scholarly journals Introduction

2013 ◽  
Vol 22 (1) ◽  
pp. 1-6 ◽  
Author(s):  
Máiréad Nic Craith ◽  
Michaela Fenske

How do people use history to shape their lives, places and ‘worlds’? Which kind of history do they use, and in what ways? What are the functions of history in this context? How do people interact with places and spaces by constructing history, and what are the implications of these constructions for a sense of place? These are some of the questions explored in this special issue of the Anthropological Journal of European Cultures on history and place-making.

2020 ◽  
Vol 1 (2) ◽  
pp. 34-56
Author(s):  
Elyna Amir Sharji ◽  
Lim Yan Peng ◽  
Peter Charles Woods ◽  
Vimala Perumal ◽  
Rose Linda Zainal Abidin

The challenge of transforming an empty space into a gallery setting takes on the concept of place making. A place can be seen as space that has meaning when the setting considers space, surroundings, contents, the people and its activities. This research concentrates on investigating how visitors perceive the space by gauging their sense of place (sense of belonging towards a place). Galleries are currently facing changes in this technological era whereby multiple content and context, space and form, display modes, tools and devices are introduced in one single space. An observational study was done during the Foundation Studies Annual Exhibition held at Faculty of Creative Multimedia, Multimedia University. The exhibition was curated and managed by staff and students of Foundation Year showcasing an array of design works. Analogue and digital presentations of paintings, drawings, sculptures, photography and video works were displayed.. The outcome of this research will contribute towards a better design criteria of place making which affects individual behaviour, social values and attitudes. Characterizing types of visitor experience will improve the understanding of a better design criteria of place making, acceptance, understanding and satisfaction.


Author(s):  
Germaine Halegoua ◽  
Erika Polson

This brief essay introduces the special issue on the topic of ‘digital placemaking’ – a concept describing the use of digital media to create a sense of place for oneself and/or others. As a broad framework that encompasses a variety of practices used to create emotional attachments to place through digital media use, digital placemaking can be examined across a variety of domains. The concept acknowledges that, at its core, a drive to create and control a sense of place is understood as primary to how social actors identify with each other and express their identities and how communities organize to build more meaningful and connected spaces. This idea runs through the articles in the issue, exploring the many ways people use digital media, under varied conditions, to negotiate differential mobilities and become placemakers – practices that may expose or amplify preexisting inequities, exclusions, or erasures in the ways that certain populations experience digital media in place and placemaking.


2020 ◽  
Vol 10 (2) ◽  
pp. 1-10
Author(s):  
Angela M. Novak

This special issue of Theory & Practice in Rural Education highlights gifted rural learners; the call sought papers on the concepts of power, place, privilege, or promising practices in the field of gifted rurality. This introductory article provides a brief synopsis of each of the seven peer reviewed articles and an analysis of three principal themes that emerged from the articles: equity, identity, and a sense of place. Additionally, three questions regarding gifted rurality are explored: How does gifted education view equity in the context of rurality? How does intersectionality impact gifted students? How does (or should) gifted education as a field adjust in order to recognize the strengths and assets of our gifted rural students?


Author(s):  
Anita Lundberg

This special issue of eTropic  concerns living cities in the tropics and how they are conceived through the imagination. The collection of papers reminds us that urban environments are both created and creative spaces concerned with peopled and lived experiences and their interaction with material, cultural and natural environments. The issue is interested in processes of tropical space and place-making, with an emphasis on key areas that make up lived cities in the tropics: architecture, design, creative industries and economies, circular economy, neoliberalism, displacement, heritage, urban myths, narratives, cultural and natural landscapes, sustainable practices, and everyday life.


