scholarly journals To the problem of interpreting the genre of choral miniatures in the creation of Lesya Dichko (on the example of choral miniatures on poetic texts „Winter”, „Na chovni”, „Spring”)

2019 ◽  
pp. 5-17
Author(s):  
І. М. Рябцева
Keyword(s):  
Visual Arts ◽  
Complex Analysis ◽  
Scientific Investigation ◽  
Practical Implementation ◽  
Musical Language ◽  
Basic Principles ◽  
Choral Works ◽  
Poetic Text ◽  
The Creation ◽  
Poetic Texts

The purpose of the article is to identify the features of the genre ofUkrainian choral miniature and to identify the basic principles of theirimplementation in the choral works by Lesya Dychko. The purpose of thework determines the relevant tasks, which are in identifying the genrestyle landmarks of the musical language of L. Dichko, available in selectedchoral miniatures for poetic texts and, based on their analysis, outline anumber of immanent features inherent in the creativity of the composer.The methods of the research is formed by the using of empiricalapproaches of scientific investigation, namely observations, analyzes and generalizations, which allow the practical implementation of this studyingthemetic destination. The textological and semantic analytical approachesof the poetic text are also used in the work. The scientific novelty of thearticle is determined by the factor of primacy of the complex analysis ofselected choral miniatures from the standpoint of revealing immanentgenre-stylistic traits of L. Dychko’s creativity. Conclusions. The analysisof choral miniatures „Winter”, „Na chovni”, „Spring” on poetic textsallows to classify them as extremely bright, artistically expressiveexamples of modern interpretation of the genre with a relief display ofnationally characteristic stylistic features, which can be considered as anexample of the synthesis of neo-folklore neo-romantic orientation ofcreativity of L. Dychko. The choir miniature of Lesya Dychko is nowfirmly in the repertoire of numerous choirs of Ukraine. The composerforms a comprehensive outlook model of being in interaction with creativethinking. Her vision of the artistic text takes place at the same time in thedimension of literature, music and painting due to the constantinvolvement of elements of the visual arts vocabulary in her works,orientation to „painting”, and work with poetic images.

scholarly journals THE VEGETABLE WORLD IN OLEKSII DOVHIY’S POETRY

2019 ◽  
pp. 147-157
Author(s):  
Oleksandr Strokal
Keyword(s):  
Special Form ◽  
Apple Tree ◽  
Natural World ◽  
Cultural Tradition ◽  
Poetic Language ◽  
Poetic Text ◽  
Entire Universe ◽  
The Creation ◽  
Poetic Texts

The article deals with the features of verbalization of the plant world in Oleksii Dovhiy’s poetic language. The study found that the natural world for the primitives reflected the entire Universe – its structure, essence, links, which could not be explained or understood by them. That is why all the phenomena and realities of the environment were anthropomorphized. The components of the plant world made up the largest part of conceptual concepts in the worldview of Ukrainians. The language appeared a certain medium for such representations, reflected by the figurative symbolic semantics of the words. Poetry became a special form for representation of these meanings, whereas just in the poetic text the deep symbolism of numerous anthropomorphized images of nature could be shown fully and vividly. In Oleksii Dovhiy’s poetic texts realities of the flora are presented quite clearly and multifaceted because a poet is aware of their important role in the Ukrainian cultural tradition. The largest part of these units are presented by trees and their parts. These are the most commonly used lexemes and their derivatives: birch, beech, elm, willow, cherry, pear, oak, guilder rose, maple, poplar, apple tree, etc. Usage of the lexemes with diminutive semantics allows a poet to convey the inner state of the lyrical hero and establish a deeper connection with the reader. Plant world is involved in the creation of feminine and masculine images in the text and in the process of sacralization of a particular locus.

The model of facture of Russian poetic texts

2021 ◽  
pp. 107-117
Author(s):  
Владимир Борисович Барахнин ◽  
Ольга Юрьевна Кожемякина ◽  
Ирина Владимировна Кузнецова ◽  
Вера Алексеевна Карпова
Keyword(s):  
Distinctive Feature ◽  
Complex Analysis ◽  
Structural Model ◽  
Semantic Content ◽  
Reference Book ◽  
Automatic Determination ◽  
Poetic Text ◽  
Poetic Texts ◽  
Definition Of

