scholarly journals Starożytny łaciński centon: próba przybliżenia na przykładzie „Centonu weselnego” Auzoniusza

Vox Patrum ◽  
2012 ◽  
Vol 57 ◽  
pp. 359-378
Author(s):  
Tatiana Krynicka
Keyword(s):  
Twentieth Century ◽  
Everyday Life ◽  
Latin Poetry ◽  
Original Text ◽  
Classical Myths ◽  
Wedding Poems ◽  
Technical Rules

The term „cento” comes from the Latin cento, which means „a cloak made of patches,” „patchwork,” as the Greek does. Poems of Homer and Vergil were favorite sources for the ancient cento poets, who rearranged their frag­ments into totally different stories. The oldest preserved Latin cento is the tragedy „Medea” composed by Hosidius Geta from the fragments of Vergilian poetry circa 200 AD. We know, however, about other centos having been written before that date. Altogether, sixteen Virgilian and one Ovidian cento have been preserved. Thirteen of them, including the earliest and the latest of all extant Latin centos, are contained in the Codex called Salmasianus. Since the terminus ante quem for this manuscript is 534 AD, we assume that all preserved centos have been written between 200 AD, the broadly acknowledge date for Medea, and 534 AD. Ancient Virgilian centos mainly deal with well-known classical myths (8 of 13). Four of them have Christian themes, two treat trivial matters of everyday life, two are wedding-poems. The involvement of Decimus Ausonius Magnus (ca 310-394), a renowned teacher, rhetorician and poet, with the cento is not limited to being the author of a Virgilian cento, which he composed as a response to a similar poem by the Emperor Valentinian I (321-375). Ausonius is the only ancient author we know to have described cento in more detail and to have laid down the rules of the genre. In the introductory letter to the Cento nuptialis, addressed to his friend Axius Paulus, Ausonius maintains that verses of an original text, taken over to the cento, may be divided at any of the caesurae which occur in hexameter. No section longer than one line and a half should be taken over. The quotation may not be changed, although its meaning may change according to the new context. Ausonius compares activity of the cento poets to playing the game of stomachion. Doing so he emphasizes unity within cento and its playfulness as the particularly important traits of the genre. Ancient authors usually followed the technical rules put forth by Ausonius, although not all of them would have agreed with him about the similarity between writing a cento and playing a game. While some twentieth century scholars had treated cento with undeserved contempt, the research of the last decades has given it its honour back. Centos still require our attention, especially that, through their analysis, we may try to obtain a more faithful portrait of the well educated ancient reader. This reader knew his Virgil by heart, worshipped Virgil as the divinely inspired prince of Latin poetry, and preferred Virgil’s words to his own when he ventured to describe his world.

Hopscotch Modernism: On Everyday Life and the Blurring of Art and Social Science

2006 ◽  
Vol 2 (1) ◽  
pp. 70-79 ◽  
Author(s):  
Ben Highmore
Keyword(s):  
Twentieth Century ◽  
Social Science ◽  
Everyday Life ◽  
Systematic Study ◽  
Cultural Practices ◽  
Health Centre ◽  
Small Scale ◽  
Modernist Literature ◽  
The Everyday ◽  
Point Of Departure

From a remarkably innovative point of departure, Ben Highmore (University of Sussex) suggests that modernist literature and art were not the only cultural practices concerned with reclaiming the everyday and imbuing it with significance. At the same time, Roger Caillois was studying the spontaneous interactions involved in games such as hopscotch, while other small scale institutions such as the Pioneer Health Centre in Peckham, London attempted to reconcile systematic study and knowledge with the non-systematic exchanges in games and play. Highmore suggests that such experiments comprise a less-often recognised ‘modernist heritage’, and argues powerfully for their importance within early-twentieth century anthropology and the newly-emerged field of cultural studies.

