La cittŕ degli espressionisti: scenografie cinematografiche

STORIA URBANA ◽  
2009 ◽  
pp. 47-67
Author(s):  
Claudia Lamberti
Keyword(s):  
Urban Atmosphere ◽  
Set Design ◽  
Urban Settings ◽  
Use Of Space ◽  
Avant Garde ◽  
Film Studios ◽  
The City

- The essay compares the images of the city defined by the Expressionist movement and the city images in the films of the time. Expressionist architects discovered that film-set design gave them a chance to experiment with their artistic skills. At the same time, film studios could not shoot outdoors easily and so were forced to rely on constructed sets. All this worked out as an incentive for architectural invention. Sets became an apt proving ground for the new expressiveness of the architects as well as a way to experiment with the use of space without limits and constraints. This essay examines the cases of 6 films whose elements are specifically and directly attributable to the Expressionist culture. Here the case of the city encompasses both set design and the urban atmosphere in films linked with the avant-garde movements. The essay also provides a filmography of the most important films with urban settings shot by German artists in the 1920s and 1930s.

scholarly journals GIS-Based Approach to Spatio-Temporal Interpolation of Atmospheric CO2 Concentrations in Limited Monitoring Dataset

Atmosphere ◽  
2021 ◽  
Vol 12 (3) ◽  
pp. 384
Author(s):  
Yaroslav Bezyk ◽  
Izabela Sówka ◽  
Maciej Górka ◽  
Jan Blachowski
Keyword(s):  
Seasonal Variability ◽  
Sampling Strategy ◽  
Climate Impacts ◽  
Air Pollutant ◽  
Urban Atmosphere ◽  
Atmospheric Co2 ◽  
Spatial Characteristic ◽  
Interpolation Methods ◽  
Co2 Levels ◽  
The City

Understanding the magnitude and distribution of the mixes of the near-ground carbon dioxide (CO2) components spatially (related to the surface characteristics) and temporally (over seasonal timescales) is critical to evaluating present and future climate impacts. Thus, the application of in situ measurement approaches, combined with the spatial interpolation methods, will help to explore variations in source contribution to the total CO2 mixing ratios in the urban atmosphere. This study presents the spatial characteristic and temporal trend of atmospheric CO2 levels observed within the city of Wroclaw, Poland for the July 2017–August 2018 period. The seasonal variability of atmospheric CO2 around the city was directly measured at the selected sites using flask sampling with a Picarro G2201-I Cavity Ring-Down Spectroscopy (CRDS) technique. The current work aimed at determining the accuracy of the interpolation techniques and adjusting the interpolation parameters for estimating the magnitude of CO2 time series/seasonal variability in terms of limited observations during the vegetation and non-vegetation periods. The objective was to evaluate how different interpolation methods will affect the assessment of air pollutant levels in the urban environment and identify the optimal sampling strategy. The study discusses the schemes for optimization of the interpolation results that may be adopted in areas where no observations are available, which is based on the kriging error predictions for an appropriate spatial density of measurement locations. Finally, the interpolation results were extended regarding the average prediction bias by exploring additional experimental configurations and introducing the limitation of the future sampling strategy on the seasonal representation of the CO2 levels in the urban area.

scholarly journals Development of the city-scale chemistry transport model CityChem-EPISODE and its application to the city of Hamburg

2018 ◽  
Author(s):  
Matthias Karl
Keyword(s):  
Air Quality ◽  
Urban Area ◽  
Transport Model ◽  
Dispersion Model ◽  
Temporal Correlation ◽  
Urban Atmosphere ◽  
Aerosol Formation ◽  
Urban Background ◽  
New Model ◽  
The City

