scholarly journals Copyright Protection of 3D Digitized Artistic Sculptures by Adding Unique Local Inconspicuous Errors by Sculptors

2021 ◽  
Vol 11 (16) ◽  
pp. 7481
Author(s):  
Ivana Vasiljević ◽  
Ratko Obradović ◽  
Isidora Đurić ◽  
Branislav Popkonstantinović ◽  
Igor Budak ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Digital Libraries ◽  
3D Model ◽  
Three Dimensional ◽  
3D Models ◽  
The Internet ◽  
Historical Significance ◽  
Original Sculpture ◽  
Geometry Deviation ◽  
Cultural Heritage Objects

In recent years, digitization of cultural heritage objects, for the purpose of creating virtual museums, is becoming increasingly popular. Moreover, cultural institutions use modern digitization methods to create three-dimensional (3D) models of objects of historical significance to form digital libraries and archives. This research aims to suggest a method for protecting these 3D models from abuse while making them available on the Internet. The proposed method was applied to a sculpture, an object of cultural heritage. It is based on the digitization of the sculpture altered by adding local clay details proposed by the sculptor and on sharing on the Internet a 3D model obtained by digitizing the sculpture with a built-in error. The clay details embedded in the sculpture are asymmetrical and discreet to be unnoticeable to an average observer. The original sculpture was also digitized and its 3D model created. The obtained 3D models were compared and the geometry deviation was measured to determine that the embedded error was invisible to an average observer and that the watermark can be extracted. The proposed method simultaneously protects the digitized image of the artwork while preserving its visual experience. Other methods cannot guarantee this.

scholarly journals Documentación 3D y visualización multimedia de la Cova del Parpalló (Gandia)

2010 ◽  
Vol 1 (2) ◽  
pp. 123 ◽  
Author(s):  
José Luis Lerma García ◽  
Miriam Cabrelles López ◽  
Santiago Navarro Tarín ◽  
Sergio Galcerá Ustero
Keyword(s):  
Cultural Heritage ◽  
Laser Scanning ◽  
Three Dimensional ◽  
3D Models ◽  
The Other ◽  
Its Analysis ◽  
3D Documentation ◽  
The One ◽  
The Right ◽  
Cultural Heritage Objects

<p>The three-dimensional (3D) documentation by means of laser scanning and photogrammetry eases exhaustive recording, the right lecture of cultural heritage objects and its analysis in order to, on the one hand, adopt appropriate decisions and interventions, on the other hand, move forward the generation of virtual animated replicas of great value and smooth multimedia dissemination. The present paper tackles the different stages of graphic documentation and visualization undertaken in the Parpalló Cave (Cova del Parpalló), Gandia, Valencia. Besides traditional surveying documentation that is based on planimetric and altimetric maps, this paper presents the plotting and animated visualization of the Palaeolithic set not only making use of lights and shadows but also from photorealistic textured 3D models.</p>

scholarly journals Modern Methods of Preserving Memory about Objects of Cultural Heritage Being under the Threat of Elimination

2020 ◽  
pp. 130-138
Author(s):  
Maryna Mishchenko
Keyword(s):  
Cultural Heritage ◽  
Three Dimensional ◽  
The State ◽  
Future Generations ◽  
The Internet ◽  
National Legislation ◽  
Methodological Basis ◽  
Modern Methods ◽  
State Financing ◽  
Cultural Heritage Objects

The aim of this paper is to analyze issues related to identifying modern ways of materializing and further preserving of the memory of cultural heritage objects under the risk of destruction. Methodology. As a methodological basis the author of this study uses principles and methods of the culturological approach to analyze the norms of national legislation in the field of preserving cultural heritage, scientific works of leading specialists in this sphere and also practical aspects of the state financing and introducing activities for the protection of the immovable objects of cultural heritage. Results. The paper shows that development of the latest technologies, in particular, 3D-scanning, gives ample opportunities for fixing a detailed three-dimensional projection of any object (both movable and non-movable) in the state it is when scanned, given the damage, the reality/inevitability of the threat of destruction and the reality of prospects for future restoration. Novelty. The author argued that in the absence of sufficient funding, it is worth looking for alternative, in terms of content and cost, ways of preserving, if not a real object, at least its credible virtual projection for future generations. It has been determined that the important role played by the innovative initiatives of non-indifferent civic activists and their associations implemented mainly within the Internet with the active use of its possibilities should not be ignored.

scholarly journals Structured-light 3D scanning of exhibited historical clothing—a first-ever methodical trial and its results

2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Jerzy Montusiewicz ◽  
Marek Miłosz ◽  
Jacek Kęsik ◽  
Kamil Żyła
Keyword(s):  
Cultural Heritage ◽  
Information Technologies ◽  
Structured Light ◽  
Three Dimensional ◽  
3D Models ◽  
3D Scanning ◽  
Dimensional Representation ◽  
3D Scanner ◽  
Three Dimensional Representation ◽  
3D Scanners