МОДА ЯК ВИДОВИЩЕ: ЕТНОКУЛЬТУРНІ ТА МІФОЛОГІЧНІ ВИМІРИ

2020 ◽  
Author(s):  
Admink Admink
Keyword(s):  
Twentieth Century ◽  
Young People ◽  
Everyday Life ◽  
Cultural Influences ◽  
Ethnic Culture ◽  
The Earth ◽  
The Everyday ◽  
Variety Show

Прослідковуються урбанізаційні та дезурбанізаційні процеси в моді ХХ ст. Звернено увагу на недостатню вивченість питань естетичних та культурологічних аспектів формування моди як видовища в контексті образного простору культури повсякдення. Визначено видовищні виміри модної діяльності як комунікативної сцени. Наголошено на необхідності актуалізації народних мотивів свята, творчості в гурті, певної стилізації у митців та дизайнерів моди мистецтва ностальгійного, втраченого світу з метою осягнення фольклорної, глибинної стихії моди як екомунікативного простору культури повсякдення. Ключові слова: міф, мода, етнокультура, етнос, свято, площа Ключові слова: міф, мода, етнокультура, етнос, свято, площа. According to E. Moren ethnic cultural influences take place in urbanized environment and turn it into "island ontology".Everyday life ethnic culture is differentiated, specified as a certain type of spectacle. However, all that powerful cosmologism, which used to exist as an open-air theater in settlements, near rivers, grasslands, roads, is disappearing. The everyday life culture loses imperatives, patterns, and cosmological designs, where, for example, the “plahta” contains rhombuses, squares, and rectangles - images of the earth, and the top of the costume symbolizes the sky. Yes, the symbolic marriage of earth and sky was a prerequisite for marrying young people. The article deals with traces of the urbanization and deurbanization processes in the twentieth century fashion.Key words: ethnic culture, culture of everyday life, ethnics, holidays, variety show, knockabout comedy, square.

Introduction

2018 ◽  
Author(s):  
Sheila Murnaghan ◽  
Deborah H. Roberts
Keyword(s):  
Twentieth Century ◽  
Historical Fiction ◽  
Adult Readers ◽  
Pleasure Reading ◽  
Specific Focus ◽  
Classical Myths ◽  
Classical Culture

The book’s subject is the widespread and formative reception of classical culture that takes place in childhood, with a specific focus on children’s pleasure reading in Britain and America from the mid-nineteenth to the mid-twentieth century. The production of literature designed to foster children’s connection to antiquity is identified as an adult project, which begins with the retelling of classical myths in the 1850s and which this study traces primarily in myth collections and works of historical fiction. Attention is also given to adults’ memories of their own childhood encounters with antiquity and the uses and meanings assigned to those encounters in memoirs and other works for adult readers.

The “Sticky Sediment” of Daily Life: Radical Domesticity, Revolutionary Christianity, and the Problem of Wealth in Britain from the 1880s to the 1930s

2012 ◽  
Vol 120 (1) ◽  
pp. 39-82 ◽  
Author(s):  
Seth Koven
Keyword(s):  
Twentieth Century ◽  
World War I ◽  
Moral Responsibility ◽  
Everyday Life ◽  
Social Economic ◽  
Daily Life ◽  
World War ◽  
Political Justice ◽  
Ethical Imperative ◽  
Early Twentieth Century

This essay examines an early twentieth-century Christian revolutionary habitus—a “technique of Christian living”—based on the conviction that everyday life was an essential site for reconciling the claims of individual and community, the material and the spiritual. The pacifist-feminist members of London’s first “people’s house,” Kingsley Hall, linked their vision of Jesus’s inclusive and unbounded love for humanity to their belief in the ethical imperative that all people take full moral responsibility for cleaning up their own dirt as part of their utopian program to bring social, economic, and political justice to the outcast in London, Britain, and its empire. In imagining what a reconstructed post-World War I Britain might become, Kingsley Hall’s cross-class band of workers used mundane practices to unmake and remake the late-Victorian and Edwardian philanthropic legacy they inherited.

