The title of the new novel by the Yugra writer Eremey Aipin In Search of the Primordial Land, first published in Russian in 2019, contains an obvious reference to the cultural tradition and suggests the possibility of a scholarly reading of a literary text from the perspective of mythopoetics. The novel organically continues the attitude characteristic of all Aipin’s previous works. This attitude clearly discerns the writer’s desire to see the essence of modern life realities through the prism of traditional values enshrined in the myths and legends of his people. In Aipin’s artistic picture of the world, myth does not just appear as one of its elements. It enters the very flesh of this world, constitutes its foundation, its pivotal ontological and axiological axis. Aipin does not limit himself to the role of a popularizer of the mythological repertoire of the Khanty people. On the basis of traditional images, plots and motives, he builds his own mythological paradigm, in which the system of national and universal values is superimposed on the personal life experience of the author and his heroes. This fundamentally determines the basic principles of Aipin’s artistic expression organization. The article aims to reveal the meaning-forming role of the myth of the eternal return in Aipin’s In Search of the Primordial Land and to characterize the means of its artistic actualization in the text. During the research, the results of the latest developments in the field of philological regional studies and mythopoetics were taken into account. The analysis of the novel in the context of the traditional culture of the indigenous peoples of Yugra shows that Aipin inextricably connects reflections on the historical fate of Russia with the fate of a person. Despite the fact that the novel is based on the dramatic events of a worldwide scale, it is full of high optimistic sound. According to Aipin’s idea, Russia, which is at the turn of the millennium, is experiencing a situation of the “second world flood”, since the human community lost its spiritual values. The protagonist of the novel is the artist Matvey Taishin. He goes through difficult life trials, but acquires the desired sense of being; he finds it in love and in the awareness of the need to continue life. Using the example of Taishin, Aipin convincingly demonstrates that the revival of Russia is impossible without recognizing its cultural and spiritual origins, without moving towards its own metal Primordial Land. It is this saving path, based on the return to the eternal, timeless values, that will give Russia the opportunity to realize its historical destiny and overcome the state of chaos and decay. The article is the first experience of a conceptual and contextual analysis of Aipin’s In Search of the Primordial Land in Russian literary criticism, which constitutes the novelty of the research.
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