Concealed authorship on the eve of the revolution : pseudonymity and the American periodical public sphere, 1766-1776

2009 ◽  
Author(s):  
Michael Patrick Marden
Keyword(s):  
Author(s):  
Linda Steiner

This chapter use theories of status politics (conflicts as proxies for important debates over the deference paid to a particular group’s lifestyle) to show the importance of nineteenth-century suffragists’ own newspapers and magazines to the movement. The women who wrote for, edited, and published these outlets essentially invented and then celebrated at least four different versions of a new political woman and then proceeded to dramatize that new woman, showing how she named herself, dressed, dealt with her family, and interacted in the larger public sphere, and showing why she deserved the vote. The pre-Civil War suffrage periodicals essentially proposed a “sensible woman” while the postwar period saw competition between the “strong-minded” women aggressively promoted in the Revolution and the more moderate “responsible women” advocated by the Woman’s Journal. Later, the Woman’s Era dramatized an “earnest” new black woman.


We the Gamers ◽  
2021 ◽  
pp. 65-80
Author(s):  
Karen Schrier

Chapter 5 describes how games can support real-world action and change. How can knowledge be applied to the public sphere and serve communities? Why and how should games be used to enable ethics- and civics-in-action? What are the best practices and strategies for supporting connections among civics, ethics, and the real world using games? The chapter includes an overview of why it is necessary to engage in real-world action. It describes the benefits of applying learning to real-world contexts and processes, and why games may support this. It also includes the limitations of using games to apply knowledge, and how to minimize those limitations. Finally, it reviews strategies that teachers can take to use games to take action and make change. It opens with the example EteRNA, and also shares five examples-in-action: Reliving the Revolution, 1979 Revolution: Black Friday, Community PlanIt, Bay Area Regional Planner, and Thunderbird Strike.


2018 ◽  
Vol 2 (2) ◽  
pp. 20-29
Author(s):  
Taufik Taufik

Social media has become a new alternative in the field of communication in the circle of people's lives in the Middle East which offers freedom especially in terms of self-expression, something that has been hindered by the censorship of anti-critic dictatorial regimes. Unpredictably, the expression of disappointment expressed by Middle Eastern society towards the government through social media can be a lighter revolution that hit the Middle East countries in 2011. The purpose of this research is to know, explore, and describe some of the links between the revolution, the public sphere, and the movement of society through social media in the Middle East. A revolution in Tunisia in 2011 has been a generator of community movements in overthrowing the muscle rigid regimes in some Middle Eastern countries such as Egypt and Libya.


2021 ◽  
pp. 219-244
Author(s):  
Paul Gillingham

This chapter anatomizes the Mexican state’s attempt to foster a nationalist culture and to control a fragmented public sphere. It finds that Mexican politicians invested heavily in both to distinctly mixed outcomes. Governments at all levels spent on schools, rituals and propaganda materials that the ruled consumed, quite often enthusiastically, but with their eyes open and with judgement suspended as to how nationalist stories squared with reality. While acknowledging the power of content management in radio and television broadcasting it revises traditional appreciations of the print press. Mexican newspapers were neither docile nor wholly commercial, and provincial publications in particular could engage in systematic opposition to state, and on occasion national governments. Mexicans were selectively enthusiastic about parts of the state’s nationalist project, at its centre the revolution, but reliably sceptical as to how much of that project their politicians were actually delivering.


2013 ◽  
Vol 38 (2) ◽  
pp. 87-103 ◽  
Author(s):  
KHALID AMINE

The present paper will explore some of the re-enactments of the so called ‘Arab Spring’ in selected performances from Egypt, Tunisia and Morocco, with their seamless connections between fiction and non-fiction. Among the concepts examined are Habermas's ‘public sphere’, Deleuze's ‘revolutionary-becoming’ and Rebecca Schneider's ‘re-enactment’. The remediation of revolution in performance reveals the material conditions and geographic locations of social unrest. Significantly enough, artistic re-enactments of the revolution have already been inflicted by ‘techno-imagination’, whereby most of us have become either spectators or citizen journalists of public dissidence, and yet we have been connected to the unprecedented upheaval by watching mediated images or implementing and re-editing them for distanced audiences.


2018 ◽  
Vol 11 ◽  
pp. 89-103
Author(s):  
Karl Brown

This study explores popular responses to communist rule in Hungary and the role of Western media in the years leading up to the Hungarian Revolution of 1956.  Most scholars to date have focused on the guiding role of the intelligentsia and the influence of Radio Free Europe. While these were indeed necessary ingredients in the revolutionary stew, Brown argues that the roots of the revolution are more complex. Hungarians from all social strata listened to many Western radio stations; as a result, many of them adopted critical and informed perspectives on the propaganda directed at them from both Moscow and Washington. As Hungarians listened in on the West, their discussion of news and politics generated a shadow public sphere, in which Radio Free Europe came to occupy a preeminent role despite its biased and propagandistic tone. The shadow public sphere incubated the postwar dream of an egalitarian and democratic Hungary until open political discourse became possible once more in October 1956.


Author(s):  
D.H. Robinson

This introductory chapter sets out the argument of The Idea of Europe and the Origins of the American Revolution. It gives an overview of the ways in which colonial thinking about European geopolitics and European civilization shaped American politics and culture during the century prior to the Revolution. The introduction then reflects on the current historiographical consensus on the origins of the Revolution and the interplay of international relations with political culture in the eighteenth century. It concludes with some remarks on the challenges of writing histories of political culture and discusses the methodological problems of writing about the public sphere.


2013 ◽  
Vol 38 (2) ◽  
pp. 137-147 ◽  
Author(s):  
EDWARD ZITER

Ahmed and Mohammad Malas, two Syrian actors who have made themselves the unofficial clowns of the revolution, have emerged from a vibrant culture of cyber-activism. They have made use of Facebook and YouTube to circulate work that simultaneously reflects on the possibilities for, and failures of, social media and satellite television to forge a new idea of Syrian identity – one that prominently features active participation in the public sphere. I argue that unlike earlier Syrian plays that employed similar tropes (the interrogation scene as emblematic of the state–citizen relation, the failed actor as symbol of the disheartened citizen), the Malas twins use these tropes to demonstrate the necessity of resistance. Their plays assert that Syrians will persist in resistance because new technologies have provided new options and have transformed Syrian identity.


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