scholarly journals Adam Thirlwell’s Kapow! – the Montage Book

2019 ◽  
Vol X (28) ◽  
pp. 27-44
Author(s):  
Andreia-Irina Suciu ◽  
Mihaela Culea

In the context of new times, new types of writing are created in order to meet the demands and wishes of the contemporary public. Printed books make no exception especially given that the reading of (especially printed) books has declined, despite variable statistics over the years. The book reading habits have thus decreased, so making printed books attractive to readers has been a matter of concern for contemporary writers like Adam Thirlwell, as illustrated in his novella Kapow! (2012). In line with the contemporary mind-set of revolutionizing the way in which narrative is presented and the technique in which it is composed, Thirlwell plays with readers’ conceptions and expectations about literary texts, producing a highly experimental work. Along with the montage/collage technique, which will be discussed in the present paper, such concepts as ergodicity, autofiction, metatextuality, paratextuality, metamodernism or altermodernism are central to a proper understanding of how Thirlwell’s novella works and represent highlights of the exploratory undertaking of this article. Keywords: ergodic literature; metamodernism; altermodernist fiction; contemporary autofiction; revolution of the text; intra-notes; collage/montage.

2021 ◽  
Vol 66 (2) ◽  
pp. 175-190
Author(s):  
Ana Voicu

"Reading Habits in Jane Austen’s Northanger Abbey. This article focuses on the way Catherine Morland, Northanger Abbey’s heroine, is influenced and even guided by the literature she either chooses or is given to read. Her reading habits, as well as her changing typologies as a reader, influence both the development of her character and the narrative. This study also debunks the idea that Northanger Abbey is a parody of Gothic fiction, contextualizing book reading in an age when the novel was yet to be considered a respectable literary genre. Keywords: wise reader, the avid reader, the hypocritical reader, character development, narrative development, Gothic fiction, novel theory"


2020 ◽  
Vol 8 (4) ◽  
pp. 849-865
Author(s):  
Mihriay Musa ◽  

In this study, it was aimed to examine the reading habits levels and making the correct decision styles of basketball, handball, volleyball, and football coaches and referees in terms of some variables, the research was carried out with the general survey model, one of the quantitative research designs, the active coaches and referees of basketball, football, volleyball, and handball in İzmir, Denizli and Uşak provinces constituted the universe of the study, the sample of the study, on the other hand, consisted of 98 participants, 52 of whom were coaches and 46 were referees, determined by the simple random sampling method, one sample t-test at a 0.05 significance level was conducted to determine whether the sample represented the universe equally and homogeneously. Melbourne decision making scale I-II, and book reading habits scale were used to collect data in the study. Since the data are suitable for normal distribution, the t-test in comparing the pairwise means; parametric tests such as one-way ANOVA tests were used at 0.05 significance level in comparing the mean scores of more than two groups. In terms of education levels, it has been observed that female coaches and referees studying at faculties of sports sciences have higher levels of reading habit, love of reading, and being influenced by books. In addition, it was determined that individuals who trust and respect the decisions of their families have higher reading habits and correct decision-making styles and do not panic during the decision-making process.


2011 ◽  
Vol 38 (8) ◽  
pp. 1699-1701 ◽  
Author(s):  
JOHN R. KIRWAN ◽  
PETER S. TUGWELL

This overview draws out the main conclusions from the 4 workshops focused on incorporating the patient perspective into outcome assessment at the 10th Outcome Measures in Rheumatology (OMERACT 10) conference. They raised methodological issues about the choice of outcome domains to include in clinical trials, the development or choice of instruments to measure these domains, and the way these instruments might capture the impact of a disease and its treatment. The need to develop a more rigorous conceptual model of quantifying the way conditions affect health, and the need to ensure patients are directly involved in the decisions about domains and instruments, emerged clearly. The OMERACT participants voted to develop guidelines for domain and instrument selection, and conceptual and experimental work will be brought forward to revise and upgrade the OMERACT Filter.


1988 ◽  
Vol 113 (2) ◽  
pp. 274-305
Author(s):  
Jerome Roche

It is perhaps still true that research into sacred types of music in early seventeenth-century Italy lags behind that into madrigal, monody and opera; it is certainly the case that the textual aspects of sacred music, themselves closely bound up with liturgical questions, have not so far received the kind of study that has been taken for granted with regard to the literary texts of opera and of secular vocal music. This is hardly to be wondered at: unlike great madrigal poetry or the work of the best librettists, sacred texts do not include much that can be valued as art in its own right. Nevertheless, if we are to understand better the context of the motet – as distinct from the musical setting of liturgical entities such as Mass, Vespers or Compline – we need a clearer view of the types of text that were set, the way in which composers exercised their choice, and the way such taste was itself changing in relation to the development of musical styles. For the motet was the one form of sacred music in which an Italian composer of the early decades of the seventeenth century could combine a certain freedom of textual choice with an adventurousness of musical idiom.


2021 ◽  
pp. 578-609
Author(s):  
Mary Chilton Callaway

The story of Jeremiah in art reveals a dynamic process of traditional tropes that signaled the ancient prophet blended with contemporary features mirroring the viewer. This interplay made artistic representations of Jeremiah at once familiar, yet also at times unsettling in the way they contemporized the prophetic message. The chapter explores the developing image of Jeremiah through the centuries in five media: painted images on ancient frescoes, stone statues in medieval cathedrals and monasteries, illuminations in medieval manuscripts, woodcuts in early modern printed books, and various forms in modernity. Jewish, Christian, and Muslim images of the prophet together display a process in which historically contingent tropes gradually became timeless markers of the prophet. At the same time, these images show the power of Jeremiah to speak prophetically in new circumstances.


2021 ◽  
Author(s):  
Ken Hirschkop

In this introduction to Mikhail Bakhtin, Ken Hirschkop presents a compact, readable, detailed, and sophisticated exposition of all of Bakhtin's important works. Using the most up-to-date sources and the new, scholarly editions of Bakhtin's texts, Hirschkop explains Bakhtin's influential ideas, demonstrates their relevance and usefulness for literary and cultural analysis, and sets them in their historical context. In clear and concise language, Hirschkop shows how Bakhtin's ideas have changed the way we understand language and literary texts. Authoritative and accessible, this Cambridge Introduction is the most comprehensive and reliable account of Bakhtin and his work yet available.


2020 ◽  
Vol 6 (2) ◽  
pp. 25-33
Author(s):  
Bilal Asmat Cheema

This article utilizes Anthony Giddens' concept of 'the reflexivity of modernity' to account for the dichotomy of traditional knowledge and scientific knowledge in the Pakistani context during the outbreak of COVID-19. It analyzes the concept of reflexivity as a form of criticism of irrationality and critiques notions of certainty. This article analyzes the concept of modernity endorsed by tradition in general, and by society in particular. Modernity is a constant process of interpreting and reinterpreting tradition in the light of knowledge at any given point of time. It also argues that pre-modern society refuses to reflect upon the nature of reflection itself. Self-reflexivity is the most crucial feature of modernity. The article views Pakistan as a society where reflexivity is not a part of contemporary culture, and it struggles to accept modernity. The article argues that modernity is intrinsically sociological, and contemporary Pakistani society shows resistance to modernity.  It also states that the appropriation of scientific knowledge is not made homogeneously in contemporary Pakistan during COVID-19. Pakistani society is predominantly influenced by religious discourse, which does not believe in self-reflexivity. The study will pave the way to employ the theory of reflexivity to analyze and interpret literary texts in terms of sociological perspectives.


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