scholarly journals The essence оf the Christian dogma by Erich Fromm

2015 ◽  
pp. 116-126
Author(s):  
N. B. Buriak
Keyword(s):  
Comparative Analysis ◽  
Old Testament ◽  
Historical Evolution ◽  
Erich Fromm ◽  
Complex Issue ◽  
Man And Nature ◽  
Evolution Of Ideas ◽  
Almost All ◽  
First Time

The essence оf the Christian dogma by Erich Fromm. In the article is widely considered the dynamics of religious beliefs Erich Fromm. For the first time a comparative analysis of all Fromm’s work relating to the theme of religion. Fromm devoted to the search itself and society in faith quite a lot of time because such research is very important and requires a recess in the nature of some of the world’s religions, including Christianity. Questions and countermeasures manifestations of humanism and authoritarian Christianity, its historical evolution and ideals throw a kind of challenge to the outstanding philosopher, and forced him to work on this complex issue almost all his life. Dogma Erich Fromm developed so that initially there was an idea of the man who became God, and turned on the idea of God became man. The concept of the Old Testament prophets world extend beyond relationships between people, harmony should prevail between man and nature. Peace between man and nature is harmony between them. Erich Fromm permanently broke with Judaism in ‘26 and has since considered himself a Christian. But Christianity Fromm, his understanding of God, the role of Christ in history, the interpretation of the evolution of ideas and Savior is surprising for its boldness.

Comparative analysis of the effect of epibrassinolide and 6-benzylaminopurine on the key components of the glutathione complex in the roots of wheat seedling under salinity.

Biomics ◽  
2021 ◽  
Vol 13 (1) ◽  
pp. 20-26
Author(s):  
D.R. Maslennikova ◽  
F.M. Shakirova
Keyword(s):  
Comparative Analysis ◽  
Wheat Seedling ◽  
Glutathione System ◽  
Glutathione S Transferase ◽  
Wheat Seedlings ◽  
Comparable Level ◽  
Endogenous Cytokinins ◽  
Main Components ◽  
First Time

The study carried out a comparative analysis of the effect of 24 epibrassinolide (EB) and 6-benzylaminopurine (BAP) on the growth and state of the main components of the glutathione system in the roots of wheat seedlings under the action of 2% NaCl, which for the first time revealed the ability of these phytohormones to similarly stabilize stress-induced decrease GSH / GSSG ratio, positively regulate the activity of glutathione reductase and glutathione-S-transferase. A comparable level of protective effect of BAP and EB on root length was revealed. The data obtained indicate that endogenous cytokinins may play the role of hormonal intermediates in the implementation of the protective.

Transnational Public Policy in International Arbitration

2020 ◽  
pp. 119-149
Author(s):  
Stavros Brekoulakis
Keyword(s):  
Public Policy ◽  
New York ◽  
Clear Distinction ◽  
Historical Evolution ◽  
International Arbitration ◽  
Rules And Principles ◽  
Recognition And Enforcement ◽  
New York Convention ◽  
Almost All

This chapter focuses on the role of transnational public policy in international arbitration. Public policy is a key concept for international arbitration because it has provided the underpinning foundations for the development of theories on transnational autonomy of arbitration. Moreover, it is enshrined in the 1958 New York Convention for the Recognition and Enforcement of Foreign Arbitral Awards as well as almost all national laws as a ground to resist enforcement of arbitral awards. The chapter then traces the historical evolution of transnational public policy and provides an overview of its legal function and rules and principles. The clear distinction between legal and non-legal conceptions of transnational public policy matters because it has important implications on the judicial function of tribunals in international arbitration.

scholarly journals Performing schools and tutorial methods in the epic art of bagshy-dessanchy

2021 ◽  
pp. 71-83
Author(s):  
М.К. Курбанов ◽  
Д.А. Курбанова
Keyword(s):  
Comparative Analysis ◽  
Oral Tradition ◽  
Huge Number ◽  
Local Schools ◽  
Personal Archives ◽  
Younger Generation ◽  
Special Studies ◽  
First Time ◽  
Stylistic Diversity

