The Naturalist in the Garden of Eden: Science and Colonial Landscape in Jem Poster'sRifling Paradise
Keyword(s):
This essay seeks to supplement an established critical tradition that reads natural history in neo-Victorian fiction from a postmodern and largely de-politicised perspective. I argue that the figure of the naturalist can be used to revisit natural history's complicity with imperial expansion, both in its practice and in its discursive framework. By means of a close reading of Jem Poster's Rifling Paradise (2006), I explore the ways in which natural history gives way to an ecological approach to the colonial landscape, pointing to a possible – though still problematic – alternative to a scientific (exploitative, colonial) understanding of the relationship between nature and human beings.