The Life of the Death of 'The Fighting Fairy Woman of Bodmin'

2013 ◽  
Vol 22 (1) ◽  
pp. 79-97 ◽  
Author(s):  
Helen Cornish

The skeleton of Joan Wytte, or the Fighting Fairy Woman of Bodmin, was displayed in the Museum of Witchcraft in Cornwall in the UK for several decades until her eventual burial in nearby woodland in the autumn of 1999. Her story has been deployed as a critical historical source and a demonstrable link between Cornwall and magical histories. It is well established that the past is recorded and represented through narratives, artefacts and events in multiple and diverse ways, and museums are often idealised sites for historical knowledge. Historicity is contingent on current needs and agendas, and often contested. Through retelling over time certain elements are highlighted or downplayed. Since the burial, the life and death of Joan Wytte has become vividly invested with new meanings as her story becomes incorporated into the landscapes of folklore, Cornish histories and magical practices.

2018 ◽  
Vol 108 ◽  
pp. 323-327 ◽  
Author(s):  
Emanuele Colonnelli ◽  
Joacim Tåg ◽  
Michael Webb ◽  
Stefanie Wolter

We provide stylized facts on the existence and dynamics over time of the large firm wage premium for four countries. We examine matched employer-employee micro-data from Brazil, Germany, Sweden, and the UK, and find that the large firm premium exists in all these countries. However, we uncover substantial differences among them in the evolution of the wage premium over the past several decades. Moreover, we find no clear evidence of common cross-country industry trends. We conclude by discussing potential explanations for this heterogeneity, and proposing some questions for future work in the area.


2018 ◽  
Vol 49 (1) ◽  
pp. 1-17 ◽  
Author(s):  
JANE MILLAR ◽  
TESS RIDGE

AbstractOver the past two decades, the emphasis on paid work has become one of the defining features of social security policy in the UK. Lone mothers and their families have been one of the key groups affected. In this article we focus on the working and family lives of lone mothers and their children over time, drawing on material from a long-term qualitative research study, and setting this in the context of policy developments. We explore the long-term consequences of trying to sustain work, and manage low-income family life as children grow up and needs change over time. This highlights some of the tensions and limitations in family support and relationships when resources are limited. We reflect on the links between insecurity, legacies and the state.


2014 ◽  
Vol 11 (3) ◽  
pp. 603-609 ◽  
Author(s):  
JOHN BREWER ◽  
SILVIA SEBASTIANI

According to Michel de Certeau, distance is the indispensable prerequisite for historical knowledge and the very characteristic of modern historiography. The historian speaks, in the present, about the absent, the dead, as Certeau labels the past, thus emphasizing the performative dimension of historical writing: “the function of language is to introduce through saying what can no longer be done.” As a consequence, the heterogeneity of two non-communicating temporalities becomes the challenge to be faced: the present of the historian, as a moment du savoir, is radically separated from the past, which exists only as an objet de savoir, the meaning of which can be restored by an operation of distantiation and contextualization. In Evidence de l’histoire: Ce que voient les historiens, François Hartog takes up the question of history writing and what is visible, or more precisely the modalities historians have employed to narrate the past, opening up the way to a reflection on the boundaries between the visible and the invisible: the mechanisms that have contributed to establish these boundaries over time, and the questions that have legitimized the survey of what has been seen or not seen. But, as Mark Phillips points out, it is the very ubiquity of the trope of distance in historical writings that has paradoxically rendered it almost invisible to historians, so that “it has become difficult to distinguish between the concept of historical distance and the idea of history itself.”


2016 ◽  
Vol 22 (2) ◽  
pp. 108-117 ◽  
Author(s):  
Richard Velleman ◽  
Lorna J. Templeton

SummaryWe review how research over the past decade both supports existing knowledge about the risk factors that children in the UK affected by parental substance misuse face, and adds to our knowledge about the protective factors, protective processes and evidence of resilience which can reduce the likelihood that children will experience poor outcomes. Further research is needed to understand what areas of resilience are most important to target and how other variables, such as gender or age, may influence how protective factors affect the development of resilience. Longitudinal research is also needed to better understand how an individual's resilience may change over time. Finally, there remain many considerable challenges which practitioners, service providers, commissioners and policy makers face in better meeting the needs of this population of children.


2021 ◽  
pp. 1-12
Author(s):  
Ian Greener ◽  
Martin Powell ◽  
Sophie King-Hill

This article assesses, using a framework derived from lesson-drawing, policy transfer and crisis research, the lessons offered by the media from abroad and from the past in the UK COVID-19 pandemic. The lesson-drawing literature focuses on a series of steps and questions associated with the ‘fungibility’ of lessons, and the crisis literature, with its constituent elements of threat, uncertainty and between ‘routine’ and ‘non-routine’ or ‘less routine’ crises. The article utilises the LexisNexis Database1 in order to provide a content analysis of newspaper coverage of lessons offered, giving analysis in ‘real time’ of the source of potential lessons (e.g. past pandemics or other nations), and the type of lessons (e.g. copying or instruments). Its analysis highlights the complexity of lesson-drawing in ‘real time’ in a period of considerable uncertainty, where knowledge is contested, and is subject to change over time.