Искусство туркменских бахши-дестанчи имеет древние истоки и отличается жанровым богатством и стилевым разнообразием. Эпическое наследие туркмен в достаточной степени изучено филологами, этнографами, однако специальных исследований, раскрывающих природу сохранения изустной традиции и описывающих методы передачи эпических жанров из поколения в поколение в Туркменистане, до сих пор нет. Цель статьи – описать бытующие школы эпического сказительства, выявить их жанровые, исполнительские особенности, сохранившиеся в искусстве бахши-дестанчи традиции наставничества, а также охарактеризовать методы, позволяющие сказителям хранить в памяти огромное количество эпических песен и текстов. Для решения намеченных целей были осуществлены следующие задачи: проанализированы эпические жанры различных локальных школ; проведен сравнительный анализ исполнения эпоса одним и тем же сказителем в различные периоды времени, а также наставника и его учеников; определены факторы, влияющие на изменение дестанов. В качестве методологической базы использованы труды А. Лорда, В. В. Бартольда, В. М. Жирмунского, В. Я. Проппа, Е. Э. Бертельса, Б. Н. Путилова, К. Райхла. Источниками для анализа послужили образцы эпического наследия из аудио фонда Туркменской национальной консерватории, а также полевые аудио/видео материалы из личного архива авторов. Впервые в статье в качестве жанров эпических сказителей рассматриваются не только традиционные эпосы и дестаны, но и жанр легенды с музыкой, а также излюбленные в народе музыкально-поэтические транскрипции произведений поэтов-классиков. Проведенные исследования позволили выявить формообразующую роль песен и их функции, осуществляющие развитие музыкальной драматургии в дестанах. Впервые в работе выявлены «песни-маяки», составляющие каркас эпического сказания и способствующие запоминанию повествования в памяти народных сказителей. Незакреплённость песенных мотивов к текстам, а также использование в песнях мелодий-тем (музыкальных напевов, характерных для конкретных локальных школ) определяет особенности туркменского дестанного исполнительства. Учитывая тенденцию к ослабеванию интереса молодого поколения к древней традиции, изучение методов преемственности, используемых в процессе сохранения традиции устного наследия, представляется своевременным и актуальным. The art of Turkmen bagshy-dessanchy (epictellers) is ancient and distinguished by its genre richness and stylistic diversity. The epic heritage of Turkmens has been sufficiently studied by philologists and ethnographers, but there are no special studies in Turkmenistan revealing the nature of the oral tradition preservation and the methods of transmitting epic genres from generation to generation. The purpose of the article was to reveal the genre and performing features of the schools of epic epic-telling in Turkmenistan, describe the traditions of mentoring that have survived in the art of bagshy-dessanchy, and identify methods that allow Turkmen storytellers to keep in memory a huge number of songs and texts. To solve these goals, the following tasks were carried out: the epic legends of various local schools were analyzed; a comparative analysis of the performance of the epic by the same narrator in different periods of time was carried out; revealed differences in the performance of the same legend by the mentor and his students; the factors and means influencing the change of destans have been determined. The works of A. Lord, V. Barthold, V. Zhirmunsky, V. Propp, E. Bertels, B. Putilov, K. Reichl were used in the article as a methodological base. The sources for the analysis were samples of the epic heritage from the Fund of audio materials of the Turkmen National Conservatory, as well as field audio-, videomaterials from the authors’ personal archives. In the article, for the first time, not only epic cycles and destans, but also the genre of legend with music, as well as poetic transcriptions of the classical poet’s works were considered as the main genres of bagshy-destanchy. The studies helped to identify the formative role of epic songs and their important functions, thanks to which the development of the musical dramaturgy in epic genres was carried out. For the first time, we identified the beacon songs, that make up the frame of Turkmen epic works, thanks to which the epic text remembering in the memory of bagshy-dessanchy. The looseness of song motifs with texts, using the theme-melodies (musical tunes, which characteristic of specific local schools) in epic songs showed the particularities of Turkmen destan performance. Taking into account the tendency towards a gradual weakening of the interest of the younger generation in the ancient tradition, the identification of the methods used in the process of preserving the oral epic heritage is highly relevant.

scholarly journals THE METHODOLOGY OF ANALYSIS OF J. JOYCE'S NOVEL "ULISSES" (EMPHASES OF DARIA VIKONSKA)

2021 ◽  
pp. 67-75
Author(s):  
M. Moklytsia
Keyword(s):  
Research Work ◽  
The Novel ◽  
Literary Forms ◽  
Literary Process ◽  
Self Knowledge ◽  
Ethical Norms ◽  
Almost All ◽  
First Time ◽  
School Curricula

