Sense, Data, and Psychic Realism for Architectural Theory

2021 ◽  
Keyword(s):  
Architectural Theory ◽  
Sense Data

Tobacco’s Appeal to the Senses and the Early Modern Smoker’s Still Life

2020 ◽  
pp. 123-150
Author(s):  
Julia Saviello
Keyword(s):  
Still Life ◽  
Sense Data ◽  
Complex Image ◽  
Starting Point ◽  
Depth Analysis ◽  
Tobacco Pipes ◽  
Five Senses ◽  
The Senses ◽  
Cut Tobacco ◽  
Selection Of

Smell and taste – of the five senses these are the two most strongly stimulated by smoking tobacco. The article presents an in-depth analysis of the reflection of both these forms of sensory perception in textual and visual sources concerning the early consumption of the herb. In a first step, tobacco’s changing reception, first as medicine and then as stimulant, is traced through the years of its increasing distribution in Europe, starting in the middle of the 16th century. As this overview reveals, at that time the still little known substance gave rise to new forms of sense perception. Following recent studies on smell and gustation, which have stressed the need to take into account the interactions between these senses, the article probes the manifold stimulation of the senses by tobacco with reference to allegorical representations and genre scenes addressing the five senses. The smoking of tobacco was thematized in both of these art forms as a means of visualizing either smell or taste. Yet, these depictions show no indication of any deliberate engagement with the exchange of sense data between mouth and nose. The question posed at the end of this paper is whether this holds true also for early smoker’s still lifes. In the so-called toebakjes or rookertjes, a subgenre of stilllife painting that, like tobacco, was still a novelty at the beginning of the 17th century, various smoking paraphernalia – such as rolled or cut tobacco, pipes and tins – are arrayed with various kinds of foods and drinks. Finally, the article addresses a selection of such smoker’s still lifes, using the toebakje by Pieter Claesz., probably the first of its kind, as a starting point and the work by Georg Flegel as a comparative example. Through their selection of objects, both offer a complex image of how tobacco engages different senses.

G. E. Moore's Theory of Sense-Data

1951 ◽  
Vol 48 (2) ◽  
pp. 34
Author(s):  
Virginia Presson
Keyword(s):  
Sense Data

III.—SENSE-DATA AND MATERIAL OBJECTS

Mind ◽  
1957 ◽  
Vol LXVI (262) ◽  
pp. 173-194
Author(s):  
NORMAN BROWN
Keyword(s):  
Material Objects ◽  
Sense Data

Collective Choice and Mutual Knowledge Structures

1998 ◽  
Vol 01 (02n03) ◽  
pp. 221-236 ◽  
Author(s):  
Diana Richards ◽  
Brendan D. McKay ◽  
Whitman A. Richards
Keyword(s):  
Complex System ◽  
Social Choice ◽  
Group Decision ◽  
Knowledge Structure ◽  
Collective Choice ◽  
Sense Data ◽  
Mutual Knowledge ◽  
Interacting Agents ◽  
Aggregation Of Information ◽  
Domain Independent

The conditions under which the aggregation of information from interacting agents results in a stable or an unstable collective outcome is an important puzzle in the study of complex systems. We show that if a complex system of aggregated choice respects a mutual knowledge structure, then the prospects of a stable collective outcome are considerably improved. Our domain-independent results apply to collective choice ranging from perception, where an interpretation of sense data is made by a collection of perceptual modules, to social choice, where a group decision is made from a set of preferences held by individuals.

scholarly journals Skin, Clothing, and Dwelling

2016 ◽  
Vol 75 (3) ◽  
pp. 281-298 ◽  
Author(s):  
Didem Ekici
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Environmental Performance ◽  
High Performance ◽  
Architectural History ◽  
Architectural Theory ◽  
And Linguistics ◽  
Century Science

Gottfried Semper is often credited with originating the concept of the building as skin in architectural theory, but an alternative trajectory of this idea can be found in the mid-nineteenth-century science of hygiene. In Skin, Clothing, and Dwelling: Max von Pettenkofer, the Science of Hygiene, and Breathing Walls, Didem Ekici explores the affinity of skin, clothing, and dwelling in nineteenth-century German thinking, focusing on a marginal figure in architectural history, physician Max von Pettenkofer (1818–1901), the “father of experimental hygiene.” Pettenkofer's concept of clothing and dwelling as skins influenced theories of architecture that emphasized the environmental performance of the architectural envelope. This article examines Pettenkofer's writings and contemporary works on hygiene, ethnology, Kulturgeschichte (cultural history), and linguistics that linked skin, clothing, and dwelling. From nineteenth-century “breathing walls” to today's high-performance envelopes, theories of the building as a regulating membrane are a testament to the unsung legacy of Pettenkofer and the science of hygiene.

Sign in / Sign up

Export Citation Format

Share Document