scholarly journals A Hardware-Oriented Algorithm for Real-Time Music Key Signature Recognition

2021 ◽  
Vol 11 (18) ◽  
pp. 8753
Author(s):  
Paulina Kania ◽  
Dariusz Kania ◽  
Tomasz Łukaszewicz

The algorithm presented in this paper provides the means for the real-time recognition of the key signature associated with a given piece of music, based on the analysis of a very small number of initial notes. The algorithm can easily be implemented in electronic musical instruments, enabling real-time generation of musical notation. The essence of the solution proposed herein boils down to the analysis of a music signature, defined as a set of twelve vectors representing the particular pitch classes. These vectors are anchored in the center of the circle of fifths, pointing radially towards each of the twelve tones of the chromatic scale. Besides a thorough description of the algorithm, the authors also present a theoretical introduction to the subject matter. The results of the experiments performed on preludes and fugues by J.S. Bach, as well as the preludes, nocturnes, and etudes of F. Chopin, validating the usability of the method, are also presented and thoroughly discussed. Additionally, the paper includes a comparison of the efficacies obtained using the developed solution with the efficacies observed in the case of music notation generated by a musical instrument of a reputable brand, which clearly indicates the superiority of the proposed algorithm.

2020 ◽  
Vol 9 (2) ◽  
pp. 35
Author(s):  
Ayu Nurhasanah ◽  
Erfan Erfan

This study aims to describe online instruction of Culture and Arts especially in Music subject matter in class VII.5 at SMP Negeri 17 Padang. This is a qualitative research using a descriptive analytic approach. The research instrument used was the researcher itself and was assisted by supporting instruments such as writing tools, cameras, and cellphones. The data were collected through literature study, interviews, and documentation.Based on the results of the study, it can be concluded that the implementation ofonline instructionin the subject matter of simple musical instruments in class VII.5 at SMP Negeri 17 Padang is using the Whatsapp Group media recommended by the Principal of SMP Negeri 17 Padang. This is a way to deal with online learning so that learning activities can be continued even though it is conducted in distance. The planning step for learning simple musical instrument is not optimally conducteddue to the fact that the teacher does not create lesson plans for online instruction.The implementation of online learning in the subject matter of simple musical instrumentcontinues to run smoothly even though the learning process faces various obstacles. The learning outcomes of Culture and Arts for grade VIIin the subject matter of simple musical instruments are less effective and less optimal. This is due to the fact that learning activities conducted do not pay attention to standards of preparing online learning materials.Key word: Instruction, Online, Simple musical instruments


2019 ◽  
Vol 8 (3) ◽  
Author(s):  
James Theroux ◽  
Cari Carpenter ◽  
Clare Kilbane

A new type of case study, called the real-time case (RTC), was produced in the fall of 2001 and distributed via the Internet to business classes at four universities in the US and Canada. The real-time case presented the story of one company's growth and development throughout a 14-week semester. A case writer stationed full-time at the subject company published case installments weekly on the Web, allowing students to view the company-building process as it happened. The 14-week coverage of RTC enabled students to study the subject company in unprecedented depth and detail. RTC's real-time interactivity allowed students to share their analyses and best thinking with the company leadership during the company’s decision-making process.A major objective in producing the case was to heighten student engagement with the case material. To evaluate whether this objective was achieved, a survey and a focus group discussion were conducted with one of the participating MBA classes. Results from the survey and the focus group showed a high degree of engagement, plus many other benefits from the new type of case study.


Author(s):  
Seema Shrivastava

Food processing industry (FPI) is at a nascent stage and is tagged as a sunshine industry. The efficiency and productivity of the inputs for the aforesaid industries have to be measured to not only find out if the potential is achieved or not, but also to identify the grey areas. Against such a backdrop, it is obvious that industries like FPI would grow and become the subject matter for further investigation. The research revealed that the majority of cases have been consistent with the real facts and the underlying principles, and the structure of the economy provide valid reasons for it. However, in some cases, the results have not been consistent with the movement of the economy and there are no valid economic reasons for the performance of the state.


2012 ◽  
Vol 8 (2) ◽  
pp. 135-144 ◽  
Author(s):  
Chien-Hui Yang ◽  
Enniati Rusli