scholarly journals Organization of the Village of Cossack self-government as the basis of everyday life

2016 ◽  
Vol 5 (3) ◽  
pp. 112-118
Author(s):  
Sergey Valentinovich Lyubichankovskiy ◽  
Elena Victorovna Godovova
Keyword(s):  
Twentieth Century ◽  
Local Government ◽  
Everyday Life ◽  
Community Organization ◽  
Turn Of The Century ◽  
Village Government ◽  
The Village

The paper presents the evolution of the formation of the system of local government in the Cossack armies in Russia. Cossacks living in villages with towns belonging to it were Cossack society. Local Cossacks authority It was Village chieftain, Village descent, Village court, Cossack community. Organization of the Village government in the Cossack army was virtually identical to that due to the fact that the reform of the Cossack troops went on the model of the Don and Kuban troops. This system has been transformed at the beginning of the twentieth century. Fall elective responsibility, a manifestation of laziness and indifference of the Cossacks it was due to property, education and psychological disunity. Contemporaries noted that many members of the village office turn of the century were literate, prone to drunkenness and extortion. An increasing number of the Cossacks did not attend gatherings and did not pay the dues. But, despite this, the Cossack communities continued to live, to regulate agrarian relations, contributed to the development of health and education.

scholarly journals EI FORAS, MULIER, CZYLI ROZWÓD W KOMEDIACH PLAUTA

2017 ◽  
Vol 4 (1) ◽  
pp. 7 ◽  
Author(s):  
Anna Tarwacka
Keyword(s):  
Everyday Life ◽  
Legal Aspects ◽  
Roman Law ◽  
Original Text ◽  
Sexual Contacts ◽  
As If ◽  
New Comedy

El FORAS MULIER, VIZ. DIVORCE IN PLAUTUS’ COMEDIESSummary The Romans treated law as a very important element of everyday life. That is why their literature is so full of allusions to law.Plautus wrote his comedies for nearly 30 years, between 210 and 184B.C. His plays were based on the Greek Middle and New Comedy. It isnot always easy to distinguish the parts where he refers to Roman law fromthose where he simply translates the original text without making anychanges.In many of Plautus’ plays we can find information about divorce, though divorce was never shown on the stage for obvious moral reasons.In Menaechmi the husband threatens his wife with repudium because hefeels a slave in his own house - an ideal wife should - under no circumstances - spy on her husband or even ask him about his affairs. The position of a men in this relationship is rather weak - his wife brought a largedowry and he is simply afraid of what he could lose by ending his marriage. In Mercator Syra, a slave-woman, comments that husbans are allowed tohave sexual contacts with other women, whereas their wives can be easilyrepudiated even if seen outside their houses without a permission. Thereseems to have been no possibility for a woman to demand divorce in Romeof the III/II century B. C. Plautus uses this fact for comical purposes. InAmphitruo Alcumena speaks the formula of repudium as if backwords: tibihabeas res tuasy reddas meas, making it sound as if it was her husband to repudiate her.Plautus gives a lot of evidence that divorces were quite common in histimes and that the Romans knew perfectly all its legal aspects.

scholarly journals TRACTION CONCEPT «REHABILITATION» IN THE FRENCH MEDICINE SYSTEM

World Science ◽  
2019 ◽  
Vol 2 (5(45)) ◽  
pp. 4-6
Author(s):  
M. Danylevych ◽  
R. Koval ◽  
B. Ivanytska ◽  
Y. Kazimova
Keyword(s):  
Twentieth Century ◽  
Everyday Life ◽  
Birth Defects ◽  
21St Century ◽  
State Power ◽  
Physical Culture ◽  
Social Phenomenon ◽  
Persons With Disabilities ◽  
Congenital Birth Defects ◽  
Tools And Methods

Given the increase on the planet of the number of people with congenital birth defects, technocratization of society, an increase in the number of persons with disabilities was expected at the beginning of the 21st century to one billion consequently, disability is a worldwide social phenomenon, which should be the focus of every country, its bodies of state power and administration, scientists and physicians, psychologists and educators, specialists in physical culture and sports. So, we see that under the concept «réadaptation» (f) in France, a set of tools and methods used by the relevant specialists to rehabilitate persons with disabilities, as well as simply patients, in order to return them to the maximum possible conditions of everyday life. The twentieth century in France is characterized by the creation of a number of organizations whose activities are aimed at working with such people.

