Une attitude libertine: badiner avec la mort. Boureau- Deslandes et ses Réflexions sur les grands hommes qui sont morts en plaisantant

2012 ◽  
pp. 19-34
Author(s):  
Francine Markovits
Keyword(s):  
The Face ◽  

Don't philosophers die just like all other men? In order to speak of the death of philosophers, why choose an author like Boureau-Deslandes, who collected anecdotes of insolence in the face of death? Undoubtedly, free minds could only disarm theology by joking about it. The mental, moral and playful mechanisms of the mind can be taken apart to reveal the bans inscribed in the conscience through the workings of institutions. Against the philosophies of melancholy, fear, death and power, a philosophy of banter is a cheerful philosophy, an ethics of taste that destabilises the rules. It is this practice of bantering insolence that turns temperament into virtue and a man into a philosopher.

Author(s):  
Ronald Hoinski ◽  
Ronald Polansky

David Hoinski and Ronald Polansky’s “The Modern Aristotle: Michael Polanyi’s Search for Truth against Nihilism” shows how the general tendencies of contemporary philosophy of science disclose a return to the Aristotelian emphasis on both the formation of dispositions to know and the role of the mind in theoretical science. Focusing on a comparison of Michael Polanyi and Aristotle, Hoinski and Polansky investigate to what degree Aristotelian thought retains its purchase on reality in the face of the changes wrought by modern science. Polanyi’s approach relies on several Aristotelian assumptions, including the naturalness of the human desire to know, the institutional and personal basis for the accumulation of knowledge, and the endorsement of realism against objectivism. Hoinski and Polansky emphasize the promise of Polanyi’s neo-Aristotelian framework, which argues that science is won through reflection on reality.


Author(s):  
Alistair Graeme Fox

This essay explores how Ben Okri’s most recent novel, In Arcadia(2002), attempts to reconstruct the possibility of utopia in the face of a fragmentation of identity and destruction of determinate certainties affecting contemporary society in the aftermath of postmodernism. By tracing the intertextual relations existing between this work and earlier works in an intellectual/literary tradition that extends from Theocritus and Virgil through Dante, More, Milton, Sannazzaro, Sidney and others, Fox shows how Okri develops the proposition that men and women confronting an ‘empty universe where the mind spins in uncertainty and repressed terror’ can recover sanity through art. Even though, in Okri’s vision, the world may be ‘a labyrinth without an exit’, presided over by Death without any hint of transcendence, men and women, he concludes, can recover paradise through the ‘painting of the mind’ which can creative complete forms that can be fed into ‘spirit’s factory for the production of reality’. This generative activity, which is at the heart of the Arcadian vision, in Okri’s view, has the power to make life a place of ‘secular miracles’, despite the limitations imposed upon it by the realities of finitude and death. The essay concludes by suggesting that Okri’s concept of utopia is very close to Kant’s idea of Aufklärung as expounded by Michel Foucault –– that is, neither a world era, nor an event whose signs are perceived, nor the dawning of an accomplishment, but rather a process of which men and women are at once elements and agents, and which occurs to the extent that they decide to be its voluntary actors. While in some respects Okri’s vision is strikingly similar to certain of its antecedents, it is thus nevertheless distinctively postmodern in the ways in which it is inflected.


1874 ◽  
Vol 20 (91) ◽  
pp. 387-409
Author(s):  
J. Milner Fothergill

The relations of body and mind are becoming not only much more comprehensible, but even much better understood, since science has shaken off the incubus of theological teaching as to the severance of soul and body. As long as the mind was something separated from the body, or only united to it by slack and loosely fitting ties, mental phenomena could have nothing to do with bodily conditions—insanity was a disease of the soul; and the monk, standing over a miserable lunatic chained to a staple in a wall, and flogging him in order to make him cast his devil out, was a logical outcome of this hypothesis, however repugnant to more recent and correcter views. The baneful psychology of theologians is now thoroughly undermined, and the erroneous and mischievous superstructure is cracking and gaping on every side, and ere long the ground occupied by a crumbling ruin will be covered by a gradually growing erection based on a foundation of facts, and reared by an expanding intelligence. The union of psychology and physiology is the closing of the circuit, in one direction, of the pursuit after knowledge, and forms the initiation of a rational and intelligible comprehension of the mind and of its relation to corporeal conditions. How such mistaken and false ideas of the word melancholia, as those entertained by the monk as an alienist physician, could have attained their sway in the face of such maxim as mens sana in corpore sano, only becomes intelligible when we remember the ignorance, the superstitious prejudices, the contempt for the knowledge of the natural man, which ever characterise the theological mind, and which found their highest expression during the monkish supremacy of the dark ages—that interval of black ignorance which intervened betwixt the decadence of Latin civilisation and that intellectual evolution, the Renaissance, which indicated the advent of the reign of human intelligence. Slowly but surely was the emancipation of the intellect from the fetters of priestly tyranny achieved, as death thinned the ranks of its opponents, and the grim despotism of Torquemada and his coadjutors waned into the pettier and less terrible persecution of more recent ecclesiastics, and the tremendous grip of hierarchical supremacy gradually merged into the palsied, nerveless grasp of a doting and dying theology, the mere spectre of its former self. Curious men were the Church's leaders of the middle ages. In their cathedrals the light of day was only permitted to enter to a limited extent, and that too through the medium of coloured glass, so as to produce the “dim religious light,” while artificial lights burnt up before their altars; so were their minds closed to the natural light of the human understanding, and artificially illumined by the creations of their diseased imaginations, amidst whose coloured rays the white light of truth was always obscured, if not rarely utterly lost. But in the mortality of man lies the hope, the salvation of truth.


