Colour Preference Depends on Colour Temperature, Illuminance Level and Object Saturation - a New Metric

2019 ◽  
pp. 137-151
Author(s):  
Quang Trinh Vinh ◽  
Peter Bodrogi ◽  
Tran Quoc Khanh ◽  
Tran Thuy Anh

A new metric (Rp,2019) is defined as a light source to predict the subjective colour preference impression of an interior scene containing coloured objects illuminated by this light source. The metric is based on the CIE2017 Colour Fidelity Index and the TM-30-15 Colour Vector Graphic. In addition to its dependence on object saturation level, the metric also includes the dependence on correlated colour temperature and on the characteristic illuminance level at the plane on which the coloured objects are arranged. The scale of the metric is labeled with criterion values corresponding to “good” or “very good” colour preference. The aim is to help lighting designers and engineers to determine the illuminance level, colour temperature and object saturation necessary to achieve “good” or “very good” colour preference.

2017 ◽  
Vol 51 (2) ◽  
pp. 262-279 ◽  
Author(s):  
TQ Khanh ◽  
P Bodrogi ◽  
X Guo ◽  
QT Vinh ◽  
S Fischer

Subjects rated the colour preference of a colourful object scene illuminated to 2000 lx by 28 different spectra from a four-channel LED light engine at different object saturation levels and different white points (3200 K, 4200 K, 5000 K and 5600 K). Mean colour preference ratings had a maximum at a moderate saturation level. The lowest correlated colour temperature (3200 K) exhibited lower preference ratings than the three higher correlated colour temperatures. The influence of saturation level was modelled by existing colour rendition measures and by the measure colour quality combining a colour fidelity index and an overall object colour object saturation measure taken from Part 4 of this work.


2018 ◽  
Vol 51 (7) ◽  
pp. 1030-1043 ◽  
Author(s):  
TQ Khanh ◽  
P Bodrogi ◽  
X Guo ◽  
PQ Anh

Subjects assessed their visual impressions about scene brightness, visual clarity, colour preference and scene preference in a real room in which the horizontal illuminance, the correlated colour temperature and the level of chroma enhancement of the light source were changed systematically. The aim of the experiment is to contribute to the development of a user preference model. The concept of this model and the experimental method were described in Part 1 of this work. In Part 2, modelling equations of these four visual attributes and their validation are shown. Criterion illuminance levels for ‘good’ levels of the visual attributes were determined depending on correlated colour temperature.


2017 ◽  
Vol 51 (1) ◽  
pp. 82-98 ◽  
Author(s):  
D Jia ◽  
T Misawa ◽  
M Takamatsu ◽  
S Hirobayashi

Japanese-style gardens offer a wealth of spiritual and cultural value. In this study, we attempt to determine the optimum colour temperature for lighting Japanese-style gardens at night. We analyse the influence of a change in light source colour temperature on image recognition using digitalization and quantification with the semantic differential technique. In addition, we propose a new evaluation methodology for the semantic differential technique and examine the statistical significance of the results. We find that in summer, impressions of the optimum colour temperature for each element (vegetation, water, stone and structure) differ significantly, but in winter, because of the effects of snow, differences in the impression of each colour temperature are not as distinct. Moreover, the colour of the natural environment or overall season affects peoples’ preferred light source colour temperature.


2021 ◽  
Author(s):  
Y.M. Li ◽  
H. Fan ◽  
C.H. Lin ◽  
J.U. Chong ◽  
T.X. Lee

This study attempts to simulate the metamerism colour, and the guava was used as the target object. We design four sets of metamers with a correlated colour temperature of 4000K and an illuminance of 750lux. The light source was simulated in the LED cube. The subjects with convenience sampling observed the visual effects, including look delicious, colourful, and colour rendering of guava under metamerism, then analysed its relationship with CRI and CQS. The results showed that colour rendering and visual effects are not a positive relationship, and the effect of CQS is closer to the visual effects of the subjects. The results of this study can be used as a reference for light source lighting designers as a basis for improving lighting conditions. In the future, we can collect databases for the different objects with an optimized multi-spectral light source.


2019 ◽  
Vol 52 (2) ◽  
pp. 189-201
Author(s):  
TQ Khanh ◽  
P Bodrogi ◽  
X Guo

In Parts 1 and 2 of this work, an experiment was described in which subjects assessed their visual impressions of scene brightness (B), visual clarity (VC), colour preference (CP) and scene preference (SP) in a real room. In this room, the horizontal illuminance ( Ev), the correlated colour temperature (CCT) and the level of chroma enhancement caused by the spectrum of the light source (Δ C*) were changed systematically. In the present Part 3, these mean subjective B, VC, CP and SP scale values are re-analysed in terms of an alternative model based on a different set of independent variables: CCT, Δ C* and the circadian stimulus (CS). Contour map diagrams resulting from the new modelling equations are shown and compared with the conventional Kruithof-type representation.


