique Phoenicia

2020 ◽  
pp. 173-195
Author(s):  
Tomasz Waliszewski ◽  
Julia Burdajewicz
Keyword(s):  
Social Structure ◽  
Late Antiquity ◽  
Research Team ◽  
Wall Painting ◽  
Domestic Architecture ◽  
Functional Study ◽  
Late Antique ◽  
Rural Settlements ◽  
Domestic Spaces ◽  
Residential Architecture

Porphyreon (Jiyeh/Nebi Younis) and Chhim were large rural settlements situated on the coast of modernday Lebanon, north of the Phoenician city of Sidon. As attested by the remains of residential architecture, they were thriving during the Roman Period and late Antiquity (1st–7th centuries AD). This article presents the preliminary observations on the domestic architecture uncovered at both sites, their spatial and social structure, as well as their furnishing and decoration, based on the fieldwork carried out in recent years by the joint PolishLebanese research team. The focus will be put on the wall painting fragments found in considerable numbers in Porphyreon. The iconographical and functional study of the paintings betrays to what extent the inhabitants of rural settlements in the coastal zone of the Levant were inclined to imitate the decoration of the urban houses known to them from the nearby towns, such as Berytus, but also from religious contexts represented by churches.

Alexandria, Kom el-Dikka. Fieldwork in the 2019 season

2020 ◽  
pp. 469-496
Author(s):  
Grzegorz Majcherek
Keyword(s):  
Large Scale ◽  
Direct Evidence ◽  
Geometric Design ◽  
Late Antique ◽  
Construction Work ◽  
Floor Tiles ◽  
Stone Material ◽  
The Mediterranean ◽  
Late Roman

The report offers an account of archaeological and conservation work carried out at the site. Excavations in the central part of the site (Sector F) were continued for the fourth season in a row. Exploration of remains of early Roman houses led to the discovery of a well preserved multicolored triclinium mosaic floor with a floral and geometric design. A large assemblage of fragments of polychrome marble floor tiles, recorded in the house collapse, showed the scale of importation of decorative stone material from various regions of the Mediterranean. Overlying the early Roman strata was direct evidence of intensive construction work carried out in the vicinity in the form of large-scale kilnworks, supplying lime most probably for the building of the late Roman bath and cistern. Included in the presentation is a brief review of the limited conservation work that was conducted in the complex of late antique auditoria.

Ildar Garipzanov, Caroline Goodson, and Henry Maguire, ed., Graphic Signs of Identity, Faith, and Power in Late Antiquity and the Early Middle Ages. Cursor Mundi, 27, Turnhout: Brepols, 2017, xviii, 392 p., 141 ill.

Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 377-379
Author(s):  
Kriszta Kotsis
Keyword(s):  
Middle Ages ◽  
Interdisciplinary Research ◽  
Late Antiquity ◽  
Visual Communication ◽  
Group Identity ◽  
Religious Affiliation ◽  
Late Antique ◽  
The Third ◽  
Cursor Mundi ◽  
Definition Of

Late antique and early medieval graphic signs have traditionally been studied by narrowly focused specialists leading to the fragmentation and decontextualization of this important body of material. Therefore, the volume aims “to deepen interdisciplinary research on graphic signs” (7) of the third through tenth centuries, with contributions from archaeologists, historians, art historians, a philologist, and a paleographer. Ildar Garipzanov’s introduction defines the central terms (sign, symbol, graphicacy), calls for supplanting the text-image binary with “the concept of the visual-written continuum” (15), and argues that graphicacy was central to visual communication in this period. He emphasizes the agency of graphic signs and notes that their study can amplify our understanding of the definition of personal and group identity, the articulation of power, authority, and religious affiliation, and communication with the supernatural sphere.

Secular Monograms, Social Status, and Authority in the Late Roman World and Early Byzantium

2018 ◽  
Author(s):  
Ildar Garipzanov
Keyword(s):  
Social Status ◽  
Social Power ◽  
Fifth Century ◽  
Seventh Century ◽  
Sixth Century ◽  
Late Antique ◽  
Imperial Authority ◽  
Christian Culture ◽  
Noble Identity ◽  
Late Roman

This chapter examines the use of monograms as graphic signs of imperial authority in the late Roman and early Byzantine empire, from its appropriation on imperial coinage in the mid-fifth century to its employment in other material media in the following centuries. It also overviews the use of monograms by imperial officials and aristocrats as visible signs of social power and noble identity on mass-produced objects, dress accessories, and luxury items. The concluding section discusses a new social function for late antique monograms as visible tokens of a new Christian paideia and of elevated social status, related to ennobling calligraphic skills. This transformation of monograms into an attribute of visual Christian culture became especially apparent in sixth-century Byzantium, with the cruciform monograms appearing in the second quarter of the sixth century and becoming a default monogrammatic form from the seventh century onwards.

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