The relevance of the study is due to the need to include the novel "Ulysses" by J. Joyce in university and, if possible, school curricula in foreign literature, as well as the need for its interpretation, despite the excessive complexity of the text and difficulty of perception. It is also important to return the legacy of D. Vikonska, a writer, critic, art critic and literary critic, to modern Ukrainian culture. Research methodology: a model of analysis of the modernist novel "Ulysses", created on the basis of the research work of D. Vikonska “James Joyce. The secret of his artistic face” (1934). Scientific novelty: for the first time the analysis of the novel "Ulysses" is carried out with the broad involvement of the half-forgotten studio of D. Vikonska, which has not lost its relevance, clearly articulates the modernist nature of the work, including surreal style. The purpose of the study: to draw attention to the outstanding figure of D. Vikonska as the founder of Ukrainian Joyce studies, to include her in the modern literary process, to show with her help the significant role of Joyce's novel "Ulysses". Conclusions. The answer to the question why Joyce's novel Ulysses is considered a landmark work of modernism should be concise but convincing, based on macro- and microanalysis of the text. First of all, it is a unique example of the author's self-expression, extreme subjectivism (the whimsy of Joyce's nature), transformed into universalism. No one is as subjective as Joyce is, no one is as universal as he is. Such can only be a conscious modernist who has passed the difficult path of search outside, in the world of culture, and inside, looking into the irrational depths of his own psyche. This is the most rational, intellectual and at the same time irrational, or visionary, according to K.G. Jung, type of creativity. Second: this is the boldest (revolutionary, in the words of Vikonska) challenge to tradition (or Cultural Canon, according to K.G. Jung), which manifested itself in the ironic parody of almost all known literary forms and narrative means, many moral and ethical norms. Third: it is a brilliant example of the author's style, a variant of surrealism, which grows out of naturalism and turns into neomythologism. Joyce's style is characterized by the following features: associative metaphorical writing, author's dictionary, which includes numerous innovations, narrative reception of the flow of consciousness; use of dreams, delusions, other boundary conditions; a bizarre intertwining of past and present, when dead and living characters are equal in meaning; consistent reflection of the external in the internal and vice versa; a labyrinth of human wanderings in search of pleasures, meaning, cognition and self-knowledge. Joyce modeled the next stage in the development of culture – the transition from modernism to postmodernism, from an ironic re-reading of tradition to playing with it.

scholarly journals EVEN PERSONAL NAMES IN THEHISTORICAL NAME LIST OF THE KHORI-BURYATS

2021 ◽  
pp. 20-27
Author(s):  
Раиса Гандыбаловна Жамсаранова
Keyword(s):  
Comparative Analysis ◽  
The State ◽  
State Archive ◽  
Personal Names ◽  
Historical Method ◽  
Almost All ◽  
First Time ◽  
Descriptive Method

В статье описывается гипотетическое наличие эвенских личных имен в историческом именнике хори-бурят, извлеченных из ревизских описей Государственного Архива Забайкальского края. Целью статьи является описание эвеноязычных личных имен в своде исторического именника хори-бурят. Это имена, которые ни лексически, ни по своему значению не коррелируют с тибет-монгольскими именами хори-бурят. Данные имена представляют собой ожидаемый в исторической антропонимии бурят антропонимический субстрат, подтверждаемый и обусловленный алтаеязычной общностью тунгусо-маньчжуроязычных эвенов и монголоязычных бурят. Актуальность и новизна статьи обусловлена отсутствием работ по исследованию антропонимического субстрата в своде исторического именника. Вводятся в научный оборот исторические антропонимы, извлеченные из дореволюционного фонда Государственного Архива Забайкальского края. Антропонимическим материалом послужили имена типа Ламханов, Номоконов, Иркыту, наличие которых почти во всех 11 родах хори-бурят обусловлено этногенезом бурят с наличием в том числе и тунгусо-маньчжурских компонентов. В качестве основных результатов приведены доводы в пользу эвенского антропонимического субстрата в именнике бурят, который выписан из ревизских описей. Анализ значения имен Ламханов, Номоконов, Иркыту, равно как и лексемный анализ, позволили отнести их к именам эвенского происхождения. The article describes the hypothetical presence of the Even personal names in the historical name list of the Khori-Buryats extracted from the census documents of the State Archive of Zabaykalsky Krai. The article aims at describing the Even personal names in the historical name list of the Khori-Buryats. These names, which neither lexically nor in their meaning correlate with the Tibetan-Mongolian names of the Khori-Buryats, are of another linguistic origin. These names represent the anthroponymic substratum expected in the historical anthroponymy of the Buryats, confirmed and conditioned by the Altai-speaking community of the Tungus-Manchu-speaking Evens and Mongolian-speaking Buryats. The relevance and novelty of the article is due to the lack of research works on the anthroponymic substratum in the historical name list. Historical anthroponyms extracted from the prerevolutionary fund of the State Archive of Zabaykalsky Krai are introduced into scientific circulation for the first time. Anthroponymic material are the names of Lamkhanov, Nomokonov, Irkhytu, the presence of which in almost all the eleven kins of the Khori-Buryats due to the ethnogenesis of the Buryats including the Tungus-Manchurian components. The article employs the methods of comparative analysis, descriptive method, method of reconstruction of the anthroponymic model, historical method. The study resulted in the arguments in favor of the Even anthroponymic substratum in the name list of the Buryats, written out from the censuses. The analysis of the meaning of the names of Lamkhanov, Nomokonov, and Irkhytu, as well as the lexeme analysis, allowed us to refer these names to the names of the Even origin.

