scholarly journals When Couches Have Eyes: The Effect of Visual Context on Children's Reference Processing

2020 ◽  
Vol 5 ◽  
Author(s):  
Rebecca Cooper-Cunningham ◽  
Monique Charest ◽  
Vincent Porretta ◽  
Juhani Järvikivi
Keyword(s):  
Visual Context ◽  
Reference Processing

Visual context differentially mediates left- and right-hand reaching movements

2009 ◽  
Author(s):  
Jos J. Adam ◽  
Susan Hoonhorst ◽  
Rick Muskens ◽  
Jay Pratt ◽  
Martin H. Fischer
Keyword(s):  
Reaching Movements ◽  
Visual Context ◽  
Right Hand ◽  
Left And Right

Narrated Photography

2015 ◽  
Vol 9 (1) ◽  
pp. 30-52
Author(s):  
Sarah Dunlop ◽  
Peter Ward
Keyword(s):  
Qualitative Research ◽  
Material Culture ◽  
Family Relationships ◽  
Research Method ◽  
Religious Practice ◽  
Ethnographic Research ◽  
Lived Religion ◽  
Visual Context ◽  
Textual Material ◽  
Shed Light

This article describes how a recently refined visual ethnographic research method, “narrated photography,” contributes to the study of religion. We argue that this qualitative research method is particularly useful for studies of lived religion and demonstrate this through examples drawn from a study the sacred among young Polish migrants to England. Narrated photography, which entails asking people to photograph what is personally significant to them and then to narrate the image, generates visual and textual material that mediates the subjective. Through using this method we discovered that family was considered to be sacred, both in terms of links to religious practice and a desire for a secure home which family relationships provide. Additionally, narrated photography has the potential to expand our conceptions of lived religion through the inclusion of visual material culture and the visual context of the research participants. In this case the data revealed that the Polish young people view structures within their landscape through a particularly Polish Catholic lens. These findings shed light on the religious tensions that migrants encounter in everyday life.

scholarly journals Limits on expectation-based processing: Use of grammatical aspect for co-reference in L2

2020 ◽  
pp. 1-25
Author(s):  
Theres Grüter ◽  
Hannah Rohde
Keyword(s):  
Real Time ◽  
Language Processing ◽  
Judgment Task ◽  
Linguistic Knowledge ◽  
Real Time Processing ◽  
Time Processing ◽  
Grammatical Aspect ◽  
Level Information ◽  
Native Speakers Of English ◽  
Reference Processing

Abstract This study examines the use of discourse-level information to create expectations about reference in real-time processing, testing whether patterns previously observed among native speakers of English generalize to nonnative speakers. Findings from a visual-world eye-tracking experiment show that native (L1; N = 53) but not nonnative (L2; N = 52) listeners’ proactive coreference expectations are modulated by grammatical aspect in transfer-of-possession events. Results from an offline judgment task show these L2 participants did not differ from L1 speakers in their interpretation of aspect marking on transfer-of-possession predicates in English, indicating it is not lack of linguistic knowledge but utilization of this knowledge in real-time processing that distinguishes the groups. English proficiency, although varying substantially within the L2 group, did not modulate L2 listeners’ use of grammatical aspect for reference processing. These findings contribute to the broader endeavor of delineating the role of prediction in human language processing in general, and in the processing of discourse-level information among L2 users in particular.

scholarly journals Ways of Seeing Christ the Judge: The Iconography of Christ III and its Visual Context

Neophilologus ◽  
2021 ◽  
Author(s):  
Natalie Jones
Keyword(s):  
Detailed Analysis ◽  
Visual Imagery ◽  
Careful Analysis ◽  
Visual Images ◽  
Detailed Knowledge ◽  
Visual Context ◽  
Notable Feature ◽  
The World ◽  
Dual Perspective ◽  
The Mind

AbstractThis article examines the iconographic programme of the Last Judgement scene depicted in Christ III. A notable feature of the poem’s detailed visual programme is the way in which it provides the audience with a single, panoramic vision that encompasses the divergent perspectives of the blessed and the damned. It is on account of this dual perspective that the poem, through its precise use of language and imagery, presents the audience with a bifocal vision of Christ as King of Kings and Judge of the World, in keeping with the words of Revelation 19:16. A detailed analysis of the poem’s imagery, however, suggests that its portrait of Christ as Judge is not only informed by scripture and exegetical sources, but is also indebted to contemporary visual imagery, particularly the depiction of Christ as Majestas Domini, or Christ in Majesty. As a result, and by approaching the poem’s imagery from an iconological perspective, it is argued that the poet of Christ III had a detailed knowledge of contemporary Christological motifs. Furthermore, a careful analysis of the language used to describe the Judgement scene, and particularly the depiction of Christ as Judge, suggests that the poet intentionally seeks to evoke a range of specific visual images in the mind of his audience in order to amplify the poem’s instructive and penitential aims.

scholarly journals Conversation, Gaze Coordination, and Beliefs About Visual Context

2009 ◽  
Vol 33 (8) ◽  
pp. 1468-1482 ◽  
Author(s):  
Daniel C. Richardson ◽  
Rick Dale ◽  
John M. Tomlinson
Keyword(s):  
Visual Context

The integration of visual context information in facial emotion recognition in 5- to 15-year-olds

2016 ◽  
Vol 150 ◽  
pp. 252-271 ◽  
Author(s):  
Anne Theurel ◽  
Arnaud Witt ◽  
Jennifer Malsert ◽  
Fleur Lejeune ◽  
Chiara Fiorentini ◽  
...  
Keyword(s):  
Emotion Recognition ◽  
Facial Emotion Recognition ◽  
Facial Emotion ◽  
Context Information ◽  
Visual Context
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