2009 ◽  
pp. 116-126
Author(s):  
Bronislaw Baczko

- Historical knowledge is tied in a thousand ways to the anxieties, conflicts, to antinomies and to the demands of our era. It is in the name of our present that interrogates the past. It possesses a degree of expressive character: voicing the present where one is born and lives. So, therefore the historian is not an impartial and static observer of the past and the ever-dominate present. He must remain in the perspective of the present-day and the historical moment in which he lives. But no «present» is ever really finished. One might think that no moral code is consistent with the principle of relativity of knowledge, that the researcher is inevitably partial and runs the risk of deformation and ideological sublimation. It may also be that history has taken a far too long function of magistra vitae in social awareness. It does not seem to arouse any distrust towards our time. In fact, the disproportion between the anonymous «fate» on one side - the decisions bearing on the existence of humanity and its future destiny - and, on the other hand, the possibility of individual action is today such that history seems pointless for the rationalization of the present. The attitude towards historical knowledge is also influenced by the fact that it is a subject far too easy to exploit and manipulate by power and propaganda, penalizing values often variable and contradictory. The historical-humanist has often been reduced to the role of technical - propagandist. In his research, he cannot make «partial» choices between true and false. The awareness of the relativity of values and of their variability over time, does not change anything in the absolute moral character of historical research. The total moral responsibility of the historian cannot be relieved by anyone. An historian, precisely, must explore the past to get to the truth; he is morally obligated and has no right to falsify.Key words: present, pass, historical knowledge, "to be a historian", responsibility, relativism, moral code.Parole chiave: presente, passato, conoscenza storica, "essere uno storico", responsabilità, relativismo, codice morale.


2021 ◽  
Vol 6 (15) ◽  
pp. 288-298
Author(s):  
Elif Fatma TOLUN

In the time period extending from the past to the present, the tree appears as both an object and an image not only Turkish culture but also in different cultures. In addition, the tree has taken its place in art and art history as an important asset in human life. The tree, which seems an ordinary object but exists imaginatively in the field of art, has been given deep meanings in history. The tree has sometimes become set into an expression as an object, as a form or as a legend. It has sometimes been the symbol of life and death as the tree of life, the genealogy as an indicator of personal history, or a wishing tree that expresses hopes for the future, and sometimes it has been the object of a political reaction. In this study, it is emphasized how the 'tree' image is valued, how it has experienced a historical change process and how it is interpreted in today's art. Besides, it is focused on creating different meanings artistically through images and reconstruction with changes in meaning also producing new meanings. In summary, in this study, a perspective that criticize the different meaning and change process of the tree image with examples from some contemporary artists is presented.


2008 ◽  
Vol 9 (3) ◽  
pp. 220-223
Author(s):  
Catherine A Welch ◽  
David A Harrison ◽  
Kathryn M Rowan

Over the past 25 years, various outcome-based quality indicators other than mortality have been proposed as performance or quality indicators for monitoring outcomes from adult, general critical care units in the UK. A descriptive trend analysis of the several potential outcome-based quality indicators from Case Mix Programme data for the five-year period 2003 to 2007 is reported. Delayed discharge has shown a large increase over time while out-of-hours discharges have shown a modest increase over time. Premature discharge, inter-hospital critical care unit-to-unit transfers, both overall and for a non-clinical reason, early readmissions and post-unit mortality have all decreased slightly. Early analysis indicates that almost 5,000 bed-days were ‘lost’ for approximately 20,000 admissions due to delayed discharge. The percentage of discharges that occur out-of-hours has continued to increase steadily over the past five years and now stands at around 10%. It is hoped that these data might contribute to discussions on agreeing the most appropriate outcome-based quality indicators to use in adult, general critical care.


2007 ◽  
Vol 199 ◽  
pp. 65-68
Author(s):  
Ray Barrell

Economic growth in Europe has been disappointing in the past few years, especially when compared to the US, and in addition growth in the UK has looked more robust than that in the large continental economies. There could be many factors that contribute to these differences, and they are addressed in the articles by Crafts; Barrell, Guillemineau and Holland; Mc Morrow and Röger; and Bebee and Hunt in this Review. This introduction discusses some of the factors affecting growth, and draws some conclusions from these studies that help us understand why growth may differ between countries for sustained periods of time, and also why underlying, or trend growth rates may vary over time.


2013 ◽  
Vol 10 (4) ◽  
pp. 769-784 ◽  
Author(s):  
Estella Tincknell

The extensive commercial success of two well-made popular television drama serials screened in the UK at prime time on Sunday evenings during the winter of 2011–12, Downton Abbey (ITV, 2010–) and Call the Midwife (BBC, 2012–), has appeared to consolidate the recent resurgence of the period drama during the 1990s and 2000s, as well as reassembling something like a mass audience for woman-centred realist narratives at a time when the fracturing and disassembling of such audiences seemed axiomatic. While ostensibly different in content, style and focus, the two programmes share a number of distinctive features, including a range of mature female characters who are sufficiently well drawn and socially diverse as to offer a profoundly pleasurable experience for the female viewer seeking representations of aging femininity that go beyond the sexualised body of the ‘successful ager’. Equally importantly, these two programmes present compelling examples of the ‘conjunctural text’, which appears at a moment of intense political polarisation, marking struggles over consent to a contemporary political position by re-presenting the past. Because both programmes foreground older women as crucial figures in their respective communities, but offer very different versions of the social role and ideological positioning that this entails, the underlying politics of such nostalgia becomes apparent. A critical analysis of these two versions of Britain's past thus highlights the ideological investments involved in period drama and the extent to which this ‘cosy’ genre may legitimate or challenge contemporary political claims.


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