The Representation of Traumatic Memory in Spanish Comics

2018 ◽  
Vol 11 (2) ◽  
pp. 55-78
Author(s):  
Juan Carlos Pérez García

The graphic representation of traumatic memory of war disasters constitutes a broad tradition that can be traced back to Francisco Goya. Comics, with the resources provided by their textual-visual narrative, have been part of that tradition especially since the 1950s. However, representing traumatic memory of war disasters is troublesome, in regard to the artists’ strategies and public reception – as shown by the conflicts between memory, history and myth posed in these works. This article develops a comparative study of traumatic memories in Spanish comics and presents an analysis of the modes of representation in works such as Carlos Giménez’s Paracuellos, Francisco Gallardo Sarmiento and Miguel Gallardo’s Un largo silencio, Antonio Altarriba and Kim’s El arte de volar and Paco Roca’s Los surcos del azar.

GRUPPI ◽  
2009 ◽  
pp. 11-30
Author(s):  
Anna Ornstein

- In response to a concern that the impact of the Holocaust will not be recognized by psychotherapists treating survivors, several psychoanalysts who were refugees from Nazi Germany devoted a great deal of time and effort to detailing the psychopathological consequences of the Holocaust trauma. Considering the magnitude of the trauma, it was not difficult to find evidence of psychopathology. However, because of their almost exclusive emphasis on psychopathology, most of these researchers failed to recognize the particular manner in which survivors mourned their enormous losses and made an effort to integrate their painful memories into the rest of their personality. This meant the loss of an opportunity to learn about the process of recovery following severe traumatization. The paper also described a hypothesis regarding the psychological mechanisms involved in adaptations to extreme conditions. From the author's point of view, this constituted a link in the survivors' effort to establish psychic continuity between their pre-Holocaust psychological organization and adaptations to a new life. Unlike her colleagues, the author believes that integration of traumatic memories was possible as long as the survivors encountered an empathic listening perspective and their effort to recover was validated. Survivors of trauma have every reason to expect that their stories will evoke fear, confusion, horror and disbelief and that therapists will protect themselves from these affects by resorting to generalizations or praise for the survivor's heroism or special qualities. Such responses however make it impossible for survivors to proceed, and the affects associated with the traumatic memory may never, or only partially, enter the therapeutic dialogue. Once recovered and articulated, the memories are accompanied by grief and anger, indicating that an increase in self-cohesion, a healing of the vertical split, has allowed the previously feared affects to enter consciousness. From the author's viewpoint, feeling anger is an expectable and healthy response in this context. Justified anger is not to be confused with chronic narcissistic rage, which can constitute the nucleus of severe personality disorders.Key words: Holocaust, trauma, traumatic memories, adaptation, integration, empathic listening.Parole chiave: Olocausto, trauma, ricordi traumatici, adattamento, integrazione, ascolto empatico.


1998 ◽  
Vol 7 (2) ◽  
pp. 119-148
Author(s):  
William F.S. Miles ◽  
Gabriel Sheffer

For about four decades now, practitioners and scholars have been examining transnational organizations, the networks that they create, their varied activities, and the economic and political ramifications of these activities. Initially these observers mainly focused on the multinational corporations (MNCs) that gained considerable visibility and, one may say, disrepute in the 1950s and 1960s. Then, as these MNCs and inter-governmental organizations (IGOs) proliferated, investigators widened the scope of their examination to analyze such organizations’ growing variety (see, for example, Keohane and Nye; Said and Simmons; Jenkins). Later observers studied the emergence and rapid growth of non-governmental organizations (NGOs)—such as Greenpeace, Amnesty International, and various religious cults, including the admirers of the Maharishi, the Moonies, and Scientology—that have been active on the international level in such diverse spheres as ecology, human rights, and religion (Galtung; Mansbach, Ferguson, and Lampert; Modelski).


Author(s):  
Kátia da Costa Bezerra

This chapter analyzes the short-story “Maria Déia” written by Lia Vieira, which traces the story of some residents who were evicted from Morro de Santo Antonio in the 1950s. It also examines the video ImPACtos produced in 2010 by the collective multimedia group Favela em Foco. These two cultural productions enable us to trace a series of discourses/modes of representation that have been used to legitimize and justify urban interventions. This chapter examines the way both cultural productions challenge the recurring, dominant representations of favelas as a space of otherness and/or spectacles of consumption. The chapter illustrates how these cultural productions allow us to understand that these urban interventions are not simply a dispute over the control of a territory, but are part of the continuing struggle over the meanings and boundaries vis-à-vis conflicting views of citizenship and belonging.