AbstractHistorical costumes are part of cultural heritage. Unlike architectural monuments, they are very fragile, which exacerbates the problems of their protection and popularisation. A big help in this can be the digitisation of their appearance, preferably using modern techniques of three-dimensional representation (3D). The article presents the results of the search for examples and methodologies of implementing 3D scanning of exhibited historical clothes as well as the attendant problems. From a review of scientific literature it turns out that so far practically no one in the world has made any methodical attempts at scanning historical clothes using structured-light 3D scanners (SLS) and developing an appropriate methodology. The vast majority of methods for creating 3D models of clothes used photogrammetry and 3D modelling software. Therefore, an innovative approach was proposed to the problem of creating 3D models of exhibited historical clothes through their digitalisation by means of a 3D scanner using structural light technology. A proposal for the methodology of this process and concrete examples of its implementation and results are presented. The problems related to the scanning of 3D historical clothes are also described, as well as a proposal how to solve them or minimise their impact. The implementation of the methodology is presented on the example of scanning elements of the Emir of Bukhara's costume (Uzbekistan) from the end of the nineteenth century, consisting of the gown, turban and shoes. Moreover, the way of using 3D models and information technologies to popularise cultural heritage in the space of digital resources is also discussed.

scholarly journals Comparative Analysis of Digital Models of Objects of Cultural Heritage Obtained by the “3D SLS” and “SfM” Methods

2021 ◽  
Vol 11 (12) ◽  
pp. 5321
Author(s):  
Marcin Barszcz ◽  
Jerzy Montusiewicz ◽  
Magdalena Paśnikowska-Łukaszuk ◽  
Anna Sałamacha
Keyword(s):  
Cultural Heritage ◽  
Low Cost ◽  
Three Dimensional ◽  
3D Models ◽  
Silk Road ◽  
Digital Models ◽  
Global Pandemic ◽  
University Of Technology ◽  
Three Dimensional Models ◽  
3D Digitisation

In the era of the global pandemic caused by the COVID-19 virus, 3D digitisation of selected museum artefacts is becoming more and more frequent practice, but the vast majority is performed by specialised teams. The paper presents the results of comparative studies of 3D digital models of the same museum artefacts from the Silk Road area generated by two completely different technologies: Structure from Motion (SfM)—a method belonging to the so-called low-cost technologies—and by Structured-light 3D Scanning (3D SLS). Moreover, procedural differences in data acquisition and their processing to generate three-dimensional models are presented. Models built using a point cloud were created from data collected in the Afrasiyab museum in Samarkand (Uzbekistan) during “The 1st Scientific Expedition of the Lublin University of Technology to Central Asia” in 2017. Photos for creating 3D models in SfM technology were taken during a virtual expedition carried out under the “3D Digital Silk Road” program in 2021. The obtained results show that the quality of the 3D models generated with SfM differs from the models from the technology (3D SLS), but they may be placed in the galleries of the vitrual museum. The obtained models from SfM do not have information about their size, which means that they are not fully suitable for archiving purposes of cultural heritage, unlike the models from SLS.

scholarly journals Fringe projection profilometry for recovering 2.5D shape of ancient coins

ACTA IMEKO ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 142
Author(s):  
Giuseppe Schirripa Spagnolo ◽  
Lorenzo Cozzella ◽  
Fabio Leccese
Keyword(s):  
Cultural Heritage ◽  
Good Accuracy ◽  
Three Dimensional ◽  
Surface Profile ◽  
Fringe Projection ◽  
Profile Measurement ◽  
Dimensional Model ◽  
Three Dimensional Model ◽  
Cultural Heritage Objects ◽  
Physical Access

<p class="Abstract">The relief of form is undoubtedly one of the most topical topics in the field of cultural heritage. Physical access to historic and artistic manufactures can be limited by a lot of factors. For example, the access to the collection of the ancient coins is difficult, especially for students. Indeed, for coins digital archive of high-quality three-dimensional model and remote fruition is of great interest. The use of projected fringes for the measurement of surface profile is a well-developed technique. In this paper, we present a surface profile measurement system for small objects of cultural heritage where it is important not only to detect the shape with good accuracy but also to capture and archive the signs due to ageing. The illustrated equipment is simple, reliable, and cheap. Furthermore, some examples of acquisitions are presented to demonstrate the potentiality of the proposed scheme for recovering 2.5D shape of cultural heritage objects.</p>

scholarly journals Reconstrucción digital 3D del patrimonio histórico de Agustín de Betancourt: la máquina para cortar hierba en canales navegables

2016 ◽  
Vol 7 (14) ◽  
pp. 20
Author(s):  
José Ignacio Rojas-Sola ◽  
José Porras-Galán ◽  
Laura García-Ruesgas
Keyword(s):  
Cultural Heritage ◽  
History Of Science ◽  
3D Model ◽  
Civil Engineering ◽  
Three Dimensional ◽  
Baseline Information ◽  
History Of ◽  
Eighteenth And Nineteenth Centuries ◽  
Solid Edge