scholarly journals Motet “Jesu, Meine Freude” by Johann Sebastian Bach: Comparative Analysis of Editions of Musical Text

2021 ◽  
pp. 167-181
Author(s):  
Dmytro Savon
Keyword(s):  
Comparative Analysis ◽  
Johann Sebastian Bach ◽  
Historical Reconstruction ◽  
The Third ◽  
Choral Repertoire ◽  
History Of ◽  
Baroque Era ◽  
The One ◽  
First Time

Relevance and scientific novelty of the selected subject for the research. In the Ukrainian musicology, the motets written by Johann Bach were mainly studied from the compositional means standpoint, considering the system of polyphony, the role of chorale and fugue in dramaturgy as well as the composition of works. Scientists have not previously researched the motets performance specificity. Meanwhile, motets, particularly the one reviewed in the article “Jesu, meine Freude”, are among the most frequently performed works of the choral repertoire. For the first time in the Ukrainian musicology, three edited versions of the motet “Jesu, meine Freude” are analyzed from the standpoint of historically oriented performance. Based on the study of editors’ comments and source literature (mostly German), the question of compliance of the musical text with the task of performing reconstruction of the baroque vocal and choral style was studied. The aim of the article lies in the need to find out specificity of the editors’ interpretation of motet “Jesu, meine Freude” written by Johann Bach and suitability extent of different edited versions for the historical reconstruction of the vocal-choral style of the German Baroque. During the development of particular article, such methods were utilized: historical — the history of edited versions of “Jesu, meine Freude” motet was traced, comparative — the comparative analysis of three edited versions of motet “Jesu, meine Freude” written by Johann Bach (Franz Wulner, Konrad Ameln and Mykhailo Berdennykov) was completed. Main results and conclusions. According to the completed comparative analysis, the first two of the three considered edited versions are textual, while the third one is adopted for performing. Textual versions are characterized by the preservation of the composer’s text in the smallest details, including comments to clearly identify the extent of changes made by the editor in the text. The peculiarities of the version adopted for performing contain the large amount of remarks added by the editor, covering dynamic shades, strokes, tempo notation, etc. It is noted that the choice of version type is determined by performance goals: to perform the works of Johann Bach in an authentic manner, the conductor should focus on facsimile versions, and if they are absent (as in the case of the “Jesu, meine Freude” motet), the one should use textual type of edited versions. The version developed for performing cannot correspond to the authentic performing, as the first does not reflect specific tendencies of the time when it was created. It is specified that the conductor should be familiar with the peculiarities of fixing the means of performance in the musical text of the Baroque era.

scholarly journals And religious conceptualizations of greed in the writing of Erich Fromm and John Chrysostom

2019 ◽  
Vol 72 ◽  
pp. 01023
Author(s):  
Diana Martynova ◽  
Elena Motovnikova ◽  
Igor Boichuk
Keyword(s):  
Comparative Analysis ◽  
Social Behavior ◽  
Consumer Culture ◽  
Modern Society ◽  
Consumer Attitudes ◽  
Erich Fromm ◽  
Mass Consumption ◽  
Spiritual World ◽  
John Chrysostom

In modern society, which is conceptualized as a society of mass consumption and consumer culture, the discussion about the balance of the positively stimulating role and costs of the consumer attitudes as the basis of social behavior does not stop. The greatest danger of consumerism for a person lies, however, not in the socio-economic, but in the ethical-psychological aspect of a person’s life. This study seeks to clarify in which categories it is possible to achieve a productive understanding of the role of greed in the development of a person’s spiritual world. A comparative analysis of the reasoning of the classics of Christian and atheistic humanistic ethics makes it possible to see the specifics of the anthropological consideration of greed and draw conclusions about the relevance of educational and pedagogical support to people who have taken the path to combat this spiritual ailment.

