‘For I have fed on foreign bread’: Modernism, Colonial Education and Fijian Literature

2020 ◽  
Vol 15 (3) ◽  
pp. 377-398
Author(s):  
Maebh Long ◽  
Matthew Hayward

This article examines the ways in which the Fijian authors Vanessa Griffen, Pio Manoa, and Subramani revised and reworked modernist texts in their construction of a local postcolonial literature. These writers were schooled in a colonial education system that was, by the 1950s and 60s, in ideological disarray, as the jingoistic, imperial texts of the English syllabus began to give way to the crisis and self-interrogation of literary modernism. The students who graduated from these classes went on to create a first wave of Fijian creative writing in English. As this article shows, Griffen, Manoa, and Subramani carried into their writing fragments and forms of the texts they had been required to learn by rote, and they refashioned these into new wholes. In their short stories and poems of the late 1960s and early 70s, these writers turned the literature of past imperial breakdown towards present and future needs, adapting fragmentary, perspectival and multivocal texts towards a postcolonial independence still riven by colonially introduced problems. Ultimately, we argue, the creation of this new literature denotes the failure of the education system to impress British superiority upon its colonial subjects, and the success of the subaltern in reclaiming the means of expression.

Humanities ◽  
2019 ◽  
Vol 8 (2) ◽  
pp. 111
Author(s):  
Joachim Schiedermair

In sociology, modernisation is often identified with secularisation. How can secularisation in the texts of modernism around 1900 be analysed? Literary history books tell us that the modernist authors were lucid analysts of their time who portrayed the process of secularisation going on around them in their dramas, novels or short stories. The article tries out a different approach: By conceptualizing secularisation as a cultural narrative, the perspective on the literary material changes fundamentally. The modernist authors were involved in shaping the idea of secularisation in the first place, in propagating it and in working on its implementation. They did not react to the process of secularisation with their texts. Instead, they were involved in the creation and shaping of the interpretative category ‘secularisation’. The article exemplifies this change in approach using a pivotal text of Nordic literary modernism, Ibsen’s Rosmersholm.


Literator ◽  
2015 ◽  
Vol 36 (1) ◽  
Author(s):  
Helene De Kock

The creation of reality image in a novel. This article discusses aspects of the process of creative writing and specifically endeavours to give a heuristic view on the creation of image of reality, or Zeitgeist, as a spatial element in a novel. Therefore it discusses space as a specific aspect of creative writing. The core of this article is, in other words, a summarised study of the realisation of the various aspects of Zeitgeist in a novel or other genres of fiction as, for instance, short stories or novellas. The conclusion is that Zeitgeist, or the spirit of the times, can indeed be realised in a novel. Apart from a discussion on the application of the narrative elements, attention is also paid to the various aspects of Zeitgeist, or a particular image of reality. The aim is to emphasise and accentuate that Zeitgeist, or image of reality is, in fact, an inseparable part of space and the spatial dynamics in a novel. By taking a closer look at the different facets of Zeitgeist – for instance identity, cultural space, the socio-economy, as well as politics – it is stressed that an image of reality can be created in a novel by bringing into play creative elements like character, space, time and plot. This is done in order to unveil the above mentioned facets. All these aspects or facets not only have a deep-seated influence on Zeitgeist, but occur at the very core of it.


2020 ◽  
Vol 15 (2) ◽  
pp. 81
Author(s):  
Л. М. Низова ◽  
К. С. Виногорова

The priorities and problems of the implementation of the national project “Education” at the level of a comprehensive school in the region are investigated. The factors of the origin of conflict zones and types of conflicts based on the analysis of contradictions of the opinions of scientists are revealed. The role of unity and struggle of opposites as a phenomenon of overcoming conflicts is determined. Based on the author’s monitoring of the education management system in the Mari El Republic, the positive and negative dynamics of the number of educational organizations studying in them and in the system of additional education over the past five years, the enrollment of students in specialized education, as well as the dynamics of participants in the regional and final stage of the All-Russian Olympiad of schoolchildren were revealed. Particular attention is paid to the study of the state of modernization of the regional system of general education in the framework of the national project, highlighting such priorities as computerization, replenishment of the school library stock, improving the quality of education and developing the personnel potential of the industry. According to the authors, the resolution of such problems as the creation of effective mechanisms for financing educational services in organizations with a weak social infrastructure, the availability of high-quality education, the low attractiveness of working conditions and the level of salaries of teachers, and others remain incomplete. To eliminate them, it is necessary to apply such measures as the further development of innovative forms of the education system, the strengthening of interdepartmental bodies and organizations to increase the educational needs of the population, the creation of a specialized financing system for the modernization of educational institutions, as well as the increase in the level of professionalism of teachers. Their actualization at the present stage contributes to the reduction of conflict zones in the education system.