2020 ◽  
Vol 22 (3) ◽  
pp. 379-392
Author(s):  
Christin Dameria ◽  
Roos Akbar ◽  
Petrus Natalivan Indradjati ◽  
Dewi Sawitri Tjokropandojo

Urban heritage conservation planning seeks to produce place experience with historical characteristics to bring sense of place that is a relation between human and place. However heritage urban planning that focuses on the sense of place actually gets criticized for being stuck in place-making purposes only and ignores the human dimension. The study of the sense of place potential in the urban heritage conservation is indeed still limited even though this potential needs to be studied futher because urban heritage place have cultural significant values which should be conserved by involving human dimensions. This paper is a literature review that intends to explore others sense of place potential related to human dimensions that can be used to successfully urban heritage conservation. In urban heritage conservation, besides being beneficial for place-making, it was found that the sense of place also has the potential as guidance information in the urban heritage spatial planning, factors that influence the participation of local residents to be involved in urban heritage planning and factors related to heritage conserving behavior.


2018 ◽  
Vol 106 (2) ◽  
pp. 214-234
Author(s):  
Jennifer Hough Evans

This article on food, identity, and place-making, examines the lives of twelve immigrant women in post-1945 North Bay, Ontario. It demonstrates how these women, as they navigated their way through kitchen and grocery store spaces, negotiated their sense of place, in connection with their identities, their memories brought from home, and their material contexts.


Author(s):  
Rebecca Louise Carter

I encountered the film Strike for Freedom and the introduction to this special issue of Kalfou shortly before the 2019 winter break. It was perfect timing—just as I was traveling to Virginia to spend the holidays with my family members who are based in Charlottesville. There, the enshrinement of white supremacy is hard to ignore: the enduring effects of slavery unwilling to die are found quite literally at every turn. It is a landscape that remains difficult to traverse—requiring a constant reckoning with the social and spatial determinations of humanity for self and other. But the film directed by Parisa Urquhart (2019) and the introduction authored by Celeste-Marie Bernier and Nicole Willson (2020) reassured me of a continued and collaborative strike for freedom, in particular through the development of oppositional forms of place making and place marking. This occurs in a number of ways, including memory, history, testimony, and creative practice, to reinscribe the landscape, turning segregation into congregation, a process that works (as George Lipsitz makes clear in How Racism Takes Place) “to transform divisiveness into solidarity, to change dehumanization into rehumanization.” I have thought a lot about congregation in particular—as it points to a necessary relatedness, to kinship in and through place, as the essential grounding for a continued strike for freedom, be it the relatedness of family for Frederick Douglass or for me in Charlottesville, or be it the scholarly and other forms of collaboration that bring us together in configurations of intellectual kinship that extend across different settings and platforms. To map these connections is to understand the interconnected threads of the freedom struggle, the footsteps that those before us took, the routes we now take, and the new constructs and practices of relatedness we develop.


Author(s):  
Sandra L. Stauffer

Sound is fundamental to sense of place and the sense of who, where, and how one is in the world. From birth, humans tune in to sounds, tune out some sounds in favor of others, and, over time, consciously or unconsciously, use sound to tune place. Conversely, the sonic qualities of places, including music, tune human actions and interactions. Technologies of all kinds allow us to create, separate, reproduce, intensify, or cancel sound. These ways of manipulating sound are also a means of curating of space and therefore place-making gestures.


2020 ◽  
Vol 7 (2) ◽  
pp. 47
Author(s):  
Ar. Sayed Ahmed

The authors selected four neighborhoods in Melbourne. Two older suburbs, Camberwell and Fitzroy; were in threat from the new development challenges. Characters are something pre-existed. Here dominant architectural styles with heritage value also regarded as important factor. On the other hand, two new housings like Beaconcove and Caroline Springs were modeled after imposed character. They tried to find place identities in residential developments. For that, front gardens of suburbs had been identical marketing agenda which created instinct character of space. To find out the real character of space, authors asked several questions to the inhabitants: how they react about mixed ethnicity, building code’s impact over planning decisions and at which limit they might tolerate change for the sense of place? This review will try to find the place making extracts from the book ‘Becoming spaces'.


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