Targeted disruption of the hepcidin 1 gene results in severe hemochromatosis

Blood ◽  
2006 ◽  
Vol 108 (4) ◽  
pp. 1402-1405 ◽  
Author(s):  
Jeanne-Claire Lesbordes-Brion ◽  
Lydie Viatte ◽  
Myriam Bennoun ◽  
Dan-Qing Lou ◽  
Guillemette Ramey ◽  
...  
Keyword(s):  
Iron Overload ◽  
Negative Regulator ◽  
Iron Release ◽  
Coding Region ◽  
Targeted Disruption ◽  
Excess Iron ◽  
Almost All ◽  
Parenchymal Cells ◽  
First Time

Abstract We previously reported that mice made deficient for the transcriptional factor USF2 fail to express hepcidin 1 and hepcidin 2 genes as a consequence of targeted disruption of the Usf2 gene lying just upstream in the locus. These mice developed an iron overload phenotype with excess iron deposition in parenchymal cells and decreased reticuloendothelial iron. At that time, although the role of USF2 was still confounding, we proposed for the first time the role of hepcidin as a negative regulator of iron absorption and iron release from macrophages. Accordingly, we subsequently demonstrated that hyperexpression of hepcidin 1, but not hepcidin 2, resulted in a profound hyposideremic anemia. To analyze the consequences of hepcidin 1 deletion on iron metabolism without any disturbance due to USF2 deficiency, we disrupted the hepcidin 1 gene by targeting almost all the coding region. Confirming our prior results, Hepc1–/– mice developed early and severe multivisceral iron overload, with sparing of the spleen macrophages, and demonstrated increased serum iron and ferritin levels as compared with their controls.

scholarly journals A Balancing Act? Inter-Ministerial Co-operation in the Work of the Cultural Attachés

2021 ◽  
pp. 1-26
Author(s):  
Dimitra Kizlari ◽  
Domenico Valenza
Keyword(s):  
Foreign Policy ◽  
Comparative Analysis ◽  
The Netherlands ◽  
Cultural Diplomacy ◽  
Foreign Affairs ◽  
Sharp Rise ◽  
Scholarly Research ◽  
The Subject ◽  
First Time

Summary To date, the role of cultural attachés in foreign policy has not been the subject of scholarly research, despite the sharp rise in interest in the field of cultural diplomacy. The present study is a comparative analysis seeking to map the ecosystem in which cultural attachés are embedded with the aim to develop a first-time narrative about their role. Interviews with practitioners from Italy, The Netherlands and Sweden indicate that the post of the cultural attaché is a field of responsibility primarily for two state actors. The Ministry of Foreign Affairs and the Ministry of Culture both have a vested interest in the work of these cultural operators. The findings suggest that there are two distinct organisational models in how Ministries of Foreign Affairs and Ministries of Culture co-exist and interact.

Preposition Repetition in Phrases with Homogeneous Parts of a Sentence in Business Texts of the 18th Century

2020 ◽  
Vol 1 (8) ◽  
pp. 171-184
Author(s):  
A. S. Ulitova
Keyword(s):  
Comparative Analysis ◽  
Russian Language ◽  
Decisive Factor ◽  
History Of ◽  
Language Norms ◽  
Different Origins ◽  
First Time

The question of dialect differences in the use of homogeneous parts of a sentence and prepositions in business texts of the 18th century is considered. Attention is paid to the factors that influenced the preposition repetition in such groups. The results of comparative analysis of peripheral (in particular, Chelyabinsk) and Moscow business texts of the 18th century are presented. The question is raised whether the syntactic role of words in the group under study affected the preposition repetition. Special attention is paid to the duplication of the preposition in a number of stable expressions typical for the business usage of the 18th century. For the first time, the task is to identify differences in the use of repeated prepositions in business texts that relate to different territories. The relevance of the research is due to the fact that it draws readers’ attention to a new aspect in the history of the formation of Russian language norms. It is proved that in the business texts of the 18th century, which have different origins, territorial affiliation was not a decisive factor. The author points out that along with the place where the document was written, the author’s preferences, the functioning of prepositions in formula expressions, the syntactic role of homogeneous members, and the genre of the document may have influenced the duplication of the preposition.

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