Abstract. This paper describes the City-scale Chemistry (CityChem) extension of the urban dispersion model EPISODE with the aim to enable chemistry/transport simulations of multiple reactive pollutants on urban scales. The new model is called CityChem-EPISODE. The primary focus is on the simulation of urban ozone concentrations. Ozone is produced in photochemical reaction cycles involving nitrogen oxides (NOx) and volatile organic compounds (VOC) emitted by various anthropogenic activities in the urban area. The performance of the new model was evaluated with a series of synthetic tests and with a first application to the air quality situation in the city of Hamburg, Germany. The model performs fairly well for ozone in terms of temporal correlation and bias at the air quality monitoring stations in Hamburg. In summer afternoons, when photochemical activity is highest, modelled median ozone at an inner-city urban background station was about 30 % lower than the observed median ozone. Inaccuracy of the computed photolysis frequency of nitrogen dioxide (NO2) is the most probable explanation for this. CityChem-EPISODE reproduces the spatial variation of annual mean NO2 concentrations between urban background, traffic and industrial stations. However, the temporal correlation between modelled and observed hourly NO2 concentrations is weak for some of the stations. For daily mean PM10, the performance of CityChem-EPISODE is moderate due to low temporal correlation. The low correlation is linked to uncertainties in the seasonal cycle of the anthropogenic particulate matter (PM) emissions within the urban area. Missing emissions from domestic heating might be an explanation for the too low modelled PM10 in winter months. Four areas of need for improvement have been identified: (1) dry and wet deposition fluxes; (2) treatment of photochemistry in the urban atmosphere; (3) formation of secondary inorganic aerosol (SIA); and (4) formation of biogenic and anthropogenic secondary organic aerosol (SOA). The inclusion of secondary aerosol formation will allow for a better sectorial attribution of observed PM levels. Envisaged applications of the CityChem-EPISODE model are urban air quality studies, environmental impact assessment, sensitivity analysis of sector-specific emission and the assessment of local and regional emission abatement policy options.

The Theatrical Memory of Space: from Piscator and Brecht to Belgrade

2005 ◽  
Vol 21 (4) ◽  
pp. 358-366 ◽  
Author(s):  
Silvija Jestrovic
Keyword(s):  
Postdoctoral Fellow ◽  
Avant Garde ◽  
Cultural Spaces ◽  
Theatre Studies ◽  
The University ◽  
The City

In this article, Silvija Jestrovic introduces the notion of spatial inter-performativity to discuss theatre's relationship to actual political and cultural spaces. Focusing on the Berlin of the 1920s in performances of Brecht and Piscator, then on a street procession of the Générik Vapeur troupe that took place in Belgrade in 1994, she examines how theatrical and political spaces refer to and transform one another. Silvija Jestrovic was a SSHRC postdoctoral fellow at York University in Toronto, and has recently taken up an appointment in the School of Theatre Studies at the University of Warwick. She is currently working on a book-length project entitled Avant-Garde and the City.

Kharkiv Scenography School of O. Khvostenko-Khvostov: The Experience of Professionalization

2021 ◽  
Vol 2021 (02) ◽  
pp. 85-95
Author(s):  
V. Chechyk ◽  
Keyword(s):  
Material Culture ◽  
Teaching Practice ◽  
Early Years ◽  
Music And Literature ◽  
Avant Garde ◽  
Theatrical Design ◽  
Outstanding Teachers ◽  
History Of ◽  
Compulsory Subject ◽  
The City

The article is devoted to the early years of formation of Kharkiv scenography school and to the creative and pedagogical activities of Olexander Khvostenko-Khvostov (1895–1967). It was reported that the bold experiments of this artist, in the field of theatrical design of 1918–1922, made him one of the central figures of Kharkiv avant-garde scene (“Mystery Buff”; “The Army in the City”; “Lilyuli”, etc), strengthening the reputation of an innovator and causing the beginning of pedagogical activity at the Kharkiv Art College in 1921. The theatrical and decorative workshop was opened at the faculty of painting at the Kharkiv Art College in 1922, it was headed by A. Khvostenko-Khvostov. Among the first graduates were such bright alumni as A. Volnenko, P. Suponin, V. Ryftin, A. Bosulaev, B. Chernyshov, and others. Fundamental provisions of the educational program, which A. Khvostenko borrowed from the teaching practice of A. Exter (Kyiv Studio, 1918–1920), reflected the formation idea of future theater artist’s synthetic thinking. It is known that the education program of the Theater and Scenery Workshop of KAC, equally with the Studio of A. Exter, in addition to the subjects common to all students of painting and drawing faculty as special subjects (theatrical scenery, technique and technology of the stage, etc.) included also the history of theater (I. Turkeltaub), material culture, costume, music and literature (A. Beletsky). O. Khvostenko paid special attention to theoretical and practical issues of composition. He introduced the course of fundamentals of directing (V. Vasilko) as a compulsory subject. Much of what the students mastered at the Workshop was tested on the professional stages of Kharkiv theaters. Associated with the Kharkiv Art School for a quarter of a century (1921–1946), O. Khvostenko-Khvostov has not still been included in the pantheon of its outstanding teachers.