При исследовании зависимости смыслового содержания поэтических текстов от их метроритмических характеристик и строфики возникает необходимость в описании фактур - совокупностей названных характеристик поэтических текстов. В статье сформулировано определение фактуры - структурной модели поэтического текста, которая однозначно определяет метроритмический и строфический шаблон стихотворного текста; представлены алгоритмы определения метра и стопности, а также строфики стихотворения, позволяющие определить его фактуру. В ходе работы создана таблица всех фактур, встречающихся в стихотворениях А.С. Пушкина, с приведением примеров строф для каждого типа фактуры The dependence of the semantic content of poetic texts on their metrorhythmic characteristics and the structure of stanzas requires describing the factures - the combination of these characteristics of poetic texts. The purpose of this article is to formulate the definition of facture as a structural model of a poetic text, which uniquely determines the metrorhythmic and strophic pattern of a poetic text, and also to develop the algorithms for automatic determination of facture. To achieve this goal, an algorithm for automatic determination of meter and number of feet, as well as the algorithm for automatic determination of the structure of stanzas of poems, has been developed. A distinctive feature of the algorithm for automatic determination of meter and number of feet of poems is to take into account the real problems of accentuation, which are associated with the presence of homographs, proclitics, etc., moreover, in the case of detection of a lexeme in a line that cannot be unambiguously accentuated using the automatic accentuation methods, it is used to establish the possible accentuation “by analogy” based on the accentuation of unambiguously accentuated lines. The algorithm for automatic determination of the structure of stanzas is based on the identification of the rhyming lines on the basis of their consonance. The testing of the algorithm was carried out on the corpus of poems by A.S. Pushkin, for which the "Metric Reference Book"was manually created in the 1930s with a description of metrorhythmics and stanzas. The developed algorithm showed the almost complete compliance of the results of the automatic determination of the factures with the metrorhythmic and strophic characteristics given in the reference book. Thus, the algorithm for automatic facture detemination which is developed and programmatically implemented by the authors of the paper, can be a reliable tool for the complex analysis of metrorhythmic and strophic characteristics of Russian poetic texts

scholarly journals Prosodic text analysis theory

2016 ◽  
Vol 6 (2) ◽  
pp. 283
Author(s):  
Mohammed Gamal Sakr
Keyword(s):  
Text Analysis ◽  
Theoretical Framework ◽  
The Other ◽  
Text Linguistics ◽  
Analysis Theory ◽  
Poetic Text ◽  
The Creation ◽  
Poetic Texts ◽  
The One ◽  
The Way

Within the field of poetic text linguistics, the theories of both text linguistics and prosodic linguistics have failed to reveal the nature of the creation of the poetic text and the way it is received by people. This necessitates adopting a new theoretical framework that combines the two approaches by focusing on nine norms: domain rules, length and separation rules, paragraph and sentence rules, phrases and words rules, and syllable and sound rules. These rules should be used by anyone who compares between different poetic texts on the one hand, and between poetic and non-poetic texts on the other. 

THE CONCEPT OF COMPETITIVE VALUE CHAINS IN PRODUCTION SYSTEMS AS AN INSTITUTIONAL STRUCTURE OPERATING ON NETWORK PRINCIPLES

2019 ◽  
Vol 6 (3) ◽  
pp. 61-67
Author(s):  
Niyaz Mustjakimovich Abdikeev ◽  
Anton Alekseevich Losev ◽  
Andrey Ivanovich Gaydamaka
Keyword(s):  
Business Processes ◽  
Production Systems ◽  
Institutional Structure ◽  
Cognitive Models ◽  
Value Chains ◽  
High Tech ◽  
Practical Implementation ◽  
Digital Platform ◽  
Software Product ◽  
The Creation

The Concept of competitive value chains in production systems, as an institutional structure operating on network principles, was the impetus for the development of a system of models of inter-industry digital platform for the management and optimization of cooperation of high-tech network production systems. The article describes the ways of integration into business processes of production systems of simulation and cognitive models. The practical implementation of the system of these models is a separate software product - an interdisciplinary digital platform for participants in the creation of new high-tech products and their components.

Kajian Sosiologis Terhadap Tema Lakon ‘Domba-domba Revolusi’ Karya Bambang Soelarto

Panggung ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Nur Sahid
Keyword(s):  
Sociological Theory ◽  
Essential Element ◽  
Literary Work ◽  
The Political ◽  
Basic Principles ◽  
Historical Figures ◽  
Sociology Of Art ◽  
The Creation ◽  
Relationship Of ◽  
The Relationship