2012 ◽  
Vol 14 (1) ◽  
pp. 29-52
Author(s):  
Lisa Farley

The evacuation of British children during World War II is read alongside the legend of the ‘Pied Piper’ after which the mass migration was officially named. While virtually every British account of World War II makes mention of the evacuation, most are silent on the question of its ominous title: ‘Operation Pied Piper’. This paper traces the legend's key theme – on influencing and being influenced – as it surfaces in the writing of one child analyst and one social worker charged with the responsibility of leading a family of five hostels for British youth. At a time when Hitler's deadly regime reached unprecedented heights across the Channel, the legend of the ‘Pied Piper’ becomes a highly suggestive metaphor for thinking about D. W. Winnicott and Clare Britton's writing on what authority could mean in the face of leadership gone terribly wrong. Quite another, profoundly intimate loss of leadership haunts their words as well: Sigmund Freud, in exile from Hitler's Europe and leader of the psychoanalytic movement, died in London just weeks after the first wave of Blitz evacuations. It is in this context that Winnicott and Britton articulated a theory of authority that could address the losses of history without at the same time demanding the loss of the mind.


Author(s):  
Albert R. Jonsen

The problem that I will discuss in this essay is marvellously illustrated in the title given to me by the editors. The word “interface” is itself part of the jargon of technology, the technospeak needed by those who develop, use, and discuss functions, things, and relationships that had not existed previously in the human world. They must make up new words to describe new realities (and, unfortunately, allow new and ugly words to obscure old ones). An “interface” presumably describes the way in which one electronic system contacts another so that the first energizes the second. In the old world of human experience, an “interface” is impossible. The face of one human being is visible to another; two faces, smiling or frowning at each other, communicate. The mind behind one face can interpret the movements of another. Never does one human face interpenetrate or merge with another.


2020 ◽  
Vol 17 (3) ◽  
pp. 283-311
Author(s):  
Ireneusz Ziemiński

Tematem artykułu jest złożony obraz epidemii cholery w noweli Tomasza Manna Śmierć w Wenecji. W części pierwszej, poświęconej symbolice zarazy, indyjska cholera została zinterpretowana jako znak ludzkiej skończoności (śmiertelności) oraz przejaw degeneracji artysty, który – prowadząc wcześniej ascetyczny tryb życia – zakochał się w kilkunastoletnim chłopcu. W ten sposób indyjska cholera staje się symbolem buntu ciała przeciwko duchowi, co znajduje także swoje odzwierciedlenie na płaszczyźnie kultury zachodniej (rozum, dyscyplina), ulegającej wpływom wschodnim (zmysły, żywiołowość). W jakiejś zatem mierze nowelę Manna można odczytywać w duchu dyskursu kolonialnego, zgodnie z którym Wschód jest postrzegany jako zagrożenie dla Europy; w ocenie narratora bowiem źródłami indyjskiej cholery są klimat oraz niski poziom medycyny w Indiach. W części drugiej, poświęconej postawom ludzi wobec epidemii, ukazana została polityka władz miasta wobec zbiorowego zagrożenia; pomimo coraz większej liczby zgonów i zachorowań politycy uspokajają mieszkańców, że sytuacja jest pod kontrolą, a rygory higieniczne wynikają z ostrożności. Powodem takiego kłamstwa (powtarzanego także przez mieszkańców Wenecji) jest groźba bankructwa ludzi żyjących z turystyki. Panująca epidemia jest też okazją do napadów rabunkowych, a nawet morderstw, przestępcy wierzą bowiem, że w zaistniałych okolicznościach pozostaną bezkarni. Obraz ten sugeruje, że człowiek jest istotą egoistyczną, w warunkach zagrożenia bardziej troszczącą się o własny los aniżeli o los innych ludzi. “So There Is No Malady in Venice?” The Image of an Epidemic in Thomas Mann’s Short Story Death in Venice The topic of the paper is the complex image of a cholera epidemic in Thomas Mann’s short story Death in Venice. In the first part of the text, devoted to the symbolism of the disease, Asiatic cholera is interpreted as a symbol of human finitude (mortality) and a manifestation of the degeneration of the artist, who, having previously led an ascetic life, falls in love with a teenage boy. Asiatic cholera becomes a symbol of the body rebelling against the mind, which is also reflected on the level of Western culture (reason, discipline) succumbing to Eastern influences (sense, spontaneity). Therefore, Mann’s story can be interpreted from the perspective of colonial discourse, according to which the East is perceived as a threat to Europe; in the narrator’s view, the source of Asiatic cholera is the climate of India and its poor level of medical knowledge. In the second part, devoted to human attitudes towards the epidemic, the article presents the local government’s policy towards the collective threat; despite the growing number of deaths and infections, the politicians are calming people down, claiming that the situation is completely under control and any sanitary restrictions are introduced as a mere precaution. The reason behind the lie (also repeated by the inhabitants of Venice) is the threat of bankruptcy faced by the people who make their living from tourism. The epidemic is also an opportunity for robberies and even murders, because criminals believe that in these circumstances they will remain unpunished. This pessimistic image suggests that humans are egoistic and care more about their own fate than the fate of others when standing in the face of danger.