Research has shown that using debate in higher education as a pedagogical tool has effect on promoting higher order and critical thinking (Camp & Schnader, 2010; Ng et al., 2004; Roy & Macchiette, 2005; Ryan & College, 2006). Debate has been implemented in various disciplines with adult learners, such as psychology (Budesheim & Lundquist, 1999), medicine (Koklanaris, Mackenzie, Fino, Arsland, & Seubert, 2008 ), political science (Omelicheva, 2005), marketing (Roy & Macchiette, 2005), accounting (Camp & Schnader, 2010), science & technology (Scott, 2008). Based on the previous studies, students viewed the use of debate as a new and innovative way to teaching and learning, while being more informative, and eye-opening (Kennedy, 2009; Munakata, 2010). The non-traditional method of teaching also increased students motivation and interest level (Munakata, 2010) as it gave a real sense of drama (Roy & Macchiette, 2005, p. 271). However, in teacher preparation, the implementation of debate as a pedagogical tool to promote learning as well as the research on this topic is relatively limited (Erduran, Ardac, & Yakmaci-Guzel, 2006; Ng, Lan, & They, 2004; Munakata, 2010; Sadler, 2006).  This study aims to implement debate as pedagogical tool to enhance pres-service teachers learning on the subject matter and investigate the effect of using debate in teacher training in Singapore context. The following research questions were posed in the study: (1) whether debate stimulated students thinking on the subject matter more than textbook readings and lectures (traditional teacher-directed methods), (2) to which extent students found debate helpful to their learning on the subject matter, (3) to which extent debate helped students to make connections between the subject matter and the real life, and (4) what was the qualitative feedback from students in their learning through the debate activity. Fifty-six pre-service teachers participated in a course evaluation survey to provide feedback on their learning. The results have shown that 83.9% of teachers agree that debate stimulated their thinking more than textbook readings and lectures, while 14.3% of teachers felt neutral, and 1.8% of teachers strongly disagree. Eighty two percent of teachers found debate very helpful to their learning while 16.1% felt neutral. In addition, 80.4% of teachers agree that debate helps them to make connections between the subject matter and the real life experiences while 17.9% of teachers felt neutral. Several observations emerged from students qualitative feedback on using debate in learning. Students expressed that the debate activity helped them to expand the understanding of the subject matter, retention of crucial concepts and knowledge, and comprehension of essential issues on the subject matter. Students felt debate helped them to understand different perspectives, and reduce bias. Some students reported change of their positions and perspectives after the debate. More importantly, many students stated that debate helped them develop critical thinking and higher order thinking skills in comparison to traditional methods.


2019 ◽  
Vol 12 (1) ◽  
pp. 14-23
Author(s):  
Yusuf Andrian ◽  
Rusman Rusman

Abstrak: Penelitian ini merupakan penelitian deskripsi yang dilakukan pada 39 SMA Rujukan yang ada di Provinsi DKI Jakarta. Penelitian ini bertujuan untuk mendeskripsikan implementasi pembelajaran abad 21 dalam Kurikulum 2013 pada mata pelajaran Fisika di SMA Rujukan Provinsi DKI Jakarta. Fokus penelitian diarahkan pada empat sub variabel yaitu; (1) perencanaan pembelajaran; (2) pelaksanaan pembelajaran; (3) penilaian pembelajaran; dan (4) pengawasan pembelajaran. Responden yang dilibatkan dalam penelitian adalah guru mata pelajaran Fisika. Pada penelitian ini digunakan angket untuk mengumpulkan data dan menggunakan skala Likert dengan skor 1 sampai 4. Selanjutnya, data tersebut diolah dengan menggunakan teknis analisis deskriptif persentase. Hasil dari penelitian ini diharapkan dapat menjadi masukan bagi Kementerian Pendidikan dan Kebudayaan, khususnya bagi Direktorat Pembinaan SMA, mengenai kondisi riil di lapangan berkaitan dengan implementasi Kurikulum 2013 SMA sehingga dapat dijadikan bahan pertimbangan dalam pengambilan kebijakan selanjutnya. Kata Kunci: Pembelajaran Abad 21, Kurikulum 2013, Fisika, SMA Rujukan Abstract: This research is a description research conducted from 39 SMA Rujukan in Province of DKI Jakarta. This study aims to describe the implementation of 21st century learning in Curriculum 2013 in the subject matter of physics at SMA Rujukanin Province of DKI Jakarta. The focus research is directed to four sub variables namely; (1) planning of learning; (2) implementing of learning; (3) assessment of learning; & (4) monitoring of learning. Respondents in this research are teacher of Physics subject. This study used questionnaires to collect data and use Likert scale with a score of 1 to 4. Furthermore, the data is processed by using technical analysis descriptive percentage. The results of this study are expected to be an input or recommendation for the Ministry of Education and Culture, especially for the Directorate of High School Development, regarding with the real conditions in the school related to the implementation of Curriculum 2013 so it can be taken into consideration for the next policy making. Keywords: 21st Century Learning, Curriculum 2013, Physics, SMA Rujukan


Author(s):  
Elena Nikolaevna Piryazeva

The subject of this research is the electronic musical instrument trautonium and characteristic features of compositions written for this instrument. The advancement of electronic music and its instruments is substantiated by innovative transformation, constant emergence of new devices, their improvement and phasing out or transitions into a new generation of devices. One of such electronic musical instruments is trautonium, invented in the first half of the XX century. It did not gain much popularity, but gather its own repertoire and library of video and audio recordings. In the course of this research, the author applied the following methods: historical and systemic approaches; methods of integral, structural, stylistic, and comparative analysis. The novelty is defined consists in the subject of research, range of compositions attracted for musicological analysis, and the angle of their view. The author determines the common to compositions for trautonium concert character of performance reflected in the set of aesthetic and technological principles on various levels of musical composition.


