scholarly journals Future experiments from the past: Third Cinema and artistic research from below

Author(s):  
Miguel Errazu ◽  
Alejandro Pedregal

This article examines possible articulations of artistic praxis and research in relation to social conflict and political struggle. Taking some of the guiding principles of Third Cinema, which we will consider here both a film strategy and an epistemic project “from below”, our aim is to provide elements for discussion to the current debates on art-as-research. Third Cinema, despite its specificities and differences with current times, provided a dialectical and dialogistic approach to artwork, which was conceived as an open realm for criticism, discussion, and struggle, inscribed within a radical political agenda. This article aims at recovering the importance of this critical movement in the arts and uses it as a source of inspiration to propose a series of insights on artistic research, in relation to contemporary interests in collaborative, long-term projects and the third wave of institutional critique. We seek to challenge commonsensical notions around four fundamental axes—experimentation; temporality; public sphere; and institutionalism—by confronting dominant views on these topics through what could be called a Third Cinema politics of artistic research from below—namely, from the perspective of those who embrace research as an intrinsic part of the creative and emancipatory potential of the arts.

1996 ◽  
Vol 12 (48) ◽  
pp. 367-383 ◽  
Author(s):  
Ian Brown ◽  
Rob Brannen

By the mid 'eighties, the Thatcher government's public funding restrictions had taken a firm hold, leading to a now familiar position of crisis theatre management. In 1985, under pressure from the profession, the Arts Council of Great Britain commissioned an independent enquiry, the first for sixteen years, to evaluate the needs of the publicly funded theatre and to determine funding priorities. Although the resulting Cork Enquiry was seen by many at the time as a cost-cutting exercise, eight months intensive research and evidence-taking led to a carefully constructed case for a funding increase against an estimated shortfall of up to £13.4 million – and also produced a broad vision of the nature of theatre in England. It is now ten years since the Cork Enquiry delivered its report, with the aim of ensuring the healthy development of an art form placed under severe financial constraint. Here lan Brown and Rob Brannen, Secretary and Assistant Secretary to the Enquiry, provide insight into the Enquiry's setting-up, its process, and formulation of recommendations. In the light of recent consultation exercises, they examine the nature and function of such reports alongside the long-term impact of the Cork Enquiry. lan Brown was Drama Director of the Arts Council of Great Britain from 1986 to 1994, and is now Professor and Head of the Drama Department at Queen Margaret College, Edinburgh. Rob Brannen is a Senior Lecturer in Drama at De Montfort University, Bedford.


2017 ◽  
Vol 8 (1) ◽  
pp. 131-161 ◽  
Author(s):  
Gabriela Sylvia Meier

AbstractThis study establishes the multilingual turn as part of a critical movement in education. It highlights the importance we ought to attach to how we understand the concepts of language, the learners and language learning and related terms, as such assumptions determine what language teachers and learners do in the classroom. A thematic decomposition analysis of 21 chapters, contained in two books both with phrase the multilingual turn in their title (Conteh and Meier 2014, The multilingual turn in languages education: Opportunities and challenges. Bristol: Multilingual Matters; May 2014a, The multilingual turn: Implications for SLA, TESOL and Bilingual education. New York: Routledge), confirms that new critical understandings of these concepts have developed in recent years. While there is not total accord, my findings showed that authors, associated with the multilingual turn, conceive languages as a resource for learning and as associated with status and power; the learners as diverse multilingual and social practitioners; and learning as a multilingual social practice based on theoretical pluralism, consistently guided by critical perspectives. While theoretically relatively well established, the multilingual turn faces important challenges that hamper its translation into mainstream practice, namely popularly accepted monolingual norms and a lack of guidance for teachers. The findings combined with previous research inform a framework to reflect on practice, which may, in the long term, help address the challenges identified.


2018 ◽  
Vol 9 (1) ◽  
pp. 52-60 ◽  
Author(s):  
Bruno S. Sergi

The Eurasian Economic Union is an institution formalized in January 2015 for the purpose of regional economic integration; it includes five countries: Russia, Kazakhstan, Belarus, Armenia, and Kyrgyzstan, and may include Mongolia and Tajikistan in the future. With a GDP of $1.59 trillion in 2015, an industrial production of $1.3 trillion in 2014, and population of almost 200 million as of 2016, the EEAU could represent a geopolitical success that supports both Putin's ambitious political agenda and the Union's economic prospects. Although the efforts of this Union are ongoing and long-term success is not certain, the Russia-led Eurasian Economic Union can be considered a hybrid half-economics and half-political “Janus Bifrons” that serves as a powerful illustration of what Putin envisions for the post-Soviet space. Despite promising steps so far, more should be done toward the achievement of economic development and balanced opportunity for all Eurasian countries. Russia's longstanding role within the Union, as well as its power and political motivations, are all considerations that must be accounted for.