2020 ◽  
pp. 088832542095080
Author(s):  
Gabriel Jderu

In a departure from car-centered analyses of the automobility systems, this article highlights the importance of motorcycles and motorcycling in the mobility practices of socialist countries. For at least half of the existence of socialist mobility systems, and especially during the 1950s and 1960s, there were more motorcycles on the roads than cars. Motorcycling was important in commuting, for the mobility of lower-ranking administrative personnel in the countryside, and for mass tourism and leisure. Although in that era maintenance and repair practices were equally central to motorcycling and car-driving, the distinction between user-owner and mechanic was much more fluid in the case of motorcyclists. As a result, the centrality of maintenance and repair to socialist-era motorcycling offers an ideal opportunity to enrich current interdisciplinary conversations about breakdown, maintenance, and repair. Building on the car-centered research into maintenance and repair activities, I add additional material on the nature, types, and complexity of such practices for motorcycling. I outline nine forms of material engagement with motorcycles that reference, but transcend, the current dichotomies between necessity and pleasure, the formal and the informal, the technical and the aesthetic, and the repair of existing objects and the creation of new ones.


1995 ◽  
Vol 20 (1) ◽  
pp. 12-16
Author(s):  
Ann Matheson

Cooperation between libraries is time-consuming, but is both ‘worthwhile and essential. Scottish research libraries commenced active cooperation in 1977: the Scottish Confederation of University and Research Libraries now has 15 active members. More recently, libraries in Scotland have been encouraged to work together following the creation of the Scottish Library and Information Council. The National Library has a key role to play, but in partnership with other libraries rather than invariably taking the lead. Cooperation between Scottish art libraries can be traced back to the 1950s and to the development, under the auspices of the National Library, of a union catalogue of art books in Edinburgh. This project is being extended and it will eventually become a national database. The group of libraries responsible for the project has taken on a wider role and an expanded membership as the Scottish Visual Arts Group, one of several subject groups under the umbrella of the Scottish Confederation of University & Research Libraries. The Group will work closely with the Scottish Library and Information Council, and with ARLIS/UK & Ireland in the wider framework of the United Kingdom. (This article is the revised text of a paper presented to the ARLIS/UK & Ireland 25th Anniversary Conference in London, 7th-10th April 1994).


2020 ◽  
Vol 4 (1) ◽  
Author(s):  
Daniel Clayton Rathbone

Home movies, like family photographs, are important parts of family life, acting as ways to frame the idea of the family and connect different, inter-generational memories together. Footage of key moments helps develop a family identity, as well as locate it within broader historical contexts. As a result, home movies provide an incredibly useful source with which to examine the intersections between narratives of the family, nation and belonging. Utilising a collection of personal home movies, this paper will explore how these themes are touched on within the context of British Colonial Southern Africa. These films explore how ideas of family identity are rooted within ideas of home and belonging, articulating a conceptualisation of colonial Southern Africa as a ‘home-scape’ for descendant of British settlers living there during the 1950s and 1960s. These home movies draw attention to the creation of the idea of home and family, while also producing disruptive elements to those narratives.


1970 ◽  
pp. 4-6
Author(s):  
Saadi Nikro

As the title indicates, this issue of Al-Raida is informed by the theme of Arab Women Writing in English, presenting essays, short stories, personal reflections, and poetry. Accordingly, the File includes mostly creative writing by Arab women living and working either in or outside the region.


Author(s):  
Chris Murray

This chapter examines major developments in British comics during the period 1950–1961. It first considers comics as one of the cornerstones of children's entertainment in the 1950s before discussing the means by which American comics came to Britain as well as the objections to American comics in the country. It then describes the rise of girl's comics in the early 1950s, the appearance of parodies of the superhero, and the (continued) rise of the small superhero publishers. It also explores British publications that were viewed as doppelgangers of Captain Marvel, including Electroman, the production of Marvelman stories by the Gower Studio, and the resurrection of DC Thomson superheroes and the creation of new ones. Finally, it looks at the publications of Fleetway and the Independent Publishing Corporation (IPC) and suggests that the late 1950s and early 1960s were very interesting times for British adventure comics.


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