Fighting the Fear: Everyday Terror in the American Short Story Collection after 9/11 A Study of Jennifer Egan’s A Visit from the Goon Squad and Elizabeth Strout’s Olive Kitteridge

2016 ◽  
Vol 3 (1) ◽  
Author(s):  
Rae-Lee Kruger
Keyword(s):  
United States ◽  
American Literature ◽  
Short Story ◽  
The United States ◽  
Fundamental Aspect ◽  
Short Story Collection ◽  
Self Reflection ◽  
Cultural Form ◽  
Public Response ◽  
Story Collection

Jennifer Egan’s A Visit from the Goon Squad and Elizabeth Strout’s Olive Kitteridge represent the emphatic force that can be created within a short story collection and each contain at their core what has become a fundamental aspect of American literature since September 2001: terror. In A Visit from the Goon Squad and Olive Kitteridge, characters feel and attempt to cope with terror in their everyday lives. Both Egan and Strout contextualize individual terror against the broader national and cultural form felt by the United States after the events of 9/11. The presence of the void left by the Twin Towers is a potent symbol of terror within each collection, paralleling the characters’ experiences with that of post-9/11 America while highlighting the existence of everyday terror and providing a lens for character self-reflection. This essay focusses on two categories of terror that figure into both collections, terror of the unknown and terror of being alone, and how strategies employed by Egan’s and Strout’s characters to cope with this terror correspond to the American public response to the wider terror instilled by 9/11.

Troubling the Cold War Logic of Annihilation: Apocalyptic Temporalities in Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven

PMLA ◽  
2015 ◽  
Vol 130 (3) ◽  
pp. 599-614
Author(s):  
Gordon Fraser
Keyword(s):  
United States ◽  
Cold War ◽  
First Nations ◽  
Short Story ◽  
Ethnic Studies ◽  
Contemporary Literature ◽  
The United States ◽  
Short Story Collection ◽  
The Past ◽  
The Cold War

Sherman Alexie's widely taught short story collection The Lone Ranger and Tonto Fistight in Heaven (1993) ofers a largely unrecognized critique of the apocalyptic temporalities of United States militarism. War planners in the United States have frequently looked to the unrealized, potential holocausts of the future for a justiication of violence in the present. Alexie's collection—like much contemporary literature by Indian writers—unsettles this military logic by revealing how First Nations in North America and peoples around the world live with the consequences of a militarism that continually envisages impending antiAmerican violence as a means of justifying violence by the state. Alexie's writing provides a way of replacing the violent, futureoriented temporality of United States militarism with a “slow” temporality that acknowledges the un folding consequences of the past. Ultimately, this essay suggests a method for rereading “ethnic studies” literature with a view toward the interventions these texts make in mainstream United States culture.

scholarly journals Afro-American Literature: The Analysis of Gorilla, My Love by Toni Cade Bambara

2021 ◽  
Vol 3 (1) ◽  
pp. 18
Author(s):  
Kustinah Kustinah ◽  
Sri Haryanti ◽  
Suhud Eko Yuwono ◽  
Umi Sholihah
Keyword(s):  
United States ◽  
American Literature ◽  
Short Story ◽  
Life Experience ◽  
African Descent ◽  
Narrative Structure ◽  
Literary Work ◽  
The United States ◽  
The Body ◽  
Toni Cade Bambara

It is said that Afro-American literature is the body of literature produced in the United states by writers of African descent. Today, Afro-American literature has become accepted as an integral part of American literature. In broad terms, Afro-American literature can be defined as writings by people of African descent living in the United States. This qualitative study analyzes a short story entitled Gorilla, My Lovewritten by a female Afro-American writer, Toni Cade Bambara. The analysis of the study aims at answering the three problem formulation: (1) states the literariness of the text (2) explains how the literariness of the text play as a means to symbolize a “broader” text (the universe) and (3) writes the proof of mental evidences taken from the text. In analyzing the short story, this study uses Sociology of Literature and Psychology of Literature. The two theories help readers understanding the theme of the short story by reading the explanation about how the narrator of the story set the plot. This study uses narrative as its approach since this is a literary study where a short story is analyzed through its narrative structure. The conclusion of the study provides the proof of its research benefits: giving information to readers about the following: (1) all about Afro-American literature plus its life-experience, family-values, etc. (2) how a literary work can connect its readers to their life and (3) an understanding that a reading-act strengthens the definition that a literary work is as a portrait of human experience. 