Author(s):  
José Teodoro Garfella ◽  
María Jesús Máñez ◽  
Joaquín Ángel Martínez

Today there are many publications or papers related with several graphic surveys of architectural heritage carried out using a variety of both traditional and cutting edge methods. Yet, the implementation of new graphical documentation systems, such as Automated Digital Photogrammetry, has introduced a fresh approach to dealing with architectural surveys by making them more accessible to the general public and, to a certain extent, increasing their usability (Garfella, Máñez, Cabeza, & Soler, 2014). The present study aims, on the one hand, to offer an overview of architectural survey systems and, on the other hand, to evaluate the differences in the degree of precision or accuracy between the latest state-of-the-art methods and the already well-established ones. This will enable us to examine the results obtained in this experiment to look for concordances and discrepancies between them that can be helpful when using such systems to deal with tasks in the future.


2019 ◽  
Vol 13 (1) ◽  
pp. 20-31 ◽  
Author(s):  
Sik-Lam Wong

The Flash Technique is a new protocol for use in the preparation phase of eye movement desensitization and reprocessing (EMDR) to quickly reduce the emotional intensity of traumatic memories, prior to full processing with EMDR. This report presents results from a Flash Technique group for five highly dissociative, currently sober addicts in a men's shelter. This group was an attempt to provide an affordable, trauma-focused intervention for the homeless. As part of the intake, each client met individually with the therapist for 30 minutes, to learn to use the flash technique to process a traumatic memory. Three inventories were used to measure treatment outcome: the Short PTSD Rating Interview (SPRINT), the Dissociative Experience Survey (DES-II), and the Beck Depression Inventory-II (BDI-II). Clients filled out the surveys 3 weeks before the start of the group and had their individual sessions 2 weeks before the start of the group. The DES and BDI-II were repeated at the beginning of the eighth session of the group. Clients' surveys showed a decline in scores after seven sessions of therapy: the DES scores dropped from 39.07 (standard deviation [SD] = 23.01) to 20.48 (SD = 10.02) with d = 0.81 and the BDI-II scores dropped from 32.4 (SD = 11.01) to 13.2 (SD = 8.4) with d = 1.74. Pre- and 2-week posttreatment SPRINT surveys showed scores dropping from 28 [SD = 2.05] pretreatment to 15.75 [SD = 5.19] 2 weeks posttreatment, with d = 6.07.


2014 ◽  
Vol 57 (2) ◽  
pp. 127-137
Author(s):  
JOHN BENNET

Abstract Inaugurated in January 1954, the ‘Minoan Linear B Seminar’ explored the information emerging from Ventris' decipherment of Linear B in 1952. The new academic discipline of ‘Mycenaean Studies’ rapidly moved on from questions influenced by the field's ‘pre-history’ dating back a further 60 years to Evans' first publication on Aegean scripts. Intense philological and epigraphical research in the 1950s and 1960s laid the foundations for comparative study of the Mycenaean palatial societies, while a greater appreciation of archaeological data and contexts moved interpretation on in the 1980s and 1990s. Building on this tradition, Mycenaean studies currently needs more documents to sustain a ‘critical mass’ of researchers and, ideally, a new Ventris to unlock the Aegean scripts that remain undeciphered.


1990 ◽  
Vol 157 (3) ◽  
pp. 416-420 ◽  
Author(s):  
Yoshio Mino ◽  
Ryosei Kodera ◽  
Paul Bebbington

Psychiatric services in Japan and England are compared using government statistics. In Japan, the number of in-patients per 100 000 population has increased from the 1950s, while that of England has decreased since 1954. Since 1972 the prevalence of in-patients has been higher in Japan than in England. The admission rate is lower in Japan than in England, and there are more long-stay patients. Most Japanese in-patients are admitted compulsorily, whereas most are admitted voluntarily in England. The attendance at out-patient clinics is higher in Japan than in England, but there are far fewer day-hospital places in Japan. Differing government policies are the main reason for these differences.