Harold Monro, Poetry Anthologies and the Rhetoric of Textual Materiality

2017 ◽  
Author(s):  
Patrick Collier
Keyword(s):  
Complex System ◽  
Twentieth Century ◽  
Everyday Life ◽  
Modern Poetry ◽  
Literary Value ◽  
English Verse ◽  
Century Poetry ◽  
Textual Politics

This chapter meditates upon the role of the poetry anthology and its claims on literary value at the turn of the twentieth century. By sorting the output of poets, the anthology might seem to stabilize literary value; but like all print artefacts in the period, the anthology was overproduced, and therefore could also be seen as positing multiple, competing canons. The anthology form was in flux in these years as well, with such familiar conventions as tables of contents and the grouping of poems by poet not having emerged as norms. In this context, the textual materiality of anthologies became a complex system for intervening in debates about value. The chapter revisits the most popular anthologies of the era—Palgrave’s Golden Treasury and the Oxford Book of English Verse—to sketch out the emerging codes of the anthology form. Poet and publisher Harold Monro, the chapter argues, pursued a more egalitarian textual politics than these popular anthologies, particularly his underappreciated 1929 anthology, Twentieth Century Poetry. The chapter reads the content and the metatexts of Twentieth Century Poetry as asserting a catholic vision of modern poetry as vital to everyday life.

Enslavement and Everyday Life: Living with Slave Raiding in the North-Eastern Mandara Mountains of Cameroon

2011 ◽  
Author(s):  
Scott MacEachern
Keyword(s):  
Twentieth Century ◽  
Everyday Life ◽  
Historical Sources ◽  
Social Proximity ◽  
Archaeological Data ◽  
The Past ◽  
The North ◽  
North Eastern ◽  
Economic Process

The northern Mandara Mountains of Cameroon have been a focus of slave raiding for the past five centuries, according to historical sources. Some captives from the area were enslaved locally, primarily in Wandala and Fulbe communities, while others were exported to Sahelian polities or further abroad. This chapter examines ethnohistorical and archaeological data on nineteenth- and twentieth-century slave raiding, derived from research in montagnard communities along the north-eastern Mandara Mountains of Cameroon. Enslavement and slave raiding existed within larger structures of day-to-day practice in the region, and were closely tied to ideas about sociality, social proximity and violence. Through the mid-1980s at least, enslavement in the region was understood as a still-relevant political and economic process, with its chief material consequence the intensely domesticated Mandara landscape.

Conclusion

2018 ◽  
pp. 189-206
Author(s):  
Michael P. Roller
Keyword(s):  
Twentieth Century ◽  
Social Control ◽  
Everyday Life ◽  
Symbolic Violence ◽  
The Third ◽  
The Past ◽  
The Social ◽  
Semiotic Systems ◽  
Oppressed Group

The conclusion revisits the three major inquiries addressed in the text, drawing together the evidence and contexts provided in the previous seven chapters. The first investigates the role of objective settings, such as the systemic and symbolic violence of landscapes and semiotic systems of racialization in justifying or triggering moments of explicit subjective violence such as the Lattimer Massacre. The second inquiry, traces the trajectory of immigrant groups into contemporary patriotic neoliberal subjects. In other terms, it asks how an oppressed group can become complicit with oppression later in history. The third inquiry traces the development of soft forms of social control and coercion across the longue durée of the twentieth century. Specifically, it asks how vertically integrated economic and governmental structures such as neoliberalism and governmentality which serve to stabilize the social antagonisms of the past are enunciated in everyday life.

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