THE JEWISH SALAD BOWL WITHIN THE AMERICAN MELTING POT: A LITERARY CONTEMPLATION
Human history has always been characterized by repeated cycles of crisis and transitional periods bringing about transformation in various aspects of people’s coexistence and interaction with each other be it on the individual, ethnic, national, or even the international level. Currently, we have become eyewitnesses of what can be called the modern times crusades and exodus. The present free movement of people imposed by the globalization trend in contemporary society and particularly the new wave of migration with its relevant migrant crisis set in motion by numerous armed conflicts in the Middle East, will undoubtedly establish new relations among them, among ethnicities, among groups of different religious affiliation and even between migrants and host countries. In the course of these historical transitional periods, the concerned entities have always tried to define and explain such human relations and interactions that can vary from assimilation to multiculturalism. The two prevailing metaphors used to give a definition to the new forms of language, customs and cultural coexistence are those related to the notions of melting pot and salad bowl, which will be contemplated over with literary reference to Grace Paley’s “The Loudest Voice” and Cynthia Ozick’s “Envy; or Yiddish in America”. In both these writings, the need to transcend alienation, as well as the preoccupation to express belongingness in some naturalistic American premises, will hint at a relevant, analogous strive for identification to that of the migrants roaming the streets of Western Europe in search of a peaceful place to dwell and cohabitate with the host country and the implied culture.