scholarly journals The illustrative concept of the production of “City” by V.Pidmohylnuy

2018 ◽  
pp. 46-54
Author(s):  
N. Ivanova ◽  
А. Mykhailova
Keyword(s):  
Publishing House ◽  
Marketing Strategies ◽  
The Novel ◽  
Modern City ◽  
Avant Garde ◽  
New Meanings ◽  
Publishing Policy ◽  
Visual Text ◽  
Publishing Strategy ◽  
The City

The research is devoted to the analysis of the editorial and publishing policy of “Solomiia Pavlychko’s Publishing House “Osnovy”. One of the important tools of “Osnovy” publishing strategy at the present stage is the modernization of its product, which consists of the original visualization of the artistic text. In accordance with the new publishing policy, “Osnovy” launches the “Alternative Series of Ukrainian Classics” with the illustrations of young Ukrainian artists.The scientific novelty of our research is the conceptual comprehension of the publishing project “Alternative Series of Ukrainian Classics”. The visual version of the novel “The City” by V. Pidmohylnyi is of special attention. In the study, we suggest that the name “Alternative Series ...” is a successful marketing technique, as for many readers, classics is related to the official ones, sometimes boring and formalized “school” ideas about literature. So, it was planned that the concept “alternative” would become a modern slogan for the project and expand the audience of potential readers. Thus, the works of Ukrainian classics received an entirely new illustration for a modern Ukrainian.The analysis of the illustrative presentation of novel “The City” by V. Pidmohylnyi, published in “Osnovy” in 2017, affords the ground for the suggestion that the work became a truly alternative in the sense of avant-garde design. The article emphasises the idea that “The City” (2017), which is being investigated by us, is especially distinguished among other reprints of classical Ukrainian literature by the collision and dialogue of the verbal urban text of V. Pidmohylnyi (1927) with the avant-garde, postmodern, comic visual text of modern city by M. Pavliuk (2017). New meanings of the verbal text are born on the collision of two urban discourses. Thus, through the illustrative material, the modern city, described in the novel by V. Pidmohylnyi 90 years ago, becomes relevant and modern for the citizens of 2017. So, we are dealing with the postmodern illustrative design of the classical edition, which through the latest forms of visualization, creates new visions and contexts.The offered study states that “Osnovy” is not only a publishing house, creating a quality publishing product concerning the latest news, but also uses modern marketing strategies to implement its products.

The word among stones

2017 ◽  
Author(s):  
Peter Barry
Keyword(s):  
Close Collaboration ◽  
Modernist Poetry ◽  
Urban Settings ◽  
Avant Garde ◽  
Special Regard ◽  
Artistic Heritage ◽  
Interpretive Scheme

In this chapter Peter Barry explores poems about stones, on stones and as stones. He shows how our ancestors had a special regard for stones particularly those that seemed out of place, such as glacial erratics. The Ringing Stone on Tiree is one such, bearing numerous cup marks from Neolithic times. He considers how poems have been placed in the environment on trails and paths, sometimes with a didactic purpose as part of an environmentalist interpretive scheme. Some of these have taken advantage of the expressive potential of the stones themselves, and of letter carvers who blend this with their own artistic heritage. Collaborations between carver and poet can make best use of the space between the words that come closest to Barry’s interest in avant-gardeorneo-modernist poetry(especially ‘concrete’ and ‘visual’ poetries). Barry also considers poems in urban settings, in projects involving close collaboration with councils, NGOs and communities, where the words have been incised on bridges, monuments, paths, or pavements, as by Alyson Hallett in Bath, Lemn Sissay in Manchester, Bill Herbert near Darlington, and Menna Elfyn and Gillian Clarke in Tonypandy.

Originating Japanism

2016 ◽  
Author(s):  
Christopher Reed
Keyword(s):  
East Asia ◽  
19Th Century ◽  
Gender Dynamics ◽  
Avant Garde ◽  
House Museum ◽  
Japanese Gardens ◽  
The City ◽  
Important Site

Challenges the gender dynamics of conventional histories of Japanism that retroactively privilege avant-garde artists over bachelor collectors and the female dealer who was arguably the first japoniste. It examines three paradigmatic Japanist spaces in 19th-century Paris, all bachelor quarters. Henri Cernuschi’s house-museum, which frames artifacts from East Asia in an architecture redolent of Italian-inflected Enlightenment values, is now the museum of Asian art of the City of Paris. The Goncourt brothers’ house is famous as a model of Aesthetic domesticity. Hugues Krafft’s zashiki, imported from Japan, and its extensive Japanese gardens was an important site for Parisians interested in Japan.

