How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film

Projections ◽  
2011 ◽  
Vol 5 (1) ◽  
pp. 1-16 ◽  
Author(s):  
James E. Cutting ◽  
Kaitlin L. Brunick ◽  
Jordan E. Delong
Keyword(s):  
Hollywood Film ◽  
Shot Transitions

Film Analysis: Image and Movement

2018 ◽  
Author(s):  
Hilary Radner ◽  
Alistair Fox
Keyword(s):  
Scientific Practice ◽  
Film Analysis ◽  
Hollywood Film ◽  
Poetic Expression ◽  
French Tradition ◽  
Classical Hollywood

This chapter assesses Raymond Bellour’s contribution to the area of research known as “film analysis,” arguing that it is best understood as an “art” rather than a scientific practice. Grounded in the French tradition of “explication du texte” as a means of approaching literature, Bellour was among the first film scholars to bring a French literary sensibility to the analysis of Classical Hollywood film, which enabled him to recognize the rhetorical refinements of the cinematic medium and its potential for poetic expression. The chapter explores the significant concepts that define Bellour’s approach: segmentation; “the unattainable text” (also referred to as “the undiscoverable text” or “le texte introuvable”); le blocage symbolique (also referred to as “the symbolic blockage”);“the textual volume”; Hitchcock and psychoanalysis; and enunciation.

Korngold and His World

2019 ◽  
Keyword(s):  
Chamber Music ◽  
Musical Theater ◽  
Musical Language ◽  
American Film ◽  
Popular Song ◽  
Film Scores ◽  
Hollywood Film ◽  
English Translations ◽  
Erich Wolfgang Korngold ◽  
American Popular Song

Erich Wolfgang Korngold (1897–1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947. From his prewar operas in Vienna to his pathbreaking contributions to American film, this book provides a substantial reassessment of Korngold's life and accomplishments. Korngold struggled to reconcile the musical language of his Viennese upbringing with American popular song and cinema, and was forced to adapt to a new life after wartime emigration to Hollywood. The book examines Korngold's operas and film scores, the critical reception of his music, and his place in the milieus of both the Old and New Worlds. It also features numerous historical documents—many previously unpublished and in first-ever English translations—including essays by the composer as well as memoirs by his wife, Luzi Korngold, and his father, the renowned music critic Julius Korngold.

An Efficient Shot Boundary Detection Using Data-cube Searching Technique

2020 ◽  
Vol 13 (4) ◽  
pp. 798-807
Author(s):  
J. Kavitha ◽  
P. Arockia Jansi Rani ◽  
P. Mohamed Fathimal ◽  
Asha Paul
Keyword(s):  
Texture Features ◽  
Boundary Detection ◽  
Data Cube ◽  
Multimedia Data ◽  
Shot Boundary Detection ◽  
Gradual Transition ◽  
Detection Rates ◽  
Effective Manner ◽  
Shot Boundary ◽  
Shot Transitions

Background:: In the internet era, there is a prime need to access and manage the huge volume of multimedia data in an effective manner. Shot is a sequence of frames captured by a single camera in an uninterrupted space and time. Shot detection is suitable for various applications such that video browsing, video indexing, content based video retrieval and video summarization. Objective:: To detect the shot transitions in the video within a short duration. It compares the visual features of frames like correlation, histogram and texture features only in the candidate region frames instead of comparing the full frames in the video file. Methods: This paper analyses candidate frames by searching the values of frame features which matches with the abrupt detector followed by the correct cut transition frame with in the datacube recursively until it detects the correct transition frame. If they are matched with the gradual detector, then it will give the gradual transition ranges, otherwise the algorithm will compare the frames within the next datacube to detect shot transition. Results:: The total average detection rates of all transitions computed in the proposed Data-cube Search Based Shot Boundary Detection technique are 92.06 for precision, 96.92 for recall and 93.94 for f1 measure and the maximum accurate detection rate. Conclusion:: Proposed method for shot transitions uses correlation value for searching procedure with less computation time than the existing methods which compares every single frame and uses multi features such as color, edge, motion and texture features in wavelet domain.

O CINEMA DO TERCEIRO MUNDO SOB O OLHAR DA ANTIGEOPOLÍTICA: DITADURA E RESISTÊNCIA NA AMÉRICA LATINA

GEOgraphia ◽  
2018 ◽  
Vol 20 (42) ◽  
pp. 89
Author(s):  
Rejane Cristina de Araujo Rodrigues
Keyword(s):  
Latin America ◽  
Political Geography ◽  
Third World ◽  
Hollywood Film ◽  
The Third ◽  
World Cinema ◽  
America Latina ◽  
The Third World

