scholarly journals Understanding Dutch film culture

2013 ◽  
pp. 23-36
Author(s):  
Judith Thissen
Keyword(s):  
The Netherlands ◽  
Census Data ◽  
Mass Medium ◽  
Analytical Framework ◽  
Mining District ◽  
Film Culture ◽  
Film Exhibition ◽  
Regional Dynamics ◽  
North Eastern ◽  
Cultural Infrastructure

In terms of cinema attendance, the Netherlands has always differed from other European countries. During the first decade of permanent film exhibition "a crucial phase in cinema's development as a mass medium" the movies failed to gain a firm foothold in Dutch society. After a discussion of the prevailing explanations for the low provision of cinemas in the Netherlands, this article develops a comparative analytical framework to better assess the regional dynamics at work within Dutch film culture. In particular, it looks at cinemagoing in the industrialised countryside, combining a qualitative examination of the local social and cultural infrastructure with a quantitative analysis of census data. The agro-industrial North Eastern part of Groningen and the mining district in the South of Limburg are singled out because in both regions we witness a very high density of film venues, suggesting metropolitan patterns in cinema attendance.

DRIEDIMENSIONAAL NIEUWS

2019 ◽  
Vol 3 (2) ◽  
pp. 128-152
Author(s):  
Tessel X. Dekker
Keyword(s):  
Nineteenth Century ◽  
The Netherlands ◽  
Mass Medium ◽  
Three Dimensional ◽  
Reciprocal Relationship ◽  
Visual Medium ◽  
The Public ◽  
Wax Models

THREE-DIMENSIONAL NEWS The Amsterdam wax museum as a competitor of the illustrated newspaper, 1882-1919 The nineteenth-century wax museum can be viewed as a contemporary mass medium that showed people scenes from the news. The Nederlandsch Panopticum was the first of its kind in the Netherlands, located in Amsterdam between 1882 and 1919. As an informative visual medium, the Panopticum had to compete with other media, like the illustrated newspaper, for the attention of the public. At the same time, the wax museum also depended on photographs published in these same papers: wax models were often, and in the course of time almost exclusively, modelled after photos. This reciprocal relationship can be seen as an example of ‘intermediality’. In the end, the wax museum lost ground, foremost, to the new mass medium of the time, cinema, which took over both as an urban attraction and as a popular visual medium.

scholarly journals No Country for Men: Searching for Late Medieval Submerged Settlements in the North-Eastern Zuiderzee Area in the Netherlands

2019 ◽  
Vol 22 (4) ◽  
pp. 567-587 ◽  
Author(s):  
Yftinus T. van Popta
Keyword(s):  
The Netherlands ◽  
Cultural Landscape ◽  
Large Scale ◽  
Interdisciplinary Approach ◽  
Economic Networks ◽  
Late Medieval ◽  
Maritime Cultural Landscape ◽  
The North ◽  
Maritime Culture ◽  
North Eastern

This article focuses on the maritime cultural landscape of the former Zuiderzee (ad 1170–1932) in the central part of the Netherlands. Since the large-scale reclamations from the sea (1932–1968), many remains have been discovered, revealing a submerged and eroded late medieval maritime culture, represented by lost islands, drowned settlements, cultivated lands, shipwrecks, and consequently socio-economic networks. Especially the north-eastern part of the region, known today as the Noordoostpolder, is testimony to the dynamic battles of the Dutch against the water. By examining physical and immaterial datasets from the region, it is possible to give a modern-day idea of this late medieval maritime cultural landscape. Spatial distribution and densities of late medieval archaeological remains are analysed and compared to historical data and remote sensing results. This interdisciplinary approach has led to the discovery of the remains of the drowned settlement of Fenehuysen.

Fighting or fumbling with the beast? The mediatisation of public sector agencies in Australia and the Netherlands

2019 ◽  
pp. 101-122
Author(s):  
Thomas Schillemans
Keyword(s):  
Comparative Analysis ◽  
The Netherlands ◽  
Analytical Framework ◽  
Public Agencies ◽  
Media Management ◽  
Daily News ◽  
Media Environment ◽  
Internal Structures ◽  
The Media ◽  
Media Systems

Public agencies are the objects of a large share of the daily news and devote substantial resources to media management and monitoring. This paper analyses how public agencies have adapted their internal structures and processes in order to meet the demands from their media environment. To this end, an analytical framework for the analysis of organisational mediatisation – the adaptation of internal structures and processes to external media demands – is developed. This is the first framework available for empirical analyses of organisational mediatisation. Its use is then demonstrated in a comparative analysis of the mediatisation of public agencies in Australia and the Netherlands; countries with contrasting political and media systems. An explorative, multimethod study describes how Australian agencies go to greater lengths in accommodating their media environment – they fight the media beast – whereas Dutch agencies are more hesitant; they are fumbling with the beast.

scholarly journals The Belgian Limburg dialect of Hamont

2007 ◽  
Vol 37 (2) ◽  
pp. 219-225 ◽  
Author(s):  
Jo Verhoeven
Keyword(s):  
The Netherlands ◽  
Small Town ◽  
Lexical Tone ◽  
The West ◽  
Unique Position ◽  
The North ◽  
North Eastern ◽  
National Border ◽  
The Town ◽  
Eastern Edge

Hamont is a small town located on the north-eastern edge of the Belgian province of Limburg, on the national border with the Netherlands. It is situated about 30 km south of Eindhoven and 15 km west of Weert in the Netherlands. The town has about 13,500 inhabitants. According to Belemans, Kruijsen & Van Keymeulen (1998), the dialect of Hamont belongs to the West Limburg dialects (subclassification: Dommellands). Limburg dialects occupy a unique position among the Belgian and Dutch dialects in that their prosodic system has a lexical tone distinction, which is traditionally referred to as SLEEPTOON ‘dragging tone’ and STOOTTOON ‘push tone’. In line with recent conventions, stoottoon is referred to as Accent 1 and transcribed as superscript 1; sleeptoon is referred to as Accent 2 and is transcribed as superscript 2 (cf. Schmidt 1986).

scholarly journals Will the Australian nuclear medicine technologist workforce meet anticipated health care demands?

2008 ◽  
Vol 32 (2) ◽  
pp. 282 ◽  
Author(s):  
Edwina Adams ◽  
Deborah Schofield ◽  
Jennifer Cox ◽  
Barbara Adamson
Keyword(s):  
Nuclear Medicine ◽  
Census Data ◽  
Service Needs ◽  
The Past ◽  
Eastern Australia ◽  
North Eastern ◽  
Nuclear Medicine Technologist ◽  
Professional Body ◽  
Care Demands

Determination of national nuclear medicine technologist workforce size was made from census data in 2001 and 1996 and from the professional body in 2004. A survey conducted by the authors in 2005 provided retention patterns in north-eastern Australia and suggested causes. Utilisation of nuclear medicine diagnostic services was established through the Medicare Benefits Schedule group statistics. More than half the nuclear medicine technologist workforce is under 35 years of age. Attrition commences from age 30, with very few workers over 55 years. In 2005 there was a 12% attrition of the survey workforce. In the past decade, service provision increased while workforce size decreased and the nuclear medicine technologist workforce is at risk of failing to meet the anticipated rise in health service needs.

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