Skinner, Wittgenstein and Historical Method

Paragraph ◽  
2011 ◽  
Vol 34 (3) ◽  
pp. 371-387
Author(s):  
Jonathan Havercroft

In a recent criticism of Quentin Skinner's historical method Peter Steinberger has drawn upon linguistic analytic philosophy to argue that intellectual history should focus on the reconstruction of logical propositions rather than the contextualization of author's statements. This essay will argue that Steinberger reproduces many of the same types of methodological problems that prompted Skinner's initial critique of intellectual history in the 1960s. I will draw upon the linguistic philosophy of Ludwig Wittgenstein to demonstrate that Steinberger's conception of intellectual history as the reconstruction of the logical content of statements fundamentally misunderstands what political philosophy is – and by extension the methods of historical interpretation.

Author(s):  
Christopher J. Berry

A collection of essays by a leading scholar. The work selected spans several decades, which together with three new unpublished pieces, cumulatively constitute a distinct interpretation of the Scottish Enlightenment as a whole while incorporating detailed examination of the work of David Hume and Adam Smith. There is, in addition, a substantial introduction which, alongside Berry’s personal intellectual history, provides a commentary on the development of the study of the Scottish Enlightenment from the 1960s. Each of the previously published chapters includes a postscript where Berry comments on subsequent work and his own retrospective assessment. The recurrent themes are the ideas of sociability and socialisation, the Humean science of man and Smith’s analysis of the relation between commerce and morality.


Author(s):  
Matthew Walker

The Introduction uses a major source from the beginning of the period—Sir Christopher Wren’s Letter from Paris of 1665—to introduce the key themes of the book. In particular, the Introduction discusses the recourse to an intellectual-historical method in order to rethink major themes in English architectural culture at the time. It also explains the makeup of architectural knowledge in the period and justifies the book’s focus on aesthetic knowledge rather than practical. Finally, it uses seventeenth-century sources to formulate an appropriate definition of classical architecture (on which this book is exclusively focused). The Introduction concludes with a summary of the ensuing chapters and a proposition that architecture was among the most serious and important of all intellectual pursuits in a formative period in English intellectual history.


PMLA ◽  
1983 ◽  
Vol 98 (5) ◽  
pp. 846-862 ◽  
Author(s):  
Richard F. Hardin

Since the 1960s scholars have challenged earlier assumptions concerning ritual and literature. They have seriously discredited both the “ritual theory of myth” and traditional ideas on the relation of ritual to Greek and medieval drama. Although some critics still subscribe to theories of psychoanalysis and the “Cambridge anthropological school,” current anthropology offers superior theories of ritual, particularly those of Victor Turner, with their emphasis on community. Because literature and rites have similar emotional effects we have tended to equate them, but by so doing we confuse the liminal with the “liminoid.” Modern authors influenced by Frazer often invite this comparison. Rene Girard's theories of scapegoat and civilization have provided a new, if controversial, turn to ritual criticism. Rites share their symbolic nature with art, but their peculiar satisfaction lies in the experience of community.


2021 ◽  
Vol 41 (1) ◽  
pp. 56-70
Author(s):  
Steffi Marung

AbstractIn this article the Soviet-African Modern is presented through an intellectual history of exchanges in a triangular geography, outspreading from Moscow to Paris to Port of Spain and Accra. In this geography, postcolonial conditions in Eastern Europe and Africa became interconnected. This shared postcolonial space extended from the Soviet South to Africa. The glue for the transregional imagination was an engagement with the topos of backwardness. For many of the participants in the debate, the Soviet past was the African present. Focusing on the 1960s and 1970s, three connected perspectives on the relationship between Soviet and African paths to modernity are presented: First, Soviet and Russian scholars interpreting the domestic (post)colonial condition; second, African academics revisiting the Soviet Union as a model for development; and finally, transatlantic intellectuals connecting postcolonial narratives with socialist ones. Drawing on Russian archives, the article furthermore demonstrates that Soviet repositories hold complementary records for African histories.