2016 ◽  
Vol 16 (4) ◽  
pp. 1-13 ◽  
Author(s):  
Jane Taylor Wilson

A growing body of groundbreaking research shows that gratitude has the power to heal, energize, and transform lives by enhancing people psychologically, spiritually, physically, and cognitively. This study contributes to the study of gratitude by exploring its impact on focus and resilience in learning. Specifically, this study examines the impact that practicing gratitude has on college students’ ability to focus in class and remain resilient in the face of difficulties while learning.


Perichoresis ◽  
2013 ◽  
Vol 11 (1) ◽  
pp. 31-49
Author(s):  
Rudolph P. Almasy

ABSTRACT Focusing on two of Richard Hooker’s sermons, “Certaintie and Perpetuitie of Faith in the Elect” and “Learned Sermon of the Nature of Pride”, this essay explores Hooker’s worries about how the mind reacts to matters of religious doubt, curiosity, arrogance, and mental confusions. These worries of what enters the mind influence the search for what Hooker calls the certainty of adherence (faith) and the certainty of evidence (knowledge). Such worries, prompted by what Hooker sees as the mind’s frag- ileness in the face of religious experience and religious truth, lead Hooker in the sermons, as well as in his Ecclesiasticall Lawes, to a certain religious and rhetorical position which emphasizes the notion of approaching faith and knowledge in terms of simplicity or singleness. This approach, Hooker counsels, should lead the potentially confused mind, regardless of the certainty it seeks and of the influence of the Holy Spirit, toward the notion of surrender-to God or to the rhetor.


Phonology ◽  
2002 ◽  
Vol 19 (3) ◽  
pp. 459-463
Author(s):  
Janet Pierrehumbert

The functionalist viewpoint in linguistics can take different forms. A caricature of functionalist thinking is the notion that the structure of language is optimised, or nearly so, for its function as a means of human communication. This notion has met with widespread scepticism because of its lack of predictiveness in the face of typological variation. Either it leads to the prediction that all languages are en route to some single ‘Utopian’ (even if they have not quite achieved it) or it leads one to posit so many contradictory functional goods that the nature of possible languages is not effectively restricted. A second, and far more sophisticated, understanding of functionalism is the claim that there are regular relations between the way language is represented in the mind and the way that it is processed during speech production and perception. These relations arise because language is acquired from experiences of use, and because even in adults patterns of use affect cognitive representations. The effects of individual instances of language use are local, incremental and context-dependent. Language use and competence in a language are thus two aspects of a single system. Multiple system configurations are possible for the same reason that multiple ecosystems are possible; like the products of biological evolution, human languages are merely good enough, and not globally or absolutely optimised. This understanding of linguistic functionalism has proved fruitful for at least two decades and is now coming into its own. Its rise constitutes part of the rise of scientific research on complex systems and emergent structures generally, in areas ranging from geophysics and granular media to population biology.


Author(s):  
A. Morozova

The article analyses a number of the locations of emotions and related to them emotional words and feelings using the philosophical text of Boethius, a prominent philosopher and translator of Late Antiquity, "De consolatione philosophiae". The declared work has a significant informative potential in relation to the emotional sphere, due to the circumstances of its creation, accompanied by a significant number of emotional reflections made by Boethius, and the chosen genre (the combination of consolatio and protreptics). The ancient emotional tradition left its mark on the Boethius' perception of emotional locations, directing it to the non-monocentric localisation of feelings in different parts of the human physical, spiritual and mental system. The main seats of the emotions are: mind (mens), animus, soul (anima), heart (cor), body (corpus). Among the above-mentioned emotional localisations, the dominant role is played by the mind (mens) both in quantitative (10) and semantic indicators. In the Boethius's worldview, the mind is associated, firstly, with the philosopher's mental health, his ability to maintain calm behaviour in the face of life's disasters, and, secondly, with the concept of the similarity of the human beings to God by their minds. There are both negative (passionate desire, hope, joy, anger, etc.) and positive (joy of heaven, desire for good) feelings in the mind. The second most important emotional location is animus (7), in which the central positive feelings (love and positive hope) are inspired, meeting only in pair with animus. We hypothesise that the latter is perceived by Boethius as an analogue of the Platonic and Christian "soul", the leading centre of spiritual human potentials. Similarly, positive and negative (anger, sorrow, passions, etc.) emotions arise and influence it. The last two locations indicate the physical nature of human – body and heart – and concentrate only on negative emotions – pleasure and passionate desire. Conclusions are made that most emotions have the external nature in relation to men, which correlates to the Stoic emotional tradition.


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