Zagadnienie starości w literaturze międzytestamentalnej

Vox Patrum ◽  
2011 ◽  
Vol 56 ◽  
pp. 241-247
Author(s):  
Mirosław S. Wróbel

In the present article the author describes the problem of an old age in the Jewish apo­calyptic literature and in the Qumran texts. Old persons are presented in these texts like sages and teachers. The education given by them for children and grandchildren is based on moral and religious values. They call to observe God’s commandments and to avoid all acts which are against God and other persons. The respect and authority of the old persons described in the texts of intertestamental literature can take in consideration the biblical sources. In the Old Testament the elders of Israel are described as judges who decide about all important aspects of the life in Jewish community.

Verbum Vitae ◽  
2020 ◽  
Vol 37 (2) ◽  
pp. 347-363
Author(s):  
Mirosław Stanisław Wróbel

One of the most important features of the members of the Qumran community, who referred to themselves by the name “the sons of light,” was aspiration to holiness by observing the Law, purity and cult. The spirituality of the Qumran community was founded on the New Covenant which would be fulfilled “at the end of the days”. This eschatological reality was stressed in the practical spirituality of the members of the Qumran community. In the present article, the spirituality of the Qumran community will be presented via three points: (1) The origin of the Qumran community; (2) The community of a New Covenant with God; and (3) Eschatological beliefs. Our accumulated knowledge about the spirituality of the Qumran community and its beliefs enables us to better understand many eschatological texts of the Old Testament and Intertestamental Literature. It also indicates to us certain similarities and differences with the teachings of Jesus of Nazareth.


2013 ◽  
pp. 174-183
Author(s):  
Piotr Sadkowski

Throughout the centuries French and Francophone writers were relatively rarely inspired by the figure of Moses and the story of Exodus. However, since the second half of 20th c. the interest of the writers in this Old Testament story has been on the rise: by rewriting it they examine the question of identity dilemmas of contemporary men. One of the examples of this trend is Moïse Fiction, the 2001 novel by the French writer of Jewish origin, Gilles Rozier, analysed in the present article. The hypertextual techniques, which result in the proximisation of the figure of Moses to the reality of the contemporary reader, constitute literary profanation, but at the same time help place Rozier’s text in the Jewish tradition, in the spirit of talmudism understood as an exchange of views, commentaries, versions and additions related to the Torah. It is how the novel, a new “midrash”, avoids the simple antinomy of the concepts of the sacred and the profane. Rozier’s Moses, conscious of his complex identity, is simultaneously a Jew and an Egyptian, and faces, like many contemporary Jewish writers, language dilemmas, which constitute one of the major motifs analysed in the present article. Another key question is the ethics of the prophetism of the novelistic Moses, who seems to speak for contemporary people, doomed to in the world perceived as chaos unsupervised by an absolute being. Rozier’s agnostic Moses is a prophet not of God (who does not appear in the novel), but of humanism understood as the confrontation of a human being with the absurdity of his or her own finiteness, which produces compassion for the other, with whom the fate of a mortal is shared.


2012 ◽  
Vol 46 (6) ◽  
pp. 1764-1808 ◽  
Author(s):  
MITCH NUMARK

AbstractThis paper is a study of cultural interaction and diffusion in colonial Bombay. Focusing on Hebrew language instruction, it examines the encounter between India's little-known Bene Israel Jewish community and Protestant missionaries. Whilst eighteenth and nineteenth-century Cochin Jews were responsible for teaching the Bene Israel Jewish liturgy and forms of worship, the Bene Israel acquired Hebrew and Biblical knowledge primarily from nineteenth-century Protestant missionaries. At the beginning of the nineteenth century, the Bene Israel community was a Konkan jati with limited knowledge of Judaism. However, by the end of the century the community had become an Indian-Jewish community roughly analogous to other Jewish communities. This paper explores how this transformation occurred, detailing the content, motivation, and means by which British and American missionaries and, to a lesser extent, Cochin Jews instructed the Bene Israel in Jewish knowledge. Through a critical examination of neglected English and Marathi sources, it reconstructs the Bene Israel perspective in these encounters and their attitude towards the Christian missionaries who laboured amongst them. It demonstrates that the Bene Israel were active participants and selective consumers in their interaction with the missionaries, taking what they wanted most from the encounter: knowledge of the Old Testament and the Hebrew language. Ultimately, the instruction the Bene Israel received from Protestant missionaries did not convert them to Christianity but strengthened and transformed their Judaism.