Periodically Queer: Sexology and Non-Normative Sexualities in the Little Magazine The Masses

2020 ◽  
Vol 15 (4) ◽  
pp. 442-463
Author(s):  
Ruth Mayer
Keyword(s):  
United States ◽  
Short Story ◽  
The United States ◽  
Sexual Liberation ◽  
Short Story Collection ◽  
Publication History ◽  
Literary Forms ◽  
History Of ◽  
The Masses ◽  
Periodical Publishing

This paper will be concerned with the special affordances of periodical writing, taking the modernist little magazine The Masses as its example. This magazine was instrumentally involved in promoting sexual liberation and ‘sex radicalism’ in the United States of the 1910s, and I argue that the – contracted, serial, and contingent – structure of periodical publishing had an incisive impact on the ways in which the magazine responded to and transfigured the contemporary rhetoric of sexology. Focusing on the enactment of non-normative sexualities in the little magazine, I aim to show that the iterative and kaleidoscopic form of presentation yields effects that are different from the aesthetics of queer modernism as manifest in the ‘closed’ literary forms of the episodic novel or the short story collection. I will cast a close look at Floyd Dell's writing in the magazine to argue my case, and end with a reflection on (the publication history of) Sherwood Anderson's ‘Hands’.

scholarly journals Cultural Conflicts in Chitra Banerjee's Arraned Marriage

2020 ◽  
Vol 8 (4S4) ◽  
pp. 87-89
Keyword(s):  
Short Story ◽  
The United States ◽  
Arranged Marriage ◽  
Indian English ◽  
Cultural Conflicts ◽  
Short Story Collection ◽  
Rohinton Mistry ◽  
Chitra Banerjee Divakaruni ◽  
Story Collection ◽  
American Book

Literally ‘Diaspora’ means ‘to scatter’ or dispersion, It refers to the loss of homeland, a shift of population from one locale to another. The expatriate writer undergoes the pain of homelessness, alienation and a sense of belongingness. The old memories keep on hovering in the mind of expatriate writers. The new land and unfriendly neighbourhood lead to the feeling of frustration and depression. There are so many Indian English writers can be recognized under the umbrella of diaspora: Salman Rushdie, Anita Desai, V.S.Naipaul, Rohinton Mistry, HanifKureishi, Bharati Mukherjee, JhumpaLahiri, Chitra Banerjee Divakaruni etc. Chitra Banerjee Divakaruni is an Indian born American settled author. Her works are mostly set in India and the United States. She has also focussed on the experiences of South Asian immigrants. Her debut short story collection Arranged Marriage won an American Book Award in 1995. The paper highlights how the Indian born women encounter the difficulties and knots in their new lives in America through the short story collection Arranged Marriage.

scholarly journals Perceived Changes in Sexuality during the COVID-19 Pandemic among Adults in the United States

Sexes ◽  
2021 ◽  
Vol 2 (3) ◽  
pp. 331-344
Author(s):  
Jessamyn Bowling ◽  
Erika Montanaro ◽  
Sarai Guerrero-Ordonez ◽  
Stuti Joshi ◽  
Diana Gioia
Keyword(s):  
United States ◽  
Sexual Behavior ◽  
Qualitative Study ◽  
Social Interactions ◽  
Nationwide Survey ◽  
The United States ◽  
Self Reflection ◽  
Sex Drive ◽  
Stress Changes ◽  
Sexual Experimentation

