Dutch Progressive Jews and Their Unexpected Key Role in Europe

2016 ◽  
Vol 49 (1) ◽  
pp. 5-18
Author(s):  
Chaya Brasz
Keyword(s):  
Nineteenth Century ◽  
The Netherlands ◽  
Jewish Community ◽  
The World ◽  
Role Position ◽  
Considerable Period

AbstractLiberal Judaism remained absent in the Netherlands during the nineteenth century but finally became successful in the early 1930s under the influence of the Liberal Jewish Synagogue in London and the establishment of the World Union for Progressive Judaism in 1926. It had a specific Dutch character which was more radical than the German refugees who joined in were used to. The Shoah barely left survivors of the prewar congregations, but Liberal Judaism made a remarkable comeback in the Netherlands and had a key role position for Liberal Judaism on the continent of Europe. In a much smaller Jewish community than the French one, the Dutch Progressive congregations for a considerable period formed the largest Progressive community on the continent, next to France. Even today, while comprising ten congregations, it still has a growing membership.

Australian and Indian Plants: Making Connexions in Nineteenth-Century Botany

2012 ◽  
Vol 23 (2) ◽  
pp. 107 ◽  
Author(s):  
Sara Maroske
Keyword(s):  
Nineteenth Century ◽  
Great Britain ◽  
The Netherlands ◽  
Distribution Pattern ◽  
Plant Distribution ◽  
Northern Australia ◽  
Species Limits ◽  
The World ◽  
Joseph Hooker

Despite the expectation in nineteenth-century botany that the plants of one country were most similar to those of adjacent countries, by the middle of the century it was accepted that there was a connexion between flora of northern Australia and ?India'. The pattern and reasons for plant distribution around the world were studied in the emerging science of phytogeography, but this paper suggests that the strength of the Indo-Australian connexion was influenced by species limits in the established science of phytography or descriptive botany. This paper also shows that while the botany of Australia and ?India' was predominantly studied in European nations, Ferdinand Mueller used resources obtained from Joseph Hooker in Great Britain, and Friedrich Miquel in the Netherlands to add new details to the distribution pattern of ?Indian' plants in northern Australia. Although Mueller was unwilling to reflect on these findings himself, they seemed to challenge attempts to introduce evolutionary and geological explanations into phytogeography.

Origins and Early Years of the Volozhin Yeshiva

2012 ◽  
pp. 15-47
Author(s):  
Shaul Stampfer
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
Jewish Community ◽  
Russian Empire ◽  
Early Years ◽  
Focal Points ◽  
The World ◽  
History Of ◽  
The Russian Empire ◽  
Jewish Learning

This chapter takes a look at how the small town of Volozhin became one of the focal points of the Lithuanian Jewish world because of the yeshiva that was established there. The yeshiva of Volozhin represented a novel type of relationship between the Jewish community and Jewish learning: for most of the nineteenth century the Volozhin yeshiva was the most important institution of Jewish learning in all of eastern Europe, and ultimately it served as a model for the rest of European Jewry. The heads of the yeshiva were regarded as leaders of the Jewish community in the Russian Empire and beyond; thousands of young men studied there, many of whom went on to have a significant impact on the Jewish world. Patterns that were set in Volozhin are essentially maintained in yeshivas around the world till today. There are many curious myths about Volozhin, but the reality was even more interesting. A careful look at the history of the yeshiva reveals not only the yeshiva itself but how a society can change in ways that few could have predicted.

A Hishikawa School Screen Uncovered

2019 ◽  
Vol 67 (3) ◽  
pp. 216-233
Author(s):  
Menno Fitski ◽  
Lucien Van Valen
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
The Netherlands ◽  
The Other ◽  
Historical Study ◽  
Women's Roles ◽  
High Quality ◽  
Women’S Roles ◽  
The World ◽  
A Performance

The restoration of a Japanese eight-fold screen, accompanied by art-historical study and research into materials and techniques has greatly enhanced the understanding of the object. Each side bears a painting and it was found that theoldest painting depicts the world of entertainment in Edo in the late seventeenth century, with a portrayal of the Nakamura theatre, holding a performance of the early kabuki play Coming and Going to Takayasu, featuring the then popular actor of women’s roles Tamagawa Sennojō. The source of this scene is an illustration from a 1678 book by Hishikawa Moronobu, Tales of Actors Past and Present. Also, there is an outing to view the cherry blossoms by the Yoshiwara brothel Myōgaya. The other side was fitted in the mid nineteenth century with a specially commissioned painting of an autumn landscape by the painter Itabashi Tsurao, using high-quality pigments. The provenance of the screen has been traced back to 1924, to the dealer Felix Tikotin. It was acquired by Herman Karel Westendorp, the firstchairman of the Royal Asian Art Society in the Netherlands, the present owner, to whom Westendorp sold it in 1931.

‘Otherwise in London’ or, the ‘Essence of Things’: Modernity and Estrangement in the Nineteenth-Century Cityscape

2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys
Keyword(s):  
Nineteenth Century ◽  
William Wordsworth ◽  
Urban Landscape ◽  
Thomas De Quincey ◽  
Urban Centre ◽  
Early Nineteenth Century ◽  
Urban Representation ◽  
Robert Southey ◽  
The World ◽  
The City

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.