2013 ◽  
Vol 93 ◽  
pp. 163-216 ◽  
Author(s):  
Nick Hill

The late twelfth-century aisled hall at Oakham Castle, Rutland, is well known as the earliest and most complete building of its type in England. This study, based on detailed fabric analysis and little-known excavations of the 1950s, puts forward a new theory for the building's development. It is proposed that the original hall had attached lean-to buildings at both gable ends, probably built of timber, housing services and other lesser rooms. Like other early halls, the principal chamber at Oakham took the form of a free-standing chamber block, some of whose features have been later incorporated in the surviving hall, including its great east window. Tree-ring dating has shown that, although the roof was rebuilt around 1737, many original timbers survive from the 1180s. A comparative study of other early halls is made, to set Oakham into its wider Anglo-Norman context.


2019 ◽  
Vol 15 (1) ◽  
pp. 131-144
Author(s):  
Bogdan Mihai Florea

Summary The article employs concepts of time lag, inspired by Ernst Bloch, and ghost and haunting, borrowed from Jacques Derrida. It also draws on Svetlana Boym’s and Vilém Flusser’s vision of the émigré and on Dominick LaCapra’s and Slavoj Žižek’s interpretations of trauma. The analysis is also informed by Karen Jürs-Munby’s and Cathy Caruth’s views on trauma and its representation in theatre. This critical apparatus is put into motion in the particular context of BANDIT: a theatre project developed in the UK by two Romanian émigré theatre-makers. The main focus is on exposing links between the references to trauma contained in the theatre piece BANDIT and the makers’ self-imposed artistic exile in the UK. The article seeks to answer the following question: what has pushed us, the makers of BANDIT, to leave our native country and what is our (new) role (as artists) in the country of emigration? The discussion is carried out within the wider context of the vast waves of Romanian emigration to Western Europe (after the fall of the Iron Curtain). The article critiques the troublesome relation of the contemporary Romanian society to its Communist past and the apparent inability and/or unwillingness to deal with the repressed/traumatic memories of that past. Analysis of BANDIT as performance of lingering trauma also references the historical Percentages agreement between Stalin and Churchill—the informal agreement that established spheres of influence in Europe at the end of the Second World War. Identifying the Iron Curtain as the epicentre of traumatic memory for Eastern Europeans, the discussion about BANDIT also makes a reference to Communist crimes against political prisoners committed in Romanian prisons in 1951–1952, put in parallel with the toxic EU referendum campaign in the UK in 2016. Underpinned by Derrida’s thinking, the article explains how the Romanian émigré-artist (as a paragon of the Romanian / Eastern European émigré in general) has to fashion herself into a ghost that haunts the adoptive culture, using artistic exile as a platform for processing the traumatic memories of an unresolved past.


2019 ◽  
Author(s):  
Inbal Reuveni ◽  
Noa Herz ◽  
Omer Bonne ◽  
Tuvia Peri ◽  
Shaul Schreiber ◽  
...  

AbstractBackgroundIn posttraumatic stress disorder (PTSD), the traumatic event is often re-experienced through vivid sensory fragments of the traumatic experience. Though the sensory phenomenology of traumatic memories is well established, neural indications for this qualitative experience are lacking. The current study aimed at monitoring the oscillatory brain activity of PTSD patients during directed and imaginal exposure to the traumatic memory using magnetoencephalography (MEG), in a paradigm resembling exposure therapy.MethodsBrain activity of healthy trauma-exposed controls and PTSD participants was measured with MEG as they listened to individualized trauma narratives as well as to a neutral narrative and as they imagined the narrative in detail. Source localization analysis on varied frequency bands was conducted in order to map neural generators of altered oscillatory activity.ResultsPTSD patients exhibited increased power of high-frequency bands over visual areas and increased delta and theta power over auditory areas in response to trauma recollection compared to neutral recollection, while controls did not show such differential activation. PTSD participants also showed abnormal modulation of lower frequencies in the medial prefrontal cortex.ConclusionsElicitation of traumatic memories results in a distinct neural pattern in PTSD patients compared to healthy trauma-exposed individuals. Investigating the oscillatory neural dynamics of PTSD patients can help us better understand the processes underlying trauma re-experiencing.


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