2020 ◽  
Vol 12 (1-2) ◽  
pp. 127-129
Author(s):  
Rea Dennis

Review of: Using Art as Research in Learning and Teaching: Multidisciplinary Approaches Across the Arts, Ross W. Prior (ed.), Foreword by Shaun McNiff (2018) Bristol: Intellect, 225 pp., ISBN 978-1-78320-892-0, p/bk, £25.00


2021 ◽  
Vol 6 (1) ◽  
pp. 6-26
Author(s):  
William E. Pomeranz

Abstract Constitutional reform dominated Russia’s legal and political agenda in 2020. Starting with Putin’s January 15, 2020 state-of-the-nation address, the 1993 Yeltsin constitution was amended and substantially transformed to meet Putin’s immediate and more long-term political objectives. In the process a flawed but forward-looking document has been stripped of much of its liberal potential and instead been converted into a more traditional top-down system of governance. Putin did not just overturn the term limits on his presidency. He created a new power vertical (the unified system of public power), a stronger presidency, and a more subservient judiciary. Moreover, Putin’s amendments undermine the constitution’s internal consistency by introducing numerous contradictions into Russia’s founding law. In particular, while technically observing the constitution’s procedural requirements, he managed to downgrade Russia’s civil liberties—the highest value under the 1993 constitution—while elevating and expanding Russia’s social rights.


Author(s):  
Catherine E. De Vries ◽  
Sara B. Hobolt

This chapter examines the strategies employed by dominant parties to secure their long-term electoral success and control of office. The first of the dominant-party strategies is that of distinctive convergence, whereby dominant parties take positions closer to the center ground in order to appeal to the tastes of a larger share of the electorate. Second, dominant parties seek to keep challengers at bay by controlling the political agenda and avoiding issues that may be disadvantageous to them. The final strategy concerns the emphasis of dominant parties on their competence. In combination, the strategies of distinctive convergence, issue avoidance, and competence have kept the old center-right and center-left parties in a dominant position in most of Western Europe for decades. Yet, these strategies are not without risk. As dominant parties converge to the center, there is a real risk that voters perceive them as too similar and feel they lack a genuine alternative.


2018 ◽  
Vol 19 (7) ◽  
pp. 10-11
Author(s):  
Anne Basting
Keyword(s):  

2020 ◽  
Vol 11 ◽  
Author(s):  
Dominik Havsteen-Franklin ◽  
Megan Tjasink ◽  
Jacqueline Winter Kottler ◽  
Claire Grant ◽  
Veena Kumari

Crisis events, such as the COVID-19 pandemic, can have a devastating effect on communities and the care professionals within them. Over recent years, arts-based interventions have helped in a wide range of crisis situations, being recommended to support the workforce during and after complex crisis but there has been no systematic review of the role of arts-based crisis interventions and whether there are cogent themes regarding practice elements and outcomes. We, therefore, conducted a systematic review to (i) define the arts-based change process used during and after crisis events, and (ii) explore the perceptions of intermediate and long-term mental health benefits of arts-based interventions for professionals in caring roles. Our search yielded six studies (all qualitative). All data were thematically aggregated and meta-synthesized, revealing seven practice elements (a safe place, focusing on strengths and protective factors, developing psychosocial competencies to support peers, emotional expression and processing, identifying and naming the impact of the crisis, using an integrative creative approach, and cultural and organizational sensitivity) applied across all six studies, as well as a range of intermediate and long-term benefits shared common features (adapting, growing, and recovering; using the community as a healing resource; reducing or preventing symptoms of stress or trauma reactions, psychophysiological homeostasis). The ways in which these studies were designed independently from one another and yet used the same practice elements in their crisis interventions indicates that there is comparability about how and why the arts-based practice elements are being used and to what effect. Our findings provide a sound basis and meaningful parameters for future research incorporating quantitative and qualitative approaches to firmly establish the effectiveness of art-based interventions, and how arts can support cultural sensitivity, acceptability and indicated outcomes, particularly those relating to stress and trauma during or following a crisis.


2019 ◽  
Vol 8 (3) ◽  
pp. 226
Author(s):  
Victoria Kakooza ◽  
Robert Wamala ◽  
James Wokadala ◽  
Thomas Bwire

The experiences of employees from developed countries affirm that those from science/ technology-related disciplines benefit more through more technological inventions, than those from the Arts/ Humanities-related disciplines. The study utilizes statistical data of higher education graduates to determine a causal link between graduates from the two fore mentioned academic disciplines, and labour productivity in the developing country of Uganda. The data from 1985 to 2017 were analysed using the Vector Error Correction model, and revealed that arts graduates wereas productive as the science graduates. The findings also show the existence of long-term relationship between academic discipline and labour productivity, as well as a bi-causality between the variables under study.


2013 ◽  
Vol 1498 ◽  
pp. 91-96 ◽  
Author(s):  
Sajid Bashir ◽  
James Dinn ◽  
Jingbo Liu

ABSTRACTMetallic silver nanoparticles (NPs) have extensively been used in the treatment of disease and purification and heralded the ‘first wave’ of disinfection science, the ‘second wave’ being the nanocomposite of metal-doped TiO2. Recent advances in engineered surfaces have enabled ultrahigh surface area and rapid sterilization via using metal-organic frameworks (MOFs) as the ‘third wave’ disinfectant. MOFs offer the same advantages as colloids but also have ultra high surface area, long term persistence and ultra low doses, applied for water purification.


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