The Elizabethan Legacy of Sir Thomas More: Sir John Harington, Anthony Munday, and the tentative rise of the ecumenical English renaissance

Moreana ◽  
2019 ◽  
Vol 56 (Number 211) (1) ◽  
pp. 28-41
Author(s):  
Brian C. Lockey

Tudor historians of Henry VIII's reign strove both to define the great political theological controversies of the day and to shape the future understanding of past events. This essay considers how Roman Catholic accounts of the life and martyrdom of Sir Thomas More, including those by Nicholas Harpsfield and Thomas Stapleton, shaped subsequent Protestant works of fiction, written during the 1590s. The essay explores, in particular, the collaborative play, Sir Thomas More, by Anthony Munday and revised by Shakespeare and others; and Sir John Harington's references to More and Bishop John Fisher in the preface to his translation of Orlando Furioso and his extensive anecdotal remarks about More's scatological witticisms in his satirical tract, The Metamorphosis of Ajax. Such fictional works presage both the hesitant trend towards ecumenism and the imagined reunion of Christendom of the subsequent Jacobean reign, and the later emergence of the transnational secular public sphere, which transpired during the late seventeenth and eighteenth centuries.

Moreana ◽  
2016 ◽  
Vol 53 (Number 205- (3-4) ◽  
pp. 143-178
Author(s):  
Régis Augustus Bars Closel

This article focuses on how artistic works such as plays and literature in 16th and 17th-century England dealt with the fictional presence of Sir Thomas More. Among Tudor statesmen, Thomas More had a special appeal as a topic of thought during the Elizabethan–Jacobean period, quite apart from his opposition to the marriage which led to the reign of Queen Elizabeth. The range of works considered covers the Marian, Elizabethan and Jacobean periods. These works compose a heterogeneous and intriguing group in which every piece has its own particular way of remembering Thomas More. Six works are presented here: the dialogue Il Moro (1556) by Ellis Heywood; a late morality play, The Longer Thou Livest the More Fool Thou Art (1569), by William Wager; a novel, The Unfortunate Traveller (1594), by Thomas Nashe; and three plays, Cromwell (1602), by an unknown dramatist, Sir Thomas More (1600–1603/4), by five different dramatists, and Henry VIII (1613), by William Shakespeare and John Fletcher. Due to the scope of this research, the article is written in two parts. This part explores the last three seventeenth-century fictional works by John Fletcher and Shakespeare, an anonymous play and the collaborative play by Anthony Munday, Henry Chettle, with additions by Thomas Heywood, Thomas Dekker and William Shakespeare.


Moreana ◽  
2018 ◽  
Vol 55 (Number 210) (2) ◽  
pp. 127-149
Author(s):  
Matthew Mehan

This textual analysis of thematic unity in the collaborative play Sir Thomas More presents both new discoveries and analysis of source material and of the play's careful use thereof. Special focus is given to the series of Latin, Senecan sententiae showcased in scenes 11 and 13, as More reacts to his fall from high office and worldly fortunes. By means of this analysis, the article offers further insight into the remarkable character of the play's Thomas More, namely his habit of balancing tragic and Senecan attitudes with more comedic ones in order to play the well-prepared role of a comic actor, despite a tragic stage.


Moreana ◽  
1964 ◽  
Vol 1 (Number 3) (3) ◽  
pp. 37-38
Author(s):  
Mary P. Schoene
Keyword(s):  

Moreana ◽  
1965 ◽  
Vol 2 (Number 6) (2) ◽  
pp. 95-97
Author(s):  
Germain Marc’hadour

Moreana ◽  
1964 ◽  
Vol 1 (Number 4) (4) ◽  
pp. 46-48
Author(s):  
David Locher ◽  
William Wordsworth
Keyword(s):  

Moreana ◽  
1967 ◽  
Vol 4 (Number 15-16 (3-4) ◽  
pp. 267-284
Author(s):  
J. Duncan M. Derrett
Keyword(s):  

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