Amory and Hall (eds.), A History of the Book in America, Volume One

2003 ◽  
Vol 82 (1) ◽  
pp. 151-152
Author(s):  
Mark G. Spencer
Keyword(s):  
History Of The Book ◽  
History Of

The Book of Common Prayer: A Guide

2020 ◽  
Author(s):  
Charles Hefling
Keyword(s):  
Sixteenth Century ◽  
Church Of England ◽  
The United States ◽  
History Of The Book ◽  
Book Of Common Prayer ◽  
Prayer Book ◽  
Corporate Worship ◽  
History Of ◽  
Common Prayer ◽  
The Church

This book surveys the contents and the history of the Book of Common Prayer, a sacred text which has been a foundational document of the Church of England and the other churches in the worldwide community of Anglican Christianity. The Prayer Book is primarily a liturgical text—a set of scripts for enacting events of corporate worship. As such it is at once a standard of theological doctrine and an expression of spirituality. The first part of this survey begins with an examination of one Prayer Book liturgy, known as Divine Service, in some detail. Also discussed are the rites for weddings, ordinations, and funerals and for the sacraments of Baptism and Communion. The second part considers the original version of the Book of Common Prayer in the context of the sixteenth-century Reformation, then as revised and built into the Elizabethan settlement of religion in England. Later chapters discuss the reception, revision, rejection, and restoration of the Prayer Book during its first hundred years. The establishment of the text in its classical form in 1662 was followed by a “golden age” in the eighteenth century, which included the emergence of a modified version in the United States. The narrative concludes with a chapter on the displacement of the Book of Common Prayer as a norm of Anglican identity. Two specialized chapters concentrate on the Prayer Book as a visible artifact and as a text set to music.

Introduction

2018 ◽  
Author(s):  
Susan E. Whyman
Keyword(s):  
Eighteenth Century ◽  
Social Change ◽  
Political Participation ◽  
Industrial Revolution ◽  
Economic Change ◽  
History Of The Book ◽  
Formal Schooling ◽  
The Social ◽  
History Of ◽  
Literate Society

The introduction shows the convergence and intertwining of the Industrial Revolution and the provincial Enlightenment. At the centre of this industrial universe lay Birmingham; and at its centre was Hutton. England’s second city is described in the mid-eighteenth century, and Hutton is used as a lens to explore the book’s themes: the importance of a literate society shared by non-elites; the social category of ‘rough diamonds’; how individuals responded to economic change; political participation in industrial towns; shifts in the modes of authorship; and an analysis of social change. The strategy of using microhistory, biography, and the history of the book is discussed, and exciting new sources are introduced. The discovery that self-education allowed unschooled people to participate in literate society renders visible people who were assumed to be illiterate. This suggests that eighteenth-century literacy was greater than statistics based on formal schooling indicate.

Economies of Prestige and the Editorial Program Era: Literary Sociology and Tim Groenland's The Art of Editing

2021 ◽  
Vol 55 (2) ◽  
pp. 502-507
Author(s):  
DANIEL ROBERT KING
Keyword(s):  
History Of The Book ◽  
First Century ◽  
Literary Texts ◽  
Turn Of The Millennium ◽  
Literary Production ◽  
Literary Marketplace ◽  
History Of ◽  
Literary Sociology ◽  
Significant Figures ◽  
Sociological Studies

Tim Groenland's The Art of Editing is an exciting new addition to the field of literary sociology, making a valuable contribution to a discipline which has seen a resurgence since the turn of the millennium. In his seminal early work in the field, John Sutherland traces the origins of this kind of publishing history to Robert Escarpit's Sociology of Literature (1958), which he describes as the beginning of “modern, serious work” in considering the effects of the literary marketplace on the fiction of a particular era. However, it is the first two decades of the twenty-first century that have seen the most significant growth in sociological studies of literary production, a trend that Alan Liu calls “the resurgent history of the book.” This is a “resurgence” that Liu argues has resulted in “restoring to view … vital nodes in the circuit” of literary production, including “editors, publishers, translators, booksellers,” and many others. This recent growth in scholarly interest in the production and circulation of literary texts includes other significant figures such as James F. English, Mark McGurl, John B. Thompson, Loren Glass, Paul Crosthwaite, and David D. Hall.

JOHN DARBY AND THE WHIG CANON

2020 ◽  
pp. 1-24
Author(s):  
JOSEPH HONE
Keyword(s):  
Seventeenth Century ◽  
Political Thought ◽  
History Of The Book ◽  
History Of ◽  
The Revolution

Abstract Through a co-ordinated series of publications in the final years of the seventeenth century, a diverse set of commonwealth texts was entrenched into the canon of whig political thought. This article explores that canon through the lens of the history of the book. A key figure in the formation of this canon was the printer and bookseller John Darby. This article reconstructs Darby's role in the commonwealth opposition to the perceived failures of the Williamite revolution. Using bibliographical methods to establish his output, it shows that from the earliest days of the revolution Darby reprinted a broad range of historic whig texts, ranging from works of history and memoir to collections of poems. These texts provided a language, a rationale, and a model for opposition activity. He also manufactured pamphlets that adapted country principles to contemporary political circumstances. By shifting the focus from John Toland to his printer, the article suggests that the canonical whig texts were one part of a much broader and more ambitious programme to establish an historic canon of oppositional literature.

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