scholarly journals ART IMAGES IN TV PROFESSOR VK YAKUNIN

2020 ◽  
pp. 40-43
Author(s):  
B. Мирончук
Keyword(s):  
Fine Art ◽  
Personal Contribution ◽  
Genre Preferences

The article is devoted is scientific personal contribution to the development of fine art by the talented scientist and teacher Victor Kuzmovich Yakunin, who proved himself a capable amateur artist, embodying a certain system of artistic standards, attracting forms of professional art, emphasizes that the genre preferences of the artist were, in the time and portraits, there were copies of canvases of famous artists.

Cineplastics: The Fine Art of Motion Painting

1952 ◽  
Vol 6 (4) ◽  
pp. 375-387
Author(s):  
Robert Bruce Rogers
Keyword(s):  
Fine Art

The Fine Art of Investing

CFA Magazine ◽  
2010 ◽  
Vol 21 (3) ◽  
pp. 30-32
Author(s):  
Ed McCarthy
Keyword(s):  
Fine Art

EXHIBITION AS A GENRE OF PLASTIC ART: "DIOR"

2020 ◽  
pp. 138-150
Author(s):  
Mariya T. Maistrovskaya ◽  
◽  
Keyword(s):  
Visual Art ◽  
Spatial Organization ◽  
Fine Arts ◽  
Environmental Design ◽  
Exhibition Design ◽  
Fine Art ◽  
Museum Of Fine Arts ◽  
Artistic Images ◽  
Fashion Designers

The article is the second part of the research that consider and analyze two exhibitions held in recent years at the A.S. Pushkin Museum of Fine Arts named, “Chanel: according to the laws of art” (2007) and “Dior: under the sign of art” (2011), dedicated to the largest fashion designers of our time. The original concepts and artistic solutions of the exhibition design of these exhibitions became events not only in the fashion world, but also in the art of the exhibitiaon. These exhibitions presented various exhibition solutions, vivid artistic images, expressive spatial organization, conceptual and scenographic arrangement of copyright collections in the context of high fine art. The most important conceptual component of the exhibitions was to present the art of fashion designers, juxtaposing, giving rise to associations and building analogies and contexts with visual art, against which unique collections were exhibited and in the circle. With this single conceptual view of their work, and the single space of the museum in which the exhibitions were held, the artistic and architectural strategy of the exhibitions was diametrically opposite, revealing the palette and variety of artistically expressive means and modern exhibition design. Both exhibitions were created by modern foreign curators and designers and represent talented and creative exposition projects, the analysis of which can be useful for domestic environmental design as vivid examples of the exposition as a genre of plastic art, which is considered the modern museum and exhibition exposition at its highest and creative forms.

FINE ART DISCOURSE IN STRUCTURE OF Yu. DOMBROVSKY’S NOVEL “FACULTY OF UNNECESSARY KNOWLEDGE”

2018 ◽  
Vol 66 (2) ◽  
pp. 115-120
Author(s):  
Anna A. Borovskaya ◽  
◽  
Arman R. Kubeev ◽  
Keyword(s):  
Fine Art

INVISIBLE MATTER OF FINE ART

2013 ◽  
Author(s):  
Zygmunt Piotrowski
Keyword(s):  
Fine Art

INTEGRATING FINE ART AND SCIENCE TO BETTER UNDERSTAND THE WHITE RIVER BADLANDS

2020 ◽  
Author(s):  
Katherine Mickle ◽  
◽  
Patrick Burkhart ◽  
Paul Baldauf ◽  
Jason Hilton
Keyword(s):  
Fine Art ◽  
Art And Science ◽  
White River
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