scholarly journals Reverse vertical migration and hydrographic distribution of Anomalocera ornata (Copepoda: Pontellidae) in the US South Atlantic Bight

2004 ◽  
Vol 268 ◽  
pp. 195-204 ◽  
Author(s):  
PA Tester ◽  
JH Cohen ◽  
G Cervetto
PLoS ONE ◽  
2014 ◽  
Vol 9 (2) ◽  
pp. e88470 ◽  
Author(s):  
Eric A. Reyier ◽  
Bryan R. Franks ◽  
Demian D. Chapman ◽  
Douglas M. Scheidt ◽  
Eric D. Stolen ◽  
...  

2012 ◽  
Vol 9 (7) ◽  
pp. 9315-9347 ◽  
Author(s):  
L.-Q. Jiang ◽  
W.-J. Cai ◽  
Y. Wang ◽  
J. E. Bauer

Abstract. Air-sea carbon dioxide (CO2) fluxes have recently been reported for the US South Atlantic Bight (SAB), a low-latitude shallow continental shelf bordered landward by abundant salt marshes and rivers. In this study, influences of terrestrial inputs on sea surface partial pressure of CO2 (pCO2) in the SAB are quantified. After removing pCO2 variations due to the annual temperature cycle and air-sea gas exchange from the in situ pCO2, temperature and gas exchange corrected (TG-corrected) pCO2 is derived. Contributions from the river, marsh, and continental shelf to the TG-corrected pCO2 are then calculated. Findings show that CO2 contributions from the river [ΔpCO2(river)] are highest close to the coast and decrease with distance offshore. For example, ΔpCO2(river) was up to 30 μatm on the inner shelf but averaged only 0–3 μatm on the outer shelf during January and March 2005. CO2 contributions from salt marshes [ΔpCO2(marsh)] show similar spatial and seasonal distributions as ΔpCO2(river), with the magnitude of ΔpCO2(marsh) being about three times as high as that of ΔpCO2(river). CO2 contributions from within the shelf [ΔpCO2(shelf)] are highest among the three components. Compared to ΔpCO2(river) and ΔpCO2(marsh), ΔpCO2(shelf) show the smallest onshore-offshore gradients. Despite large uncertainties, this study clearly demonstrates the importance of terrestrial impacts on coastal ocean CO2distribution.


2018 ◽  
Vol 52 (2) ◽  
pp. 390-417
Author(s):  
ELISABETH ENGEL

This article traces and analyzes the missionary photography of the African Methodist Episcopal Church (AME), the most important independent black American institution that began to operate in colonial South Africa at the onset of the politics of racial segregation in the 1890s. It argues that AME missionary photography presents a neglected archive, from which a history of black photographic encounters and a subaltern perspective on the dominant visual cultures of European imperialism and Christian missions in Africa can be retrieved. Focussing in particular on how AME missionaries deployed tropes of the culturally refined “New Negro” and the US South in their visual description of South Africa, this article demonstrates that photography was an important tool for black subjects to define their image beyond the representations of black inferiority that established visual traditions constructed.


2001 ◽  
Vol 8 (2) ◽  
pp. 115-119 ◽  
Author(s):  
Franklin G. Mixon ◽  
Kamal P. Upadhyaya
Keyword(s):  
Us South ◽  

2021 ◽  
Vol 15 (1) ◽  
pp. 25-40 ◽  
Author(s):  
Joy Brooke Fairfield ◽  
Krista Knight ◽  
Barry Brinegar

In the first autumn of the COVID-19 pandemic, long-time theatre collaborators in two different cities in the US South discuss the future of an art form that has currently gone dark. Influenced by punk culture, twenty-first-century internet aesthetics, social justice movements and their pets, this decade-strong creative team reflects in a multimedia format on their past work and enumerates their priorities for the future of musical theatre: cheap, remote, inexperienced, local, radical and full of women and sexual/gender minorities.


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