scholarly journals The botanical legacy of Mihael Dimonie (1870–1935), an almost forgotten plant collector in the southern Balkan Peninsula before the First World War

2019 ◽  
Vol 49 (2) ◽  
pp. 257 ◽  
Author(s):  
Clemens Pachschwöll ◽  
Dieter Reich ◽  
Kit Tan
Keyword(s):  
Balkan Peninsula ◽  
First World War ◽  
World War ◽  
The First World War ◽  
First World ◽  
Plant Collector

scholarly journals Niko Županić and the Construction of the Yugoslav Ethnogenesis

2016 ◽  
Vol 8 (3) ◽  
pp. 717
Author(s):  
Monika Milosavljević
Keyword(s):  
Political Activism ◽  
Balkan Peninsula ◽  
The United States ◽  
First World War ◽  
World War ◽  
The First World War ◽  
History Of ◽  
English Speaking ◽  
First World

The paper considers the role of Niko Županić in the processes of translation of the anthropological and archaeological knowledges into the language of the political activism during the First World War and immediately after. As recorded by Sima Trojanović, Županić was employed at the Ethnographic Museum in Belgrade in May 1914, as "anthropological clerk" with the duty to "first of all measure the Serbian people, and only after that the foreigners on the Balkan Peninsula". He was officially stationed here up to 1922, although he spent the war years out of the country, involved in political activism, along with other Serbian and Yugoslav intellectuals, with the aim of creating the state of the Yugoslavs. At the outbreak of the First World War, Županić spent the first three months as a volunteer in Niš, and was then sent to Rome and London, where he took part in the activities of the Yugoslav Board. During 1916 the Serbian Government sent him to the United States, to secure the support of the American Slovenes for the Yugoslav idea. From 1915 till the end of the war, he wrote studies on the South Slavic past and political announcements, drew the borders of the desired territories, held speeches on the unity of the Serbs, Slovenes, and Croats. His book Ethnogenesis of the Yugoslavs (1920), written during the war and at first aimed at the English-speaking audience, richly illustrates the ways in which all these activities intertwined. Here Županić stresses the "creative potency of the blood and racial source" of brachycefaly of the Illyrian natives observed in the case of the Yugoslavs. The critical analysis and contextualization of this volume makes possible the new insights into the concepts of identity in the history of the Serbian anthropology and archaeology. This study did not receive much attention in the archaeological circles, but its ideas have subsequently, selectively and indirectly become the part of the history of the Serbian archaeology.

scholarly journals FEDERATIVE TRENDS IN ROYAL YUGOSLAVIA

2021 ◽  
Vol 6 (6(56)) ◽  
pp. 6-8
Author(s):  
Valery Andreevich Korepin
Keyword(s):  
Religious Diversity ◽  
Balkan Peninsula ◽  
First World War ◽  
The State ◽  
Domestic Policy ◽  
World War ◽  
The First World War ◽  
First World ◽  
Territorial Division

After the First World War, the Kingdom of Serbs, Croats and Slovenes was created on the territory of the Balkan Peninsula. Later, the state changed its name to Yugoslavia. Due to the large ethnic, cultural and religious diversity of the population, the territorial division of the state and the degree of local self-government are becoming acute issues of domestic policy. This article examines federal trends in Royal Yugoslavia.

Socio-political and confessional preconditions of the birth of the Ukrainian Evangelical-Reformed Church in Western Ukraine (20-30 years of the twentieth century)

2000 ◽  
pp. 67-75
Author(s):  
R. Soloviy
Keyword(s):  
Public Life ◽  
First World War ◽  
World War ◽  
Reformed Church ◽  
Religious Influences ◽  
The First World War ◽  
Western Ukraine ◽  
History Of ◽  
Religious Factor ◽  
First World

In the history of religious organizations of Western Ukraine in the 20-30th years of the XX century. The activity of such an early protestant denominational formation as the Ukrainian Evangelical-Reformed Church occupies a prominent position. Among UCRC researchers there are several approaches to the preconditions for the birth of the Ukrainian Calvinistic movement in Western Ukraine. In particular, O. Dombrovsky, studying the historical preconditions for the formation of the UREC in Western Ukraine, expressed the view that the formation of the Calvinist cell should be considered in the broad context of the Ukrainian national revival of the 19th and 20th centuries, a new assessment of the religious factor in public life proposed by the Ukrainian radical activists ( M. Drahomanov, I. Franko, M. Pavlik), and significant socio-political, national-cultural and spiritual shifts caused by the events of the First World War. Other researchers of Ukrainian Calvinism, who based their analysis on the confessional-polemical approach (I.Vlasovsky, M.Stepanovich), interpreted Protestantism in Ukraine as a product of Western cultural and religious influences, alien to Ukrainian spirituality and culture.

Ale na razie tu cisza” – fotografie sprzed katastrofy w wybranych zapisach literackich (Stefan Chwin, Ryszard Kapuściński, Wisława Szymborska)

2020 ◽  
pp. 65-80
Author(s):  
Magdalena Strąk
Keyword(s):  
Time Perspective ◽  
Terrorist Attack ◽  
First World War ◽  
General Concept ◽  
Literary Texts ◽  
World War ◽  
The Past ◽  
The First World War ◽  
History Of ◽  
First World

The work aims to show a peculiar perspective of looking at photographs taken on the eve of the broadly understood disaster, which is specified in a slightly different way in each of the literary texts (Stefan Chwin’s autobiographical novel Krótka historia pewnego żartu [The brief history of a certain joke], a poem by Ryszard Kapuściński Na wystawie „Fotografia chłopów polskich do 1944 r.” [At an exhibition “The Polish peasants in photographs to 1944”] and Wisława Szymborska’s Fotografia z 11 września [Photograph from September 11]) – as death in a concentration camp, a general concept of the First World War or a terrorist attack. Upcoming tragic events – of which the photographed people are not yet aware – become for the subsequent recipient an inseparable element of reality contained in the frame. For the later observers, privileged with time perspective, the characters captured in the photograph are already victims of the catastrophe, which in reality was not yet recorded by the camera. It is a work about coexistence of the past and future in the field of photography.

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