Handover Bodies in a Feminist Frame

Screen Bodies ◽  
2017 ◽  
Vol 2 (2) ◽  
pp. 1-24
Author(s):  
Gina Marchetti
Keyword(s):  
Hong Kong ◽  
Sex Work ◽  
Chinese Culture ◽  
Common Ground ◽  
Women's Sexuality ◽  
Women’S Sexuality ◽  
Talking Head ◽  
The Common ◽  
Changing Attitudes ◽  
Contemporary Chinese

Hong Kong women have been taking up the camera to explore the changing nature of their identity. Linking the depiction of the gendered body with the demand for women’s rights as sexual citizens, several directors have examined changing attitudes toward women’s sexuality. Yau Ching, for example, interrogates the issues of sex work, the internet, and lesbian desire in Ho Yuk: Let’s Love Hong Kong (2002). Barbara Wong’s documentary, Women’s Private Parts (2001), however, uses the televisual talking head interview and observational camera to highlight the way women view their bodies within contemporary Chinese culture. By examining the common ground shared by these very different films, a vision of women’s sexuality emerges that highlights Hong Kong women’s struggle for full sexual citizenship.

Hitchcock with a Chinese Face: Cinematic Doubles, Oedipal Triangles, and China's Moral Voice (with DVD). By Jerome Silbergeld. [Seattle: University of Washington Press, 2004. 160 pp. £22.95. ISBN 0-295-98417-1.]

2005 ◽  
Vol 182 ◽  
pp. 454-456
Author(s):  
Chris Berry
Keyword(s):  
Hong Kong ◽  
Chinese Culture ◽  
Film Studies ◽  
Mainland China ◽  
Chinese Film ◽  
Moral Voice ◽  
History Approach ◽  
Contemporary Chinese Cinema ◽  
Contemporary Chinese ◽  
Chinese Face

Jerome Silbergeld introduced an art history approach into Chinese film studies with China into Film: Frames of Reference in Contemporary Chinese Cinema in 2000. Hitchcock with a Chinese Face goes further. Like an art historian selecting three seemingly disparate paintings and demonstrating their links, Silbergeld chooses a film each from Hong Kong, Taiwan and mainland China, but argues that they pursue similar aesthetic and political directions. The result is a virtuoso display of intense textual and inter-textual exegesis, informed by an in-depth knowledge of the pre-modern Chinese arts, contemporary Chinese political culture, and globally circulated Western culture (including Hitchcock). It is also a challenge to the discipline of film studies itself.The three films Silbergeld selects for analysis are Lou Ye's 2000 film from mainland China, Suzhou River (Suzhou he); Yim Ho's 1994 Hong Kong film, The Day the Sun Turned Cold (Tianguo nizi); and the final part of Hou Hsiao Hsien's 1995 Taiwan trilogy, Good Men, Good Women (Hao nan, hao nü,). He acknowledges that the project began as a personal indulgence allowing him to explore further some of his favourite films. However, his engagement with the films leads him to argue that each one, in its own way, deconstructs the commonly circulated idea of a unified Chinese culture, engages powerfully with morality, is narratively complex and anti-commercial, mobilizes a cosmopolitan knowledge of world cinema, and displays an unusual degree of interest in individual psychology and oedipality. The latter elements help to ground the comparisons to Hitchcock (as well as to Hamlet, Dostoevsky, Faulkner and others).

scholarly journals Exploring Coordinative Mechanisms for Environmental Governance in Guangdong-Hong Kong-Macao Greater Bay Area: An Ecology of Games Framework

2019 ◽  
Vol 11 (11) ◽  
pp. 3119 ◽  
Author(s):  
Wenjie Zhou ◽  
Rui Mu
Keyword(s):  
Hong Kong ◽  
Environmental Governance ◽  
Common Ground ◽  
State Level ◽  
Policy Issues ◽  
Bay Area ◽  
Positive Externalities ◽  
Ecology Of Games ◽  
The Common ◽  
Policy Games

To solve regional environmental problems, there is a trend of establishing urban agglomerations and formulating cooperative policy institutions in China. The extant studies on policy institutions largely focus on the coordinative mechanisms of multiple actors within one single institution. Only a few studies have tried to understand how different policy institutions are interlinked and mutually affected to influence actors’ decisions and problem resolutions. This article applies a network-based analytical approach and adopts the Ecology of Games Framework to explore how regional environmental governance is coordinated in the Guangdong-Hong Kong-Macao Greater Bay Area. It was found that coordinative mechanisms in regional environmental governance can happen around three elements: policy institutions, policy actors, and policy issues. Policy institutions tend to serve as an umbrella for many diverse and interdependent activities and actors within individual institutions. Additionally, positive externalities emerging between different policy institutions perform as coordinators across institutions. For actors, state-level actors usually play as facilitators of policy institutions while they are not active in participating in policy games in later phases; it is regional actors, particularly from Guangdong, that are active in the operation of policy institutions. For policy issues, they emerge because they are often tied with each other, and some of them play as the common ground for seemly separating policy institutions.

The Semantics of Evidentials

2017 ◽  
Author(s):  
Sarah E. Murray
Keyword(s):  
Recent Work ◽  
Common Ground ◽  
Formal Semantics ◽  
Empirical Support ◽  
Propositional Content ◽  
Primary Data ◽  
Truth Conditional ◽  
The Common ◽  
Issue Content

This book gives a compositional, truth‐conditional, crosslinguistic semantics for evidentials set in a theory of the semantics for sentential mood. Central to this semantics is a proposal about a distinction between what propositional content is at‐issue, roughly primary or proffered, and what content is not‐at‐issue. Evidentials contribute not‐at‐issue content, more specifically what I will call a not‐at‐issue restriction. In addition, evidentials can affect the level of commitment a sentence makes to the main proposition, contributed by sentential mood. Building on recent work in the formal semantics of evidentials and related phenomena, the proposed semantics does not appeal to separate dimensions of illocutionary meaning. Instead, I argue that all sentences make three contributions: at‐issue content, not‐at‐issue content, and an illocutionary relation. At‐issue content is presented, made available for subsequent anaphora, but is not directly added to the common ground. Not‐at‐issue content directly updates the common ground. The illocutionary relation uses the at‐issue content to impose structure on the common ground, which, depending on the clause type (e.g., declarative, interrogative), can trigger further updates. Empirical support for this proposal comes from Cheyenne (Algonquian, primary data from the author’s fieldwork), English, and a wide variety of languages that have been discussed in the literature on evidentials.

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