Resumo: Filmes do Cinema de Hollywood são representativos de um imaginário geopolítico hegemônico. A este imaginário contrapõe-se uma antigeopolítica identificada nas representações de filmes do Cinema do Terceiro Mundo. Partindo de importantes contribuições da geografia política crítica que apontam para articulações entre as representações geopolíticas e os filmes, analisamos três filmes que retratam a América Latina em um dos períodos mais conturbados da sua história. Sua análise nos revela elementos característicos de uma geopolítica de resistência durante as ditaduras civil-militares implantadas no Brasil, no Chile e na Argentina.Palavras-chave: Antigeopolítica. Cinema. América Latina. Ditadura. THE THIRD WORLD CINEMA UNDER THE ANTIGEOPOLITICS VIEW: DICTATORSHIP AND RESISTANCE IN LATIN AMERICAAbstract: Hollywood film movies are representative of a hegemonic geopolitical imaginary. This imaginary contrasts with an antigeopolitics identified in the Third World Cinema representations. Based on important contributions from critical political geography that points to articulations between geopolitical representations and movies, we analyze three cinema productions that portray Latin America in one of the most troubled periods of its history. That analysis reveals elements of a geopolitics of resistance related to the civil-military dictatorships implanted in Brazil, Chile and Argentina.Keywords: Antigeopolitics. Movies. Latin America. Dictatorship. EL CINE DEL TERCER MUNDO BAJO LA VISIÓN ANTIGEOPOLÍTICA: DICTADURA Y RESISTENCIA EN AMÉRICA LATINAResumen: Películas del Cine de Hollywood son representativas de un imaginario geopolítico hegemónico. A este imaginario se contrapone una antigeopolítica identificada en las representaciones de películas del Cine del Tercer Mundo. A partir de importantes contribuciones de la geografía política crítica que apuntan para articulaciones entre las representaciones geopolíticas y las películas, analizamos tres películas que retratan la América Latina en uno de los períodos más revueltos de su historia. Su análisis nos revela elementos característicos de una geopolítica de resistencia durante las dictaduras implantadas en Brasil, en Chile y en Argentina.Palabras clave: Antigeopolítica. Cine. América Latina. Dictadura.

scholarly journals Rewriting the stars: Surface tensions and gender troubles in the online media production of digital deepfakes

2021 ◽  
pp. 135485652110294
Author(s):  
Christopher Holliday
Keyword(s):  
White Male ◽  
Film History ◽  
Stanley Kubrick ◽  
Politics Of Identity ◽  
Hollywood Film ◽  
Digital Asset ◽  
And Gender ◽  
Film Stars ◽  
Star Performers ◽  
Sophisticated Technology

This article examines a cross-section of viral Deepfake videos that utilise the recognisable physiognomies of Hollywood film stars to exhibit the representative possibilities of Deepfakes as a sophisticated technology of illusion. Created by a number of online video artists, these convincing ‘mash-ups’ playfully rewrite film history by retrofitting canonical cinema with new star performers, from Jim Carrey in The Shining (Stanley Kubrick, 1980) to Tom Cruise in American Psycho (Mary Harron, 2000). The particular remixing of stardom in these videos can – as this article contends – be situated within the technological imaginary of ‘take two’ cinephilia, and the ‘technological performativity of digitally remastered sounds and images’ in an era of ‘the download, the file swap, [and] the sampling’ (Elsaesser 2005: 36–40). However, these ‘take two’ Deepfake cyberstars further aestheticize an entertaining surface tension between coherency and discontinuity, and in their modularity function as ‘puzzling’ cryptograms written increasingly in digital code. Fully representing the star-as-rhetorical digital asset, Deepfakes therefore make strange contemporary Hollywood’s many digitally mediated performances, while the reskinning of (cisgender white male) stars sharpens the ontology of gender as it is understood through discourses of performativity (Butler 1990; 2004). By identifying Deepfakes as a ‘take two’ undoing, this article frames their implications for the cultural politics of identity; Hollywood discourses of hegemonic masculinity; overlaps with non-normative subjectivities, ‘body narratives’ and ‘second skins’ (Prosser 1998); and how star-centred Deepfakes engage gender itself as a socio-techno phenomenon of fakery that is produced – and reproduced – over time.

VIDEO-SHOT TRANSITION DETECTION: A SPATIO-TEMPORAL SALIENCY APPROACH

2010 ◽  
Vol 24 (08) ◽  
pp. 1295-1309 ◽  
Author(s):  
XIAN WU ◽  
JIANHUANG LAI ◽  
PONG C. YUEN
Keyword(s):  
Error Probability ◽  
Spatial Information ◽  
Saliency Map ◽  
Detection Error ◽  
Novel Approach ◽  
Video Shot ◽  
Recent Method ◽  
Temporal And Spatial ◽  
Spatio Temporal ◽  
Shot Transitions

This paper proposes a novel approach for video-shot transition detection using spatio-temporal saliency. Both temporal and spatial information are combined to generate a saliency map, and features are available based on the change of saliency. Considering the context of shot changes, a statistical detector is constructed to determine all types of shot transitions by the minimization of the detection-error probability simultaneously under the same framework. The evaluation performed on videos of various content types demonstrates that the proposed approach outperforms a more recent method and two publicly available systems, namely VideoAnnex and VCM.

Hybrid Petri nets with general one-shot transitions

2016 ◽  
Vol 105 ◽  
pp. 22-50 ◽  
Author(s):  
Marco Gribaudo ◽  
Anne Remke
Keyword(s):  
Petri Nets ◽  
Hybrid Petri Nets ◽  
Shot Transitions
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