scholarly journals The Aesthetic Structuring of Artistic Conception

2017 ◽  
Vol null (24) ◽  
pp. 61-78
Author(s):  
노금숙
Keyword(s):  
Artistic Conception ◽  
The Aesthetic

Brief Analysis for the Aesthetic Form of Chinese Garden Art

2014 ◽  
Vol 584-586 ◽  
pp. 650-653 ◽  
Author(s):  
Bian Ling Zhang
Keyword(s):  
Development History ◽  
Artistic Conception ◽  
High Uniformity ◽  
Aesthetic Form ◽  
The World ◽  
The Aesthetic ◽  
Aesthetic Forms

Chinese garden art has developed gradually along with the neutralization--lasting appeal--artistic conception trend till to the peak, meanwhile, those aesthetic forms can be existed synchronously with historical advancement, logic arrangement in parallel and correspondence as well as abundance and deepening of the interior connotation and exterior extension, which represent the high uniformity of the development history and logics of Chinese garden art. Nowadays, the landscape garden development is required to probe its root, explore its cultural soul, so as to base itself upon the garden industry all over the world. Additionally, the function of traditional aesthetic form will show the powerful functions, declare publicly the deep influence of modernized landscape garden development.

scholarly journals Xishu Celebrity Memorial Gardens under the influence of water culture

2020 ◽  
Vol 143 ◽  
pp. 01005
Author(s):  
Yanting Wang ◽  
Along Bu ◽  
Xin Xin ◽  
Lin Lu
Keyword(s):  
Aesthetic Value ◽  
Water Culture ◽  
Garden Design ◽  
Artistic Conception ◽  
Humanistic Spirit ◽  
Cultural Element ◽  
Influence Of Water ◽  
Value Of Water ◽  
The Aesthetic ◽  
The Relationship

The celebrity memorial gardens are the most prominent in Xishu gardens, showing strong memorial. As the most characteristic cultural element of Xishu area, water contributes a lot to the development of Xishu gardens and becomes an indispensable element in gardening. By tracing back to the background of the formation and development of water culture, this paper analyses the relationship between the historical celebrities and water in Xishu, and summarizes the art of water in Xishu celebrity memorial gardens under the infiltration of water culture. This paper not only reflects the aesthetic value of water from the perspective of formal beauty, but also creates the poetic and artistic conception and the connotation of humanistic spirit through the combination with other gardening elements. At last the article reveals its significance and value of water culture in celebrity memorial gardens and tries to provide inspiration for future regional garden design.

scholarly journals Deep Integration of Chinese Modern Natural Painting Color and Film Ecological Art

2021 ◽  
Author(s):  
Jun Lin
Keyword(s):  
Experimental Study ◽  
Ecological Art ◽  
Artistic Conception ◽  
Modern Natural ◽  
Research Objects ◽  
Visual Impact ◽  
The Aesthetic ◽  
Deep Integration

The influence of beautiful color and composition on the film is very important. The colorful and hearty pictures not only make people have an amazing visual impact, but also enrich people's emotions. The perfect and full composition not only contains a lot of information and meaning, but also is the necessary means of plot and thinking. This paper focuses on the color and composition of the film screen. This paper analyzes and summarizes the representative typical elements to explore the beauty of the film screen. This paper puts forward that a good film should be good at using the color and composition of art to express the atmosphere and artistic conception of the film and convey the ideological connotation of the creator. This paper expounds that it is one of the inherent laws of film to interpret film with the beauty of picture. Whether it is gorgeous beauty, traditional beauty, true beauty or unsophisticated beauty, they are all different artistic expressions of beauty. The pursuit of materialization and transmission of beauty with film pictures is the essence of film art full of vitality. The experimental study shows that the viewpoint put forward in this paper is consistent with "art aesthetics takes the aesthetic phenomena, activities, laws and values in art as the research objects".

scholarly journals Visual Communications of Love in Athens and Venice: Plato and Tomas Mann

2020 ◽  
Vol 14 (2) ◽  
pp. 637-664
Author(s):  
Daniil Dorofeev
Keyword(s):  
Visual Communication ◽  
Thomas Mann ◽  
Speech Communication ◽  
Visual Communications ◽  
Artistic Conception ◽  
Human Image ◽  
The Aesthetic ◽  
The One ◽  
Philosophical Understanding

The article is devoted to the study of ontological, aesthetical and anthropological features of visual communication in Plato and Thomas Mann. I compare T. Mann’s Death in Venice artistic conception with the philosophical understanding of the image, contemplation, beauty and Eros of Plato, primarily in the dialogues Phaedrus and Symposium (with some reference to F. Nietzsche and the film by L. Visconti). The author explores the specifics of the visual-plastic worldview and the contemplative cognition of being, determined by the erotic foundation of the aesthetic contemplation of the human image as phenomenal manifestation of truth, fundamentally different from the one revealed in speech communication, and even capable of being autonomous from it, and represents the philosophical and artistic phenomenology of the development, transformation and implementation of such consciousness. The role of Athens and Venice as particularly significant historical-cultural topoi of visual communication is specially emphasized.

The Aesthetic Appreciation of the Epochal and National Character of Competitive Martial Art Routines

2011 ◽  
Vol 217-218 ◽  
pp. 1886-1890
Author(s):  
Wei Na Zheng
Keyword(s):  
Ethnic Groups ◽  
Martial Arts ◽  
Chinese Culture ◽  
Aesthetic Value ◽  
Current Time ◽  
Martial Art ◽  
Artistic Conception ◽  
Formal Program ◽  
The Aesthetic ◽  
Aesthetic Values

With the temporal aesthetics as the mainstream background, the aesthetics appreciation of competitive martial art routines reflects obviously the characteristic of aesthetic globalization, which is just as same as the aesthetic characteristic of the programs mainly based on skills. While the competitive martial arts also inherited the essence of Chinese traditional aesthetics，that’s to say, pursuing artistic conception and the beauty of skills. After 2008, in order to promote the Olympic process of competitive martial art routine, we must enhance the aesthetic values of it in the whole world. When facing the two distinct characteristics of competitive martial arts’ fixed routine—epochal spirit and nationality, whether we choose just one or both is worthy of thinking. Zhang Dainian, Cheng Yishan pointed out in the book the Debate of Chinese Culture and Culture Theory that culture has both the characteristics of epochal spirit and nationality and the relationship between the two characteristics is general and specific. Cultures of different ethnic groups in the same era have the same epochal characteristics, which is general. And different ethnic groups have their own national features in the same era, which is specific. With the changes of the needs of current time, the aesthetics of martial arts becomes more and more important and especially the aesthetics for the fixed routine of competitive martial arts should adhere to the Olympic motto, “higher, faster, stronger” and it should also attract more audience, make more people appreciate its beauty and embodies higher aesthetic value. Competitive martial arts was not a formal program in Beijing 2008 Olympic Games, however, it doesn’t mean that it will never enter the Olympics. This article analyzes the aesthetic situation from the perspectives of temporal spirit and nationality, searching further for a breakthrough of the development of competitive martial arts’ fixed routines.

Fluency as a determinant of the aesthetic-usability effect

2014 ◽  
Author(s):  
Takahashi Tomoyo ◽  
Shinji Kitagami
Keyword(s):  
The Aesthetic
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