scholarly journals Forms of Repetition in ‘The Robins Nest’

Romanticism ◽  
2020 ◽  
Vol 26 (2) ◽  
pp. 139-152
Author(s):  
Sarah Houghton-Walker
Keyword(s):  

This essay uses Clare's interest in birds as a lens to focus its examination of the way his poetry exhibits a particular kind of attention to attention. More particularly, it explores various ways in which repetition functions in Clare's poem, ‘The Robins Nest’. The essay argues that the tension between specifics and generalities which inevitably arises in the construction of natural history, and the gap between natural history and poetry, are significantly negotiated in ‘The Robins Nest’ through the poet's use of forms of repetition. These in turn both invite the reader's attention to the world and represent something of the quality of the poet's attention as he makes his own observations.

Semiotica ◽  
2016 ◽  
Vol 2016 (211) ◽  
pp. 165-186
Author(s):  
Massimo Leone

AbstractPresent-day economically developed societies devote unprecedented attention to food. The culinary discourse, in all its facets, gains increasing centrality in cultures. Institutions, media, and common people are obsessed with what they eat. In Italy, a country already aware of itself with regards to food, gastronomy turns into the main concern, the most debated and cared of system of norms. Social phenomena like Slow Food and Zero Kilometer originate in Italy and then conquer the world, claiming that improving the quality of food is the way for a better planet. But what is the deep cultural meaning of this massive trend? What lies behind the culinary reason? Aesthetic neutralization of socioeconomic conflicts, chauvinistic marketing of stereotypes, and anti-intellectual subversion of sensorial hierarchies, the article contends.


2009 ◽  
Vol 2 (2) ◽  
pp. 158-166 ◽  
Author(s):  
Juan Carlos Jaramillo Estrada

Born in the late nineteenth century, within the positivist paradigm, psychology has made important developments that have allowed its recognition in academia and labor. However, contextual issues have transformed the way we conceptualize reality, the world and man, perhaps in response to the poor capacity of the inherited paradigm to ensure quality of life and welfare of human beings. This has led to the birth and recognition of new paradigms, including complex epistemology, in various fields of the sphere of knowledge, which include the subjectivity, uncertainty, relativity of knowledge, conflict, the inclusion of "the observed" as an active part of the interventions and the relativity of a single knowable reality to move to co-constructed realities. It is proposed an approach to the identity consequences for a psychology based on complex epistemology, and the possible differences and relations with psychology, traditionally considered.


Author(s):  
Chris Vanden Bossche

Dickens employs a range of class discourses to imagine possibilities of social being defined in terms of middle-class selfhood. This self seeks social inclusion represented as the achievement of the status of the gentleman or gentlewoman. The nineteenth-century shift of gentility from inborn quality to a quality of character that is earned through self-making in turn raises the possibility of mere self-invention and along with it the pursuit of self-interest at the expense of others. This problematic accounts for the repeated plot structure in which a protagonist is excluded from genteel society and can only re-enter it through earning his or her way in the world. In the late novels, Dickens focuses in particular on the way in which the desire for social inclusion is generated by gestures of exclusion and thus questions gentility as a viable category for defining social being.


Author(s):  
María Rosa Palazón

In Soi-même comme un autre, Ricoeur defines the personal identity as singular; so, it is the way in which every individual structures a sediment of experiences and  ways of being in the world common within a chronotop, and, a personalized way of reacting to circumstance challenges. Commonly, due to what is shared, the other is an alter ego. Identity is a holon which can not be atomized, as the puzzling cases or Musil’s L’Homme sans qualités intend to do. Ricoeur splits the identity in “mêmeté” and “ipséité”. The first one designates a center of acummulative experiences; the ipséité, the other from the soi-même, that is, the historical or changing quality of the mêmeté. With Bremond and Greimas theories, Ricoeur attributes to the literary narration the best examples of the dialectics between mêmeté and ipséité. Besides, with McIntyre, he considers literary narration as the best way to formulate ethic judgements from the described experiences.


Author(s):  
Manuela Ribeiro Sanches ◽  

The paper deals with the representation of otherness in 18th Century Germany. Departing from an episode narrated in Georg Forster’s account of James Cook’s second voyage around the world, attention is paid to the way in which an uncanny experience for Europeans - eating dog food - is narrated, and translated according to European discursive premises. The analysis of Forster’s considerations on the relativity of customs, on what is to be attributed to nature or culture, on what is to be considered innate or acquired provide the departing point for the reconstruction (and questioning) of strategies of representing of otherness. In the following parts, diverse ways of representing otherness are briefly analyzed (anatomical studies, collections of bodies and artifacts in natural history cabinets) and emphasis is put on the way in which non-European peoples are always ultimately the object of a process of reification. The scientific implications of Contemporary debates on race are also taken into account, namely the controversy between Georg Forster and Kant. The tension between ethnographie empiricism (Forster) and anthropological rationalism (Kant) is stressed and brought onto relation with the Enlightenment discourse on the “Other”. The conclusion focuses on the limits and utopian possibilities of the Enlightenment discourse, by juxtaposing it to the critique of Western rationalism as proposed by postcolonial studies.