2018 ◽  
Vol 5 ◽  
pp. 129
Author(s):  
Miriam Yvonn Márquez Barragán

Resumen: El baile a lo largo del tiempo ha sido visto como una actividad peligrosa para los valores morales y religiosos. El cuerpo de la mujer ha sido visto como un medio para excitar el pecado. La obra dramática de Federico García Lorca logra capturar el conflicto moral y las implicaciones sexuales del baile con personajes femeninos que luchan entre el deseo y sus  instintos. En el presente trabajo, analizo algunos de los valores sociales y morales del baile en el teatro de Lorca. Palabras clave: Federico García Lorca, Danza, trangresión, cuerpo, estigma social. Abstract: Dance over time has been perceived as an activity threatening certain moral and religious values. The female body is the expressive instrument in dancing, as a mean to incite sinful behavior. The dramatic work of Federico García Lorca capture the moral conflict and the sexual implications of the dance with female characters who struggle between desire and their instincts. In the present article, I review some of the negative social and moral values present in dancing, in Lorca’s view.Key words: Federico Garcia-Lorca, dance, transgression, body, social stigma.


2016 ◽  
Vol 50 (3) ◽  
Author(s):  
Hendrik G.L. Peels

For the Lord will offer sacrifice in the land of the North (Jer 46:10). The present article ‘For the Lord will offer sacrifice in the land of the North (Jer 46:10)’ combines two focal points of my research, namely the issue of the Old Testament image of God and the interpretation of the book of Jeremiah. In Jeremiah 46:2–12, the first oracle against Egypt sketches a frightening picture of the destruction of Egypt’s army, which was crushingly defeated by the Babylonians at Carchemish. The destruction is represented as a sacrificial meal, at which the divine sword feasts on the flesh and the blood of God’s enemies. In order to adequately understand the purport of his prophetic interpretation, I present a contextual exegesis of the pericope. It is read in its literary context and against its historical background. After a concise analysis of its structure and a detailed exegesis of the pivotal verse (46:10), I conclude with a theological evaluation concerning the meaning and significance of this eerie prophecy.


2011 ◽  
Vol 45 (2/3) ◽  
Author(s):  
J.A. Du Rand

How can God allow it? A bibliological enrichment of the theodicy issue from a comparison between the Book of Revelation and 4 EzraIn the process of understanding and defining the relationship between God and man, the theodicy issue frequently floats to the surface. A long strand in the history of philosophy and theology has addressed itself to the task of reconciling God’s omnipotence and benevolence with human suffering and the existence of evil. Some of the philosophical and theological views are represented in this article. According to reformed scholarly presentation, theodicy should seriously take into account the soteriological and eschatological hermeneutical views. This is confirmed by the Old Testament, intertestamental literature and the New Testament. The purpose of this article is to draw attention to the apocryphal 4 Ezra which puts surprising views about theodicy on the table.


Images ◽  
2019 ◽  
Vol 12 (1) ◽  
pp. 56-69
Author(s):  
David Guedj

Abstract The present article investigates the visual elements of the illustrated youth quarterly L’Illustration Juive, which was published in Alexandria between 1929 and 1931 in French and Hebrew. The analysis sets out to expose the ideologies and worldviews informing the publication’s editorial board, as well as the conscious or unconscious message that the quarterly tried to communicate to its young readership. The article explores more than 300 photographs and reproductions that featured in twelve issues published over the journal’s three years of existence. Analysis of the visual elements in this article shows that the quarterly featured many photographs of holy sites in the Land of Israel, as well as reproductions of artworks that reflected the religious Jewish way of life in the diaspora and Israel, including the Jewish calendar and Jewish life cycle. These works hold the Old Testament as a key book for Judaism, as well as for Jewish nationalism. Clearly evident in the visual elements, as in the overall visual messages of the quarterly, is the harmony struck between Jewish nationality, Zionism, and a religious Jewish cultural—or diasporic—world. It was this harmonious view that editor Rabbi David Prato sought to convey, upholding as he did a religious nationalist Jewish future, which he defined in the newspaper as a double tendance.


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