ABSTRACTRevolutionary struggle in order to compete for the independence of Indonesia has been a source of inspiration Indonesian artists, including Bambang Soelarto who wrote drama Domba-domba Re- volusi (DDR). DDR studied drama is quite interesting because it tries to criticize the freedom fight- ers. This study aims to: first to know the theme and the problem plays DDR; second to determine the relationship of the socio - historical struggle in 1948 with the sociological elements of drama DDR themes and issues. This study uses sociological theory of art. The basic principles of the sociology of art is the fact that the creation of works of art influenced by the historical social conditions where the work was created. Research using content analysis of Krippendorf, the methods used to examine the symbolic phenomena with the aim to explore and express the observed phenomenon which is the content, meaning, and an essential element of the literary work. Based results of this research is that Bambang Soelarto as the author tries to capture di?erence between fighters during the struggle for the political aspirations for 1948 are expressed in a work of drama. Historical events inspired the creation of drama DDR. Soelarto want to respond to the political aspirations of the di?erence between historical figures and wanted to provide an assessment and outlook through DDR.Keywords: themes, drama, sociology of art, social historical ABSTRAKRevolusi perjuangan dalam rangka memperebutkan kemerdekaan Indonesia telah men- jadi sumber inspirasi para seniman Indonesia, termasuk Bambang Soelarto yang menulis drama Domba-domba Revolusi (DDR). Drama DDR cukup menarik diteliti karena mencoba mengkritisi para pejuang kemerdekaan. Penelitian ini bertujuan untuk: pertama, mengeta- hui tema dan permasalah drama DDR; kedua, mengetahui hubungan kondisi sosio-histo- ris perjuangan pada tahun 1948 dengan unsur-unsur sosiologis terimplisir pada unsur tema dan masalah drama DDR. Penelitian ini menggunakan teori sosiologi seni. Prinsip dasar dari sosiologi seni adalah adanya fakta bahwa penciptaan karya seni dipengaruhi oleh kon- disi sosial historis tempat karya itu diciptakan. Penelitian ini menggunakan metode con- tent analysis dari Krippendorf, yakni metode yang dipergunakan untuk meneliti fenome- na-fenomena simbolik dengan tujuan untuk menggali dan mengungkapkan fenomena yang teramati yang merupakan isi, makna, dan unsur esensial karya sastra. Berdasarkan hasil penelitian dapat diketahui bahwa Bambang Soelarto sebagai penulis mencoba un- tuk menangkap perbedaan antara pejuang aspirasi politik selama perjuangan tahun 1948 untuk diekspresikan dalam sebuah karya drama. Peristiwa sejarah mengilhami penciptaan drama DDR. Soelarto ingin menanggapi aspirasi politik perbedaan antara tokoh-tokoh se- jarah dan ingin memberikan penilaian dan pandangan pandangannnya melalui DDR.Kata kunci: tema, drama, sosiologi seni, sosial historis

Lexical Structure of the Poetic Text as a Key to the Comprehension of Its Inherent Values

2019 ◽  
Vol 80 (1) ◽  
pp. 20-25
Author(s):  
Nina S. Bolotnova
Keyword(s):  
Conceptual Analysis ◽  
Sequential Analysis ◽  
Literary Text ◽  
Russian Language ◽  
Lexical Structure ◽  
Poetic Text ◽  
Approach To Teaching ◽  
Poetic Texts ◽  
The Russian Language

This article is aimed at presenting a methodology for the conceptual analysis of poetic texts based on their lexical structure using the theory of communicative stylistics. The lexical structure of the literary text is considered to be a means of aсquainting the reader with the values manifested therein. The study of values intertwined within written works is particularly significant for the development of an axiological approach to teaching the Russian language. This article proposes a method for a sequential analysis of the lexical structure of a poetic text, which can be used at Russian language lessons.

THE MACROSIGNIFIED OF FORMATIVE MESOAMERICA: A SEMIOTIC APPROACH TO THE “OLMEC” STYLE

2021 ◽  
pp. 1-11
Author(s):  
Artur Seredin
Keyword(s):  
Complex Analysis ◽  
Semiotic Analysis ◽  
Cultural Meanings ◽  
Sign System ◽  
Semiotic Approach ◽  
The Creation

Abstract This article applies the theory of archaeological semiotics to the study of the “Olmec” style. A semiotic approach differs from an iconographic study because it provides the possibility for complex analysis of all significant traits of material archeological objects without distinction between stylistic and iconographic traits. In this context, the semiotic analysis of the Olmec style as a sign system shows that its particular signs, which can be defined as stylistic traits because of the lack of specific iconographic meanings, simultaneously participated in the creation and transformation of cultural meanings. This phenomenon reflected the “macrosignified” of Formative Mesoamerican cultures, associated with a structure that linked together various meanings throughout the culture.