Mirrors, Masks, and Masculinity: The Homosocial Legacy from Dickens to Machen

2016 ◽  
Vol 6 (3) ◽  
pp. 256-275
Author(s):  
Molly C. O'Donnell
Keyword(s):  
Nineteenth Century ◽  
Victorian Novel ◽  
Specific Context ◽  
Clear Cut ◽  
The World ◽  
Speech Genre

All the narrators and characters in J. Sheridan Le Fanu's In a Glass Darkly are unreliable impostors. As the title suggests, this is also the case with Arthur Machen's The Three Impostors, which similarly presents a virtual matryoshka of unreliability through a series of impostors. Both texts effect this systematic insistence on social constructedness by using and undermining the specific context of the male homosocial world. What served as the cure-all in the world of Pickwick – the homosocial bond – has here been exported, exposed, and proven flawed. The gothic is out in the open now, and the feared ghost resides without and within the group. The inability of anyone to interpret its signs, communicate its meaning, and rely on one's friends to talk one through it is the horror that cannot be overcome. Part of a larger project on the nineteenth-century ‘tales novel’ that treats the more heterogeneric and less heteronormative Victorian novel, this article examines how In a Glass Darkly and The Three Impostors blur the clear-cut gender division articulated in prior masculine presentations like The Pickwick Papers and feminine reinterpretations such as Cranford. These later texts challenge binaries of sex, speech, genre, and mode in enacting the previously articulated masculine and feminine simultaneously.

Introduction

2017 ◽  
Author(s):  
George E. Dutton
Keyword(s):  
Nineteenth Century ◽  
Vantage Point ◽  
15Th Century ◽  
The World ◽  
Catholic Mission ◽  
Historical Moment ◽  
The Impact ◽  
Main Figure

This chapter introduces the book’s main figure and situates him within the historical moment from which he emerges. It shows the degree to which global geographies shaped the European Catholic mission project. It describes the impact of the Padroado system that divided the world for evangelism between the Spanish and Portuguese crowns in the 15th century. It also argues that European clerics were drawing lines on Asian lands even before colonial regimes were established in the nineteenth century, suggesting that these earlier mapping projects were also extremely significant in shaping the lives of people in Asia. I argue for the value of telling this story from the vantage point of a Vietnamese Catholic, and thus restoring agency to a population often obscured by the lives of European missionaries.

Dreams Give Birth to Reality”. Engraving Austroseraphicum Coelum as an Attempt to Create a New Reality by the Spanish Habsburgs Dynastic Propaganda / Sny rodzą rzeczywistość…”. Grafika Austroseraphicum Coelum jako próba kreowania nowej rzeczywistości za pomocą propagandy dynastycznej Habsburgów hiszpańskich

2014 ◽  
Vol 39 (1) ◽  
Author(s):  
Jan Kurowiak
Keyword(s):  
Seventeenth Century ◽  
The Netherlands ◽  
General Condition ◽  
Symbolic System ◽  
Political Situation ◽  
Mission Of God ◽  
Starting Point ◽  
The World ◽  
The Church

AbstractAs a work of propaganda, graphics Austroseraphicum Coelum Paulus Pontius should create a new reality, make appearances. The main impression while seeing the graphics is the admiration for the power of Habsburgs, which interacts with the power of the Mother of God. She, in turn, refers the viewer to God, as well as Franciscans placed on the graphic, they become a symbol of the Church. This is a starting point for further interpretation of the drawing. By the presence of certain characters, allegories, symbols, we can see references to a particular political situation in the Netherlands - the war with the northern provinces of Spain. The message of the graphic is: the Spanish Habsburgs, commissioned by the mission of God, they are able to fight all of the enemies, especially Protestants, with the help of Immaculate and the Franciscans. The main aim of the graphic is to convince the viewer that this will happen and to create in his mind a vision of the new reality. But Spain was in the seventeenth century nothing but a shadow of former itself (in the time of Philip IV the general condition of Spain get worse). That was the reason why they wanted to hold the belief that the empire continues unwavering. The form of this work (graphics), also allowed to export them around the world, and the ambiguity of the symbolic system, its contents relate to different contexts, and as a result, the Habsburgs, not only Spanish, they could promote their strength everywhere. Therefore it was used very well as a single work of propaganda, as well as a part of a broader campaign

Women and Agency in Bankim’s Rajmohan’s Wife and Tagore’s The Home and The World

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Manju Dhariwal ◽  
Keyword(s):  
Nineteenth Century ◽  
The Self ◽  
Indian English ◽  
Colonial India ◽  
English Novel ◽  
The World ◽  
The Status ◽  
Insight Into ◽  
Status Of Women

Written almost half a century apart, Rajmohan’s Wife (1864) and The Home and the World (1916) can be read as women centric texts written in colonial India. The plot of both the texts is set in Bengal, the cultural and political centre of colonial India. Rajmohan’s Wife, arguably the first Indian English novel, is one of the first novels to realistically represent ‘Woman’ in the nineteenth century. Set in a newly emerging society of India, it provides an insight into the status of women, their susceptibility and dependence on men. The Home and the World, written at the height of Swadeshi movement in Bengal, presents its woman protagonist in a much progressive space. The paper closely examines these two texts and argues that women enact their agency in relational spaces which leads to the process of their ‘becoming’. The paper analyses this journey of the progress of the self, which starts with Matangini and culminates in Bimala. The paper concludes that women’s journey to emancipation is symbolic of the journey of the nation to independence.

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