Zutot ◽  
2015 ◽  
Vol 12 (1) ◽  
pp. 31-38
Author(s):  
Irene Zwiep

This short piece takes a longstanding problem from the history of ideas, viz. the use of contemporary concepts in descriptions of past phenomena, and discusses its implications for broader intellectual history. Scholars have argued that being transparent about anachronism can be a first step towards solving the issue. I would argue, however, that it may actually interfere with proper historical interpretation. As a case study, we shall explore what happens when a modern concept like ‘culture’ is applied to pre-modern intellectual processes. As the idea of cultural transfer is prominent in recent Jewish historiography, we will focus on exemplary early modern intermediary Menasseh ben Israel, and ask ourselves whether his supposed ‘brokerage’ (a notion taken from twentieth-century anthropology) brings us closer to understanding his work. As an alternative, I propose ‘bricolage,’ again a central analytical tool in modern anthropology but, as I hope to show, one with unexpected hermeneutical potential.


2016 ◽  
Vol 14 (1) ◽  
pp. 269-280
Author(s):  
CORINNE T. FIELD

Why should intellectual historians care about children? Until recently, the answer was that adults’ ideas about children matter, particularly for the history of education and the history of conceptions of the family, but children's ideas are of little significance. Beginning with Philippe Ariès in the 1960s, historians took to exploring how and why adults’ ideas about children changed over time. In these early histories of childhood, young people figured as consumers of culture and objects of socialization, but not as producers or even conduits of ideas.


2012 ◽  
Vol 47 (1) ◽  
pp. 149-170
Author(s):  
JASON VREDENBURG

In the forty years since its publication, Hunter S. Thompson's most famous work, Fear and Loathing in Las Vegas, has received relatively little attention from scholars, in spite of its continuing popularity and acknowledged influence. Because the narrative is so thoroughly rooted in what Thompson called “this foul year of Our Lord, 1971,” the novel is generally approached (when it is discussed at all) as a historical artifact, a gonzo first draft of history, with its fortunes rising and falling with the counterculture of the 1960s. This article argues that Fear and Loathing in Las Vegas, far from being merely an epitaph for the 1960s, actually anticipates the more recent work of political theorists Giorgio Agamben, Michael Hardt, and Antonio Negri. Thompson's work, like Agamben's, concerns the emergence of the state of exception and the homo sacer as new paradigms for the relationship between citizen and state; and, like Hardt and Negri, Fear and Loathing in Las Vegas attempts to formulate a response to the emergence of global empire.


Author(s):  
GerShun Avilez

This introductory chapter provides a background of Black Nationalism. Black Nationalism is a political philosophy that has played an integral part in African American social thought from the nineteenth century forward. There are two main threads of this philosophical tradition: classical and modern. Classical Black Nationalism is a political framework guided primarily by concerns with the creation of a sovereign Black state and uplifting and “civilizing” the race. With regards to Black Nationalist thought in the twentieth century, two moments loom large: Marcus Garvey's Universal Negro Improvement Association (UNIA) in the 1910s/1920s and the Black Power Movement in the 1960s/1970s. Modern Black Nationalism is characterized by two specific shifts away from the foundational ideas that governed the classical form. It departs from its predecessor in the general lack of an explicit emphasis on an independent Black nation-state. It also shifts attention to mass culture and Black working-class life.


Author(s):  
Jacques Lezra

This book traces to Karl Marx's earliest writings on the Epicurean tradition, a subterranean, Lucretian practice that this book calls “necrophilological translation.” “Translation” here is extensively used and covers practices that put different natural and national languages into relation, often across periods, but also practices or mechanisms internal to each language. Necrophilological translation has a troubling, definitive influence in Marx's thought and in his wake. It entails a radical revision of what counts as translation, and wholly new ways of imagining what an “object” is; “matter;” “value;” “sovereignty;” “mediation;” and “number.” In this book, a materialism “of the encounter,” as recent criticism in the vein of the late Althusser calls it, encounters Marxological value-form theory; the development of so-called divisible sovereignty in post-Schmittian political philosophy; Meillassoux's critique of correlationism; the resurgence of humanism in object-oriented-ontologies; and philosophies of translation and untranslatability in debt to Quine, Cassin, and Derrida. The book addresses Marx through Lucretius; through Spinoza's marranismo; through his translators. Freud's account of the agency of the unconscious, through Schiller's Don Karlos; Adorno's exilic antihumanism, against Said's cosmopolitan humanism; the absolutization of what is not-one, in Badiou, Meillassoux, and Freud through Donne and Neruda.


Sign in / Sign up

Export Citation Format

Share Document