Barry Sheils, W.B. Yeats and World Literature: The Subject of Poetry

2016 ◽  
Vol 46 (2) ◽  
pp. 390-396
Author(s):  
Jefferson Holdridge
Keyword(s):  
PEDIATRICS ◽  
1967 ◽  
Vol 39 (1) ◽  
pp. 123-138
Author(s):  
Marie A. Valdes-Dapena

It is apparent that we are still woefully ignorant with respect to the subject of sudden and unexpected deaths in infants. Only by continual investigation of large series of cases, employing uniform criteria to define such deaths and using the investigative procedures outlined above as well as others which will undoubtedly suggest themselves, can we hope to understand and possibly prevent the deaths of some 15,000 to 25,000 infants in the United States each year. These lives, to say nothing of those in other countries throughout the world might provide some of the leadership which is necessary to maintain and advance the human race in the years to come.


2020 ◽  
Vol 50 (4) ◽  
pp. 79-94
Author(s):  
Bartłomiej Walczak ◽  
Marcin J. Sochocki

The subject of prevention of the use of psychoactive substances by young people with intellectual disabilities is definitely underrepresented, if at all present, both in Polish and world literature. Meanwhile, research shows a high demand for preventive measures in this group. The current article presents the assumptions of the pioneering preventive program “My life, my choice”, addressed to young people with intellectual disabilities and discussion of the results of its evaluation. The analysis focuses in particular on the effectiveness of the actions taken and the perception of individual elements of the program by the recipients. The collected data indicate a significan effectiveness of the program in four of the five areas, as well as the importance of selective preventive interactions.


2017 ◽  
Vol 22 (1) ◽  
pp. 4-17 ◽  
Author(s):  
Anna Kurek

Abstract This paper aims to examine how genericity is described in the Norwegian specialised literature concerning Norwegian Bokmål. Genericity is a grammatical (and to some extent semantic) phenomenon that can be expressed in different ways. In Germanic languages, including Norwegian, genericity is expressed by the use of both definite and indefinite articles, as well as bare nouns. In Norwegian, all five noun forms (namely bare noun, indefinite and definite singular forms and indefinite and definite plural forms) can be used to express a generic reference. The choice of a given noun form depends mainly on the context and the verb phrase used in a sentence. The examined materials discuss the phenomenon in a rather cursory way. Examples presented in the analysed books are mainly artificial and/or translated from the world literature on the subject. Such approach to the problem shows the lack of corpus-based research on genericity in Norwegian, which can be an interesting area to work on.


Realism is a way of expressing life through images in accordance with real events and events. Realism strives to embrace reality with all its contradictions, given the literature itself and its role as a means of knowing the outside world, giving the writer the opportunity to reflect on all aspects of life. In the literature based on the method of realism, the principle of describing reality is a priority. Consequently, the literature of Realism is the highest stage in the development of world literature. Realism (Latin realis - material, real) is a philosophical direction. According to him, the reality outside the consciousness consists of the existence of ideal objects (Plato, medieval scholasticism) or objects of cognition, which are not related to the subject matter, process or experience.Realism and realistic features of the world literature is on the point of the article to be discussed about.


2020 ◽  
pp. 180-195
Author(s):  
Renata E. Paliga

Until the 19th century, the factor causing epidemics was not known, and the escape from a place where it occurred as well as isolation of patients was considered to be the only effective way to avoid illness and death. Quarantine in a sense similar to modern times was used in 1377 in Ragusa, today’s Dubrovnik, during the plague epidemic. It was the first administratively imposed procedure in the world’s history. It was later used in Venice and other rich port cities in the Mediterranean. On the territory of today’s Poland, quarantine measures were used by the so-called Mayor of the Air – LukaszDrewno in 1623 during the plague epidemic in Warsaw. The quarantine left its mark on all areas of human activity. It affected all humanity in a way that is underestimated today. Throughout history, it has been described and presented visually. It is omnipresent in the world literature, art and philosophy. However, the isolation and closure of cities, limiting trade, had an impact on the economic balance, and the dilemma between the choice of inhabitants’ health and the quality of existence, i.e. their wealth, has been the subject of discussions since the Middle Ages. Since the end of the 19th century, quarantine has lost its practical meaning. The discovery of bacteria and a huge development of medical and social sciences allowed limiting its range. In the 20th century isolation and quarantine no longer had a global range, because the ability to identify factors causing the epidemic, knowledge about the incubation period, carrier, infectiousness, enabled the rational determination of its duration and territorial range. The modern SARS COV 2 pandemic has resulted in a global quarantine on a scale unprecedented for at least three hundred years. The aim of this paper is to present the history of quarantine from its beginning to the present day, including its usefulness as an epidemiological tool.


2020 ◽  
pp. 49-66
Author(s):  
Zrinka Božić Blanuša

Thanks to the work of Pascale Casanova, Franco Moretti, David Damrosch and many others, over the past two decades, the concept of world literature has once again become the subject of thorough examination within the field of literary studies, especially in relation to cosmopolitanism and globalization. When it comes to the study of individual national literatures and specific regional contexts, as well as to the definition of comparative literature as a discipline, debates regarding its background, its reach and limitations could not be ignored. World literature thus appears as a heterogenous entity – always manifesting in different contexts in different forms – consistently in dialogical exchange with specificities of a particular literature and culture. Instead of discussing the problematic relation between centre and periphery or criticizing the idea of global literary and cultural canon, the avant-garde as an international and global phenomenon that appears even more radically on the so-called periphery is what is of primary interest to me. Therefore, the purpose of this paper is to demonstrate that avant-garde (in its various forms and radical expressions) simultaneously challenges art as an institution and introduces the idea of a decentred geography of world literature.