Agustín de Betancourt y Molina was one of the most distinguished engineers of the eighteenth and nineteenth centuries with numerous contributions to various fields of engineering, including civil engineering. This research shows the process followed in the documentation of the cultural heritage of that Canary engineer, especially in the geometric documentation of a machine for cutting grass in waterways presented in England in 1795 after three years researching on theory of machines. The baseline information has been recovered from the Canary Orotava Foundation of History of Science who has spent years collecting information about the Project Betancourt, in particular, planimetric information as well as a small report on its operation and description of parts of machine. From this information, we have constructed a three dimensional (3D) model using CAD techniques with the use of Solid Edge ST7 parametric software, which has enabled the team to create the 3D model as well as different detail plans and exploded views.

scholarly journals FROM ARCHIVE DOCUMENTATION TO ONLINE 3D MODEL VISUALIZATION OF NO LONGER EXISTING STRUCTURES: THE TURIN 1911 PROJECT

2020 ◽  
Vol XLIII-B2-2020 ◽  
pp. 837-844
Author(s):  
D. Einaudi ◽  
A. Spreafico ◽  
F. Chiabrando ◽  
C. Della Coletta
Keyword(s):  
Cultural Heritage ◽  
3D Model ◽  
3D Models ◽  
World's Fair ◽  
Existing Structures ◽  
Present Generation ◽  
Technical Issues ◽  
Digital Documentation ◽  
3D Documentation ◽  
Model Visualization

Abstract. Rebuilding the past of cultural heritage through digitization, archiving and visualization by means of digital technology is becoming an emerging issue to ensure the transmission of physical and digital documentation to future generations as evidence of culture, but also to enable present generation to enlarge, facilitate and cross relate data and information in new ways. In this global effort, the digital 3D documentation of no longer existing cultural heritage can be essential for the understanding of past events and nowadays, various digital techniques and tools are developing for multiple purposes.In the present research the entire workflow, starting from archive documentation collection and digitization to the 3D models metrically controlled creation and online sharing, is considered. The technical issues to obtain a detail 3D model are examined stressing limits and potentiality of 3D reconstruction of disappeared heritage and its visualization exploiting three complexes belonging to 1911 Turin World’s Fair.

Effect of 3D Manipulatives on Students with Visual Impairments Who Are Learning Chemistry Constructs: A Pilot Study

2020 ◽  
Vol 114 (5) ◽  
pp. 370-381
Author(s):  
Derrick W. Smith ◽  
Sandra A. Lampley ◽  
Bob Dolan ◽  
Greg Williams ◽  
David Schleppenbach ◽  
...  
Keyword(s):  
Stem Education ◽  
3D Model ◽  
Atomic Orbital ◽  
Visual Impairments ◽  
Three Dimensional ◽  
3D Models ◽  
Specific Content ◽  
3D Printed ◽  
Printed Materials ◽  
Tactile Graphics

Introduction: The emerging technology of three-dimensional (3D) printing has the potential to provide unique 3D modeling to support specific content in science, technology, engineering, and mathematics (STEM) education, particularly chemistry. Method: Seventeen ( n = 17) students with visual impairments were provided direct instruction on chemistry atomic orbital content and allowed to use either print or tactile graphics or 3D models in rotating order. Participants were asked specific content questions based upon the atomic orbitals. Results: The students were asked two sets of comprehension questions: general and specific. Overall, students’ responses for general questions increased per iteration regardless of which manipulative was used. For specific questions, the students answered more questions correctly when using the 3D model regardless of order. When asked about their perceptions toward the manipulatives, the students preferred the 3D model over print or tactile graphics. Discussion: The findings show the potential for 3D printed materials in learning complex STEM content. Although the students preferred the 3D models, they all mentioned that a combination of manipulatives helped them better understand the material. Implications for practitioners: Practitioners should consider the use of manipulatives that include 3D printed materials to support STEM education.

Memory of the Netherlands: Past and Future of the Dutch National Database on Cultural Heritage

2009 ◽  
Vol 21 (2) ◽  
pp. 1-17
Author(s):  
Huibert Crijns ◽  
Anna Rademakers
Keyword(s):  
The Netherlands ◽  
Cultural Heritage ◽  
National Database ◽  
The Internet ◽  
Dutch Government ◽  
Ministry Of Education ◽  
National Library ◽  
Digital Objects ◽  
Education Culture ◽  
Cultural Heritage Objects

The Memory of the Netherlands programme was created by the Koninklijke Bibliotheek (the National Library of the Netherlands) in cooperation with the Dutch Ministry of Education, Culture and Science to present a major national database of images of cultural heritage objects on the Internet. The article describes the background to the project, the collections that it contains, and the partnerships with other institutions that have been forged. Particular issues highlighted by the programme have been open access and copyright, contextualizing the content of the database, and the challenges of evolving Information Technology and the standardization of metadata. Memory of the Netherlands has been successful in creating a freely accessible database of more than 400,000 digital objects from 70 different cultural heritage institutions. However, the Dutch government, which financed the programme for its first ten years, has decided to end its funding and the Koninklijke Bibliotheek now has to consider how best to ensure the continued existence and accessibility of the project.

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