Journalism ◽  
2016 ◽  
Vol 20 (3) ◽  
pp. 410-426 ◽  
Author(s):  
Giora Goodman ◽  
Sandrine Boudana

Influenced by British journalistic traditions, Reuters is a global news agency embracing impartiality as a corporate norm rather than a professional standard. This impartiality, reflected in a careful choice of vocabulary, is meant to satisfy all of Reuters’ subscribers. However, our study of Reuters’ archives demonstrates that this corporate objectivity is not an absolute principle, but the subject of internal debates and tensions, often provoked by subscribers’ reactions to particular news items. This is especially so in the case of the long-lasting and highly demanding coverage of the Arab–Israeli conflict. Focusing on the 1967–1982 period, when the internal debates at Reuters proved to be particularly tense, our archival research revealed that discussions between the London headquarters and the Middle East offices revolved around four major issues, which are the focus of this article: (1) emotive wording, (2) naming of borders and capitals, (3) use of the term ‘Palestinian’ and (4) the ‘terrorist’ and ‘guerrilla’ labels. Analysis of the real-time recording of editorial difficulties faced by Reuters over the Arab–Israeli conflict in the 1960s and 1970s demonstrates how crucial, yet Quixotic, is Reuters’ ambition to reach consensus on a language of objectivity.


2017 ◽  
Vol 41 (3) ◽  
pp. 21-35 ◽  
Author(s):  
Cat Hope

This article argues that animated notations are the most exciting new direction for music notation since the conception of the real-time score. The real-time score revolutionized performance practices in new music, with the composer Gerhard E. Winkler calling it a “third way” between improvisation and fixed scores. Developing upon the idea of dynamic notation epitomized by the real-time score, animated notation features movement as its foundation, and may be presented as an interactive program, video, or application environment generated in real time or preset. It extends the possibilities presented by graphic notations, engaging the processing power of computing toward new complexities of shape, color, movement dynamics, form, synchronicity, and the very performability of music scores. Beginning with a brief historic overview of trends and background that may have informed the development of animated notation, I then examine contemporary practices and their application to a range of music. I will argue that animated notation brings particular benefits for scoring music featuring electronics and aleatoric elements.


2017 ◽  
Vol 58 (3) ◽  
pp. 352-374
Author(s):  
Alex Ferrone

Philip Ridley has made a career of courting controversy in his work for the stage, from the claustrophobia and anxiety of his first play, 1991'sThe Pitchfork Disney, to the sprawling, ragtagKaragula, whose one-star review in theTelegraphled with the provocative headline, “Is Karagula the Worst Play of 2016?” But perhaps no play in Ridley's oeuvre has attracted as much notoriety as 2005'sMercury Fur, an intense, unrelenting, “interval-less two-hour piece” whose premiere divided critical opinion and provoked walkouts. Paines Plough, the company that commissioned the play, reports that “at least ten audience members a night left every show, unable to take the atmosphere of threat and violence portrayed on stage.”Mercury Furis set in a futuristic English dystopia whose aimless youth find their grasp on history—and their own memories—slipping away as they become addicted to hallucinogenic butterflies released upon the populace by an ambiguous invading power. While the protagonist, Elliot, ekes out a living peddling butterflies in an ice cream van, he and his brother, Darren, make their real money from throwing “parties,” clandestine meetings for rich clients who pay exorbitantly to fulfill their most violent and murderous sexual fantasies. The play, performed in real time, sees the frantic preparation for—and eventual botched execution of—one such party for a City of London executive (the Party Guest), whose Vietnam War–themed fantasy involves torturing and killing a child Elvis Presley impersonator (the Party Piece) with a meat hook. Unsurprisingly, given the subject matter, moral outrage attendedMercury Fur’s initial run, with Faber, Ridley's longtime publisher, going so far as to refuse to print the play. But a number of critics and spectators rose to defend the integrity and artistic merit of Ridley's work, a position I extend in this paper.


2019 ◽  
pp. 262-270
Author(s):  
Kamil Lipiński

The subject matter of the article is Gilles Deleuze’s considerations on the concept of “any-space whatever” and its application in the cinema and the theater. This space is an outcome of the sensorimotor crisis as the development of Henri Bergson’s conception of duration to determine the potential transformations of modern cinema in the post-war period. It is expressed by a potential singularity that finds its locus in pure optical and sound situations. This conception reveals the correlation between the real and virtual connections defined by a genetic sign which relies upon differentiation. As a space characterized by an affection – image is experienced from its inside to define both disjoint and empty spaces. Such affect often emerges in a range of colors to outline the places marked by emptiness. It is strictly associated with “geometrical” orientation actualizing itself via the qualisign. Thus, this article defines the space in terms of the circuit of virtuality and actuality in time-image which crystallizes both in the cinema and TV dramas of potential exhaustion of three languages in theater performances. Namely, the first one is disruptive and enumerative; the second language consists of voices and combinative flows and the third one reunites the previous ones as the language of images, sounds, and coloring which is a movement between words.


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