2001 ◽  
Vol 19 (1) ◽  
pp. 104-108
Author(s):  
Yára Dadalti Fragoso ◽  
Joseph Bruno Bidin Brooks

Tumefactive tumor-like radiological image in multiple sclerosis (MS) is not a common finding in magnetic resonance imaging. This presentation poses an extra challenge to the already difficult diagnosis of MS. We report on a clinical MS case with this unusual radiological presentation and the diagnostic difficulties in this patient. We also discuss our case in comparison to the world literature, and we comment on the relative lack of Brazilian papers on the subject.


Author(s):  
Étienne Balibar

This chapter analyzes the Clausewitzian concept of war as reflected in Leo Tolstoy's novel War and Peace, which first appeared in five installments from 1865 to 1869. It is universally considered one of the masterpieces of world literature, not only because Tolstoy used elements from Clausewitz in preparation for writing the novel, but more specifically because the narrative echoes one of Clausewitz's most famous theses: that which concerns the “strategic superiority of defense over offense.” Tolstoy's new interpretation of this thesis goes back, in a certain sense, to the “source” of its elaboration in order to draw new philosophical consequences from it.


2019 ◽  
pp. 298-304
Author(s):  
Olena Kolhan ◽  
Yuliia Matsokina

Terminological stylistics is one of the most relevant areas of linguistics in the 21st century. The subject of the study, according to A. Kryzhanovska, is “using multidisciplinary terminology in its definitive sense, the author’s creating the necessary and special words on models of the real terms, introducing redefined terminology in the arsenal of artistic means.” In modern Ukrainian linguistics, as you know, there are no comprehensive studies on using the terms in styles unusual for them, including the belles-lettres. Today, in Ukrainian terminology, there are only a small number of works that deal exclusively with some aspects of the functioning of special words in journalistic and belles-lettres styles that are specific to this type of vocabulary. The article continues the cycle of publications in the field of studying the specific functioning of military terminology in the writings of the writers from different countries of the world. The investigation is aimed at studying the peculiarities of the structural-component organisation of the military terms in the language of the work by W. Scott “Ivanhoe”, in particular, the word terms and phrase terms have been analysed. The authors of the study present the main problematic ideas existing at the present stage in the circle of narrow specialists, which are terminology. The relevance of the paper, first of all, is due to the lack of comprehensive studies on the peculiarities of using the military terms in the works by Walter Scott and the need for linguistic analysis of the texts, in particular the novel “Ivanhoe”, which is a pearl of world literature. The paper gives the main thoughts on defining the concepts “word term”, “phrase term”. The authors’ classification of the military terms which Walter Scott successfully introduced in his fiction work is represented on the basis of the generally accepted in modern Ukrainian linguistics. The military terms of the above mentioned work are analysed, and the specifics of their use is defined, their structural-component organisation in the prose work of the prominent writer Walter Scott is determined. The investigators in their article define the main characteristics of the military terms that function in the analysed fiction work, present these units determine their grammatical categories and structure. The word term and phrase terms, which include military terms, which are introduced into the language of the text by the author, are investigated. The function of this vocabulary taking into account the subject area, the ideological content, the purpose of the work, the creative idea of the author is determined. The quantitative characteristics of the military terminological units of Walter Scott’s novel “Ivanhoe” have confirmed the opinion of most linguists regarding the benefits of the multi-component terms over the word terms. This phenomenon is due to the fact that such units, which have a large number of components, allow describing in more detail, describing the concept of a particular industry, in particular military affairs. Introducing such multicomponent terms is absolutely justified in fiction texts, because the author must take into account the fact that the reader of his work may not only be a person who has special military training, but also be a representative of another profession, or the reader does not have any specialty, education, etc. This can complicate the reader’s understanding of the work, so the true artist takes on such multicomponent terms in his text to create the most vivid and understandable image.


PMLA ◽  
2016 ◽  
Vol 131 (5) ◽  
pp. 1405-1413 ◽  
Author(s):  
S. Shankar

The Number of Conferences, Books, Essays, and Anthologies Dedicated to the Topic of World Literature Amply Testifies to a growing interest in the subject among literary scholars. In one sense, this interest within literary studies is perfectly comprehensible. It corresponds to a profound sense of a shrinking globe in which once-distant cultures are put in ever-closer proximity. The thinking goes something like this: if the world is becoming one, mustn't the literature of that world, too? In essence, the idea of world literature is the affirmative answer to some such commonsensical question, never mind that all the evidence points to a more complicated reality. Despite all the falling walls and speeding planes and globally communicating technologies (which doubtless do shrink distances), the world does not seem to be becoming one and indeed remains as complexly riven today as it ever was. There is no need to rehash the multiple genealogies—most often traced back to Goethe through René Wellek, Erich Auerbach, and Karl Marx, sometimes with a brief detour to Rabindranath Tagore—that underlie contemporary notions of world literature. The books, essays, and anthologies I allude to above sufficiently provide these genealogies. I have written elsewhere about my skepticism regarding the intellectual and political viability of the world literature project, suggesting that the notion of world literature always, and to little advantage, produces a fixed notion of the world (Flesh xvii, 124-36). In contemporary versions of the world literature project, the world becomes a reductive enumeration of cultures that have produced “masterpieces,” or “great works,” deemed good enough to enter a global canon. I am mainly skeptical of the idea of world literature because of this reductive impulse: I don't believe the idea can ever avoid a problematic diminution of the world or of the literary work.


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