2016 ◽  
Vol 27 (3) ◽  
pp. 308-316 ◽  
Author(s):  
Rupak R Baniya ◽  
Eino Tetri ◽  
Jukka Virtanen ◽  
Liisa Halonen

The ‘hue-heat’ hypothesis states that an environment which has wavelengths predominantly toward the red end of the visual spectrum feels ‘warm’ and one with wavelengths mainly toward the blue end feels ‘cool’. In order to test the hypothesis and to study the impacts of the correlated colour temperature of a light source on thermal sensation and thermal comfort, a study was conducted in a test room illuminated with an Light Emitting Diode (LED) lighting system with an adjustable correlated colour temperature where air temperature, air velocity, and relative humidity were kept constant. The correlated colour temperature of lighting inside the test room was changed gradually while keeping the colour rendering index values greater than 90, an illuminance level of 500 lx, and chromaticity difference (Duv) values within the limits of ±0.005. Sixteen study subjects were exposed to a ‘high room temperature’ (25℃) and a ‘low room temperature’ (20℃) on different days. The subjects were adapted to low correlated colour temperature (2700 K), medium correlated colour temperature (4000 K), and high correlated colour temperature (6200 K) lighting for 10 min and subsequently completed the questionnaire about their thermal comfort and thermal sensation. The results of this survey did not provide support for the hue-heat hypothesis and indicated that people felt thermally more comfortable in an indoor workplace at the correlated colour temperature of 4000 K than at the correlated colour temperature of 2700 K or 6200 K.


2016 ◽  
Vol 49 (6) ◽  
pp. 697-713 ◽  
Author(s):  
TQ Khanh ◽  
P Bodrogi ◽  
QT Vinh ◽  
D Stojanovic

In Part I of this work, observers scaled colour preference, naturalness and vividness visually on interval scales (0–100) labelled by semantic categories (e.g. ‘moderate’, ‘good’ and ‘very good’) in the context of office lighting. Five customary light sources without object saturation effect illuminated a table with coloured objects in a real room. The observers’ assessments were predicted by recent colour quality indices and selected pairs of indices combined linearly. Criterion values of the indices for ‘good’ colour preference and vividness were determined to provide a usable acceptance limit for the spectral design and evaluation of light sources. To predict colour preference, correlated colour temperature turned out to be useful. In Part 2 of this work, another experiment with the same method but using multi-LED spectra with more object saturation will be analysed and the two datasets will be merged.


2020 ◽  
pp. 47-52
Author(s):  
Fatih Atalar ◽  
Kerim Uzun ◽  
Ahmet Gedikli ◽  
Aysel Ersoy Yilmaz ◽  
Mukden Ugur

Lighting is one of the basic aspects that eases our lives and increases its quality. We use lighting tools in many places such as homes, streets, work places, hospitals, factories, etc. In this study, the effects of the light source and the surface of the object on features like colour temperature, glare, colour (perceived) and dominant wavelength is analysed. Four light sources such as a warm white halogen lamp, warm white LED source and two cool white LED sources were used. In the light measurements, 10 paper surfaces and 8 cloth surfaces were selected as the surface type. Colours of the surfaces were selected among the main colours on the colour locus. Light, reflected from surface was recorded with Konica Minolta CS-200 model. All results were indicated and compared with each other.


2019 ◽  
Vol 51 (5) ◽  
pp. 657-681 ◽  
Author(s):  
PR Boyce ◽  
JR Stampfli

Executive summary The two metrics traditionally used to quantify the colour properties of light sources are the correlated colour temperature and the CIE General Colour Rendering Index. With the arrival of LEDs as a major light source questions began to be asked about the merits of both of these metrics. The question asked about correlated colour temperature was how far should the chromaticity of a light source be allowed to depart from the Planckian locus before the light emitted could no longer be said to be white? A tolerance to such a departure ( Duv) already existed but now gathered much more attention. The questions asked about the CIE General Colour Rendering Index were more searching. The limitations of the CIE General Colour Rendering Index were explored and, as a result, several alternative approaches to quantifying the colour rendition properties of light sources were proposed. The most comprehensive approach was produced by the Illuminating Engineering Society of North America, first in its Technical Memorandum IES TM-30-15 and more recently in its revision, Technical Memorandum ANSI/IES TM-30-18, which has been accepted as an American Standard. Both these documents describe a system that contains two high-level summary metrics: One for the average fidelity, i.e. how accurately a test light source renders 99 colour samples relative to how they are rendered under a reference illuminant, and the other for the average colourfulness, i.e. the overall increase or decrease in colourfulness of the same colour samples under the same test light source compared to the same reference illuminant. Associated with these overall average metrics are a number of more detailed metrics and graphical presentations. These aim to quantify and illustrate the variations in fidelity and the direction and magnitude of the shifts in chroma and hue around the hue circle. Compared to the CIE General Colour Rendering Index or the CIE Fidelity Index, a metric published by the CIE in 2017, ANSI/IES TM-30-18 provides a more comprehensive approach to quantifying and understanding the effects of light source spectrum on the perception of colour. Unfortunately, the new colour metrics described in IES TM-30-15 and ANSI/IES TM-30-18 have not yet been accepted by the CIE. Despite this, some light source manufacturers have started to provide information on their products expressed in terms of the ANSI/IES TM-30-18 colour metrics and designers are beginning to request them. The expectation is that, eventually, the ANSI/IES TM-30-18 metrics will be adopted by many countries and authorities, because they provide a much more comprehensive description of the colour properties of a light source than the CIE General Colour Rendering Index. This will be of value to light source manufacturers and lighting designers as well as those who prepare lighting codes and guides. It is expected that in the future the minimum set of data considered acceptable for describing the colour properties of a light source are likely to be the correlated colour temperature and the associated Duv value, the CIE Fidelity Index or the matching ANSI/IES TM-30-18 Fidelity Index, together with the ANSI/IES TM-30-18 Gamut Index and the ANSI/IES TM-30-18 Colour Vector Graphic.


Optik ◽  
2020 ◽  
Vol 224 ◽  
pp. 165675
Author(s):  
Yu Wang ◽  
Qiang Liu ◽  
Wenyu Gao ◽  
Michael R. Pointer ◽  
Zheng Huang ◽  
...  

Sign in / Sign up

Export Citation Format

Share Document