Q Sensor for the City on the Threshold of Stress

2019 ◽  
pp. 121-137
Author(s):  
Sana Layeb ◽  
Mohsen Ben Hadj Salem
Keyword(s):  
Public Space ◽  
Electrodermal Activity ◽  
Urban Atmosphere ◽  
Objective Measures ◽  
Metrological Work ◽  
The Public ◽  
Future Direction ◽  
The City ◽  
Urban Stress

The urban atmosphere evokes several sensory registers that participate in our perception of singular tonalities, of our daily situations. Tunis is, in this chapter, the space-time that would serve as a framework for our hearing. The experimental protocol is threefold. The authors quantify users' feelings through the commented walk method and especially by objective measures of electrodermal activity. The authors conducted in situ metrological work on the sound signal. These measurements were taken using a device “Q sensor.” This device quantifies emotional arousal by measuring electrodermal activity (EDA). The data collected were compared and crossed to identify the links between the architectural configurations of the public space, the sound signals, and the ways in which the feeling of stress appears. The results indicate that urban stress situation seems complex and enjoyable to explore using a multidisciplinary approach. A future direction was presented to the urban settings through the draw on a variety of disciplines, including urban planning, architecture, and psychology.

Intersectional Avant-Garde: Paul Leni’s Rebus-Film Series and the Confluence of Experimental Visual Styles

2021 ◽  
pp. 97-115
Author(s):  
Erica Tortolani
Keyword(s):  
Modern Art ◽  
Short Film ◽  
Close Reading ◽  
Avant Garde ◽  
Starting Point ◽  
Short Films ◽  
Film Series ◽  
Magazine Articles ◽  
The City

This chapter focuses on Leni’s eight-part short film series, Rebus-Film (1925-26), and the ways that it relates to various avant-garde art movements of the 1910s and 1920s. Using Rebus-Film Nr. 1 as a starting point, the essay analyses the series’ connections to contemporaneous artistic movements such as Cubism, Futurism, and Dada and to cinematic styles and genres of the time, including Soviet montage and the ‘City Symphony’ films. To supplement this analysis, the essay draws upon reviews, trade magazine articles, and other written records from the period. This chapter sheds light on the ways that critics and audiences received the films and regarded Leni’s use of experimental aesthetic styles. While it is debatable as to whether Leni considered himself a modern art practitioner, a close reading of these short films shows that they are in dialogue with the visual avant-garde. This chapter also discusses the ways that the series fits into, and extends, Leni’s German and American careers.

Pettoruti, Emilio (1892–1971)

2018 ◽  
Author(s):  
Roxanne Doyen
Keyword(s):  
Modern Concept ◽  
Major Influence ◽  
Pablo Picasso ◽  
14Th Century ◽  
Avant Garde ◽  
La Plata ◽  
The Government ◽  
Geometric Layout ◽  
Light Color ◽  
The City

Emilio Pettoruti was born in the city of La Plata, Argentina, the modern, geometric layout of which would make appearances in his art later in his life. In 1913, Pettoruti received a scholarship from the government of Argentina and traveled to Italy. He studied Italian art of the 14th century and also got to know a number of avant-garde artists involved with Futurism. Pettoruti decided to extend his time in Europe by working in different countries. In Paris, he became acquainted with artists such as Pablo Picasso, Kees van Dongen, and Juan Gris, who had a major influence on his artwork. He participated in an exhibition in Herberth Walden’s famous Der Sturm Gallery in Berlin in 1923 and became a well-known modern artist. The avant-garde magazine Martín Fierro defined Pettoruti’s artwork (as they did the art of Pettoruti’s friend, Xul Solar) as Criollismo, a term from literature, which entails the use of a realist style to portray scenes and customs of one’s native country. Pettoruti’s style is a modern concept of harmony, order, geometric forms, and a combination of science and the spiritual. Technique, light, color, and movement are the most important characteristics of his art.

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