Experience of creating a digital multimedia game

2021 ◽  
pp. 141-148
Author(s):  
О.В. Крежевских ◽  
А.И. Михайлова
Keyword(s):  
Vocational Education ◽  
Practical Significance ◽  
Basic Principles ◽  
Team Interaction ◽  
Digital Multimedia ◽  
Professional Groups ◽  
The Creation ◽  
Further Development ◽  
Creative Tasks

Создание геймифицированных образовательных ресурсов позволяет повысить мотивацию студентов к обучению, индивидуализировать образовательные маршруты, обеспечить вариативность содержания образования, учесть ограничения в здоровье. Цель настоящей статьи состоит в описании принципов разработки цифровых мультимедийных игр для сферы профессионального образования с учетом командного взаимодействия представителей различных профессиональных групп. В результате исследования выделены основные принципы разработки цифровых мультимедийных игр, предполагающие использование звуковых, анимационных и других эффектов при проведении корпоративных сеансов и выполнении творческих заданий. Практическая значимость заключается в возможности использования описанных принципов для дальнейшей разработки геймифицированных ресурсов. The creation of gamified resources makes it possible to increase the students’ motivation with the content of activities, to individualize educational routes, to ensure the variability of the content of education, to take into account health restrictions. The aim of this article is to describe the principles of developing digital multimedia games for vocational education, taking into account the team interaction of representatives of various professional groups. As a result of the study the basic principles of the development of digital multimedia games are highlighted, involving the use of sound, animation and other effects for corporate sessions and for doing creative tasks. The practical significance lies in the possibility of using the described principles for further development of gamified resources.

Libraries working together: a Scottish perspective

1995 ◽  
Vol 20 (1) ◽  
pp. 12-16
Author(s):  
Ann Matheson
Keyword(s):  
United Kingdom ◽  
Visual Arts ◽  
National Database ◽  
National Library ◽  
25Th Anniversary ◽  
Research Libraries ◽  
The United Kingdom ◽  
Working Together ◽  
The Creation ◽  
The 1950S

Cooperation between libraries is time-consuming, but is both ‘worthwhile and essential. Scottish research libraries commenced active cooperation in 1977: the Scottish Confederation of University and Research Libraries now has 15 active members. More recently, libraries in Scotland have been encouraged to work together following the creation of the Scottish Library and Information Council. The National Library has a key role to play, but in partnership with other libraries rather than invariably taking the lead. Cooperation between Scottish art libraries can be traced back to the 1950s and to the development, under the auspices of the National Library, of a union catalogue of art books in Edinburgh. This project is being extended and it will eventually become a national database. The group of libraries responsible for the project has taken on a wider role and an expanded membership as the Scottish Visual Arts Group, one of several subject groups under the umbrella of the Scottish Confederation of University & Research Libraries. The Group will work closely with the Scottish Library and Information Council, and with ARLIS/UK & Ireland in the wider framework of the United Kingdom. (This article is the revised text of a paper presented to the ARLIS/UK & Ireland 25th Anniversary Conference in London, 7th-10th April 1994).

scholarly journals THE DEVELOPMENT OF TOPOGRAPHIC MAPPING OF UKRAINE

2021 ◽  
pp. 74-78
Author(s):  
R. Sossa
Keyword(s):  
Spatial Information ◽  
Armed Forces ◽  
Geospatial Data ◽  
Topographic Maps ◽  
Topographic Mapping ◽  
Basic Principles ◽  
Ussr Council ◽  
Current State ◽  
The Creation ◽  
The Military

The basic principles and current state of topographic mapping of the territory of Ukraine are considered. Prior to the proclamation of Ukraine's independence, its territory was covered by topographic maps in the scale of 1:10 000 to 1: 1 000 000, created by the Main Department of Geodesy and Cartography under the USSR Council of Ministers and the Military Topographic Service of the USSR Armed Forces. The interaction of these departments in topographic mapping is highlighted. The topographic study of Ukrainian territory as of 1991 is analyzed in detail. Today the content of most topographic maps of scales from 1:10 000 to 1: 200 000 is characterized by "aging" of information and does not correspond to the current state of the area. The unsatisfactory state of topographic study of the territory led to the unclaimed topographic maps with much outdated information for consumers, and for the military it very difficult to perform combat tasks. The needs of current topographic information users require a significant improvement in topographic maps content. Since the mid-1990s, the creation of national geospatial data infrastructures has become crucial for providing spatial information to the state and society. The basic principles and general requirements for the creation and updating of state topographic maps are now defined by the "Procedure for national topographic and thematic mapping" (2013). The adoption of the Law of Ukraine "On the National Infrastructure of Geospatial Data", giving a powerful impetus to topographic mapping, poses a responsible task of organizational and regulatory and technical support of this process. The issue of obtaining topographic maps from the topographic database requires scientific and technical elaboration, development of appropriate normative and technical documents (guides, principles, instructions, symbols, etc.).

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