2011 ◽  
Vol 55 (3) ◽  
pp. 331-337 ◽  
Author(s):  
Claudia Stein

In April 2009, Sir David Attenborough, the respected face and voice of British natural history programmes for more than fifty years, became the patron of a new charity, the Optimum Population Trust (OPT), an organisation campaigning to limit the world's population. His reason for accepting the honour, he confessed to The Times, was that he was terribly worried about the dramatic increase of the world's population and the effect it was having on the quality of human life throughout the world:There are three times as many people in the world as when I started making television programmes only a mere fifty-six years ago. It is frightening. We can't go on as we have been. We are seeing the consequences in terms of ecology, atmospheric pollution and in terms of the space and food production.


2016 ◽  
Vol 14 (2) ◽  
Author(s):  
Rishi Pokhrel

Medical writing is an integral part of clinical practice and research. It is needless to say “if you haven’t written and published about it, you haven’t done it in the first place”. Each and every doctor around the world goes through the almost the same training in terms of how rigorous it is and its duration, but still we are unique in our own ways. It is this quality of being unique and innovative that develops the medical field forwards and paves the way for new research.  It is our duty and obligation to share the new knowledge and experience that we have gained during our practice.  The more we share, the more we learn and the more we learn the more we acquire new knowledge for ultimate good of mankind. 


2020 ◽  
Vol 27 ◽  
pp. 95-103
Author(s):  
Magdalena Anna Gajewska

Witches and Basque mythology in El guardián invisible by Fernando González Molina: From the oral tradition to cinematographic languageThe article investigates the way the oral tradition of Basque mythology and folkloric tales of witches resonate in the cinematographic language of the film El guardian invisible by Fernando Gonzalez Molina, which presents the investigation of the killings of young girls in Navarra. The study is based on anthropological and morphological analysis which intends to find the meanings expressed by means of filmic expression related to the contents and topics of our interest. The world presented in the film is marked by the presence of supernatural powers, the quality of which may be observed in both the contents and form of the film. The motives of the mythology correspond to the way of presenting them in an oral story. Regarding the image of witchery, it seems to be inspired by the vision which led the inquisitioners to the zone in question. The film refers to the stories of the trials of witches and presents both witch-hunting and genocide of free women. At the same time, it criticises popular culture and its negative influence on creating the prejudicial image of witches.


2019 ◽  
Vol 1 (1) ◽  
pp. 21-29
Author(s):  
Ahmad Manshur

This paper discuse about moral innovation education based qolbu management, the occurrence of acts violence lately is a phenomenon that we often witness. In fact it almost always adorns mass media information. An example is the fight between students, rape, arson, murder, slaughter, and other anarchist acts. That is one of the phenomena of moral crisis which is now affecting our nation. Besides that, there are still many other moral crises, such as drinking, drug abuse, bribery and so on. The multi-dimensional crisis that befell this nation, one of the causes - and perhaps this is the most important cause - is due to a moral or moral crisis. The moral crisis occurs because most people no longer want to heed religious guidance. The Qolbu Management-Based Moral Education Innovation is a new idea or method offered by the author to be used in implementing moral education. And it is hoped that this new idea or method can improve the quality of moral education which is felt to be declining today. The way to do qolbu management-based moral education innovation is to always adorn oneself from praiseworthy qualities, after cleansing it from despicable traits, removing love for the world and eliminating all sorrow, grief and worries


PMLA ◽  
1916 ◽  
Vol 31 (1) ◽  
pp. 1-23
Author(s):  
Henry Seidel Canby

William Congreve is undeniably the most polished of our dramatic writers and probably the most witty. Of his four comedies, The Old Bachelor, The Double Dealer, Love for Love, and The Way of the World, the first is one of the most scurrilous plays in English, and the last one of the most exquisite. If this were all that is to be said of him, one might be content to leave him to the scholars and the connoisseurs who at present seem to be his only earnest readers. But there is another and a greater claim to be made for Congreve. There is the claim not merely that he should be regarded as a classic—an empty and neglectful honor—but also that he should have that loving perusal by a younger generation which is the rightful prerogative of a classic. A reputation for indecency, a suspicion that he is one of those “to be read for style only,” most of all, ignorance or a misunderstanding of the real quality of his plays, have made his immortality an immortality on shelves, bookcases, and desks, dusty altars for his brilliance. This is of little moment for Congreve, who professed to despise literary fame in his lifetime, and would ask for no popularity now, but it is of some importance for readers of our generation who have revived the old interest in published plays, and should not be frightened or discouraged from the best.


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