In the United States, the COVID-19 pandemic has decreased partnered sexual behavior and increased the use of enhancement (e.g., toys). This has been partly attributed to reduced social interactions and stress. However, individuals’ perceptions of changes are missing in research. This study aims to examine how adults perceive changes in their sexuality during the pandemic. We conducted a nationwide survey of US adults from April–June 2020 (N = 326). This qualitative study examines the open-ended responses using thematic analyses. The following themes emerged from the data: (1) changes in the purpose of sex; (2) changes in sexual identity; (3) decreases in sex drive and desire; (4) increases in sex drive and desire; (5) fluctuations in sex drive and desire; (6) increased sexual experimentation and reflection. The stress, changes in home responsibilities and living situations, and time spent with partners (more or less) has affected individuals by increasing or decreasing their sex drive and desire. Participants responded to changes with self-reflection and awareness, and incorporating new practices (e.g., technology, kink). The purpose of sex has shifted in order to gain intimacy or connect, or to pass time. These changes were perceived as both positive and negative, and more research is needed to determine the durability of these changes.

When Pushkin's Blackness Was in Vogue: Rediscovering the Racialization of Russia's Preeminent Poet and His Descendants

Slavic Review ◽  
2021 ◽  
Vol 80 (2) ◽  
pp. 245-257
Author(s):  
Korey Garibaldi ◽  
Emily Wang
Keyword(s):  
United States ◽  
Twentieth Century ◽  
African American ◽  
American Literature ◽  
Henry James ◽  
African American Literature ◽  
The United States ◽  
African Heritage ◽  
Queen Of Spades ◽  
Racially Ambiguous

This essay investigates interconnections between the novelist, Henry James, Ivan Turgenev, and Aleksandr Pushkin and identifies the racial subtext of these associations. Several scholars have connected Pushkin and James. But none of this scholarship has speculated on whether it was the poet's African heritage that was at the root of hidden connections between these authors. Moreover, though most scholarship on Pushkin's reception in the United States focuses on twentieth-century African American literature, his African heritage was publicized much earlier. In fact, nineteenth-century commentators on both sides of the Atlantic frequently discussed Pushkin's racial heritage as a canonical European writer of African descent. This essay recovers how Henry James used Pushkin's daughter, the morganatic Countess Merenberg, as a model for the racially ambiguous “morganatic” Baroness Münster in The Europeans (1878). A decade later, James seems to have invoked the Countess Merenberg once more in his rewriting of Pushkin's “The Queen of Spades” (1833) in The Aspern Papers (1888). While James publicly attributed Byron and Shelley as inspirations, the discourse surrounding the African heritage of Pushkin and his heirs helps explain why the novelist minimized and erased the racial lineage at the center of The Europeans and The Aspern Papers.

Political sophistication

2012 ◽  
Author(s):  
Παύλος Βασιλόπουλος
Keyword(s):  
United States ◽  
American Literature ◽  
Empirical Studies ◽  
Political Knowledge ◽  
The United States ◽  
Political Information ◽  
Cognitive Capacity ◽  
Basic Knowledge ◽  
Political Sophistication

This dissertation is concerned with the concept of political sophistication, referring to the extent and organization of a person’s stored political cognition (Luskin 1987).Available empirical evidence on the levels of political sophistication in mass publics comes almost exclusively from the United States and point to two broad conclusions: First, systematic empirical research has demonstrated that political information in the mass public is particularly low (Converse 1964, Delli Carpini and Keeter 1996). Citizens lack basic knowledge over political affairs. Time and again empirical studies have systematically showed that citizens in the United States and elsewhere fall short of passing even the most rudimentary political knowledge tests. This finding that was first illustrated by the Michigan school in the early 1960s (Campbell et al. 1960) resulted in a wide pessimism over the meaning of public opinion and even of representative democracy (Inglehart 1985).The second broad conclusion is that the politically sophisticated and unsophisticated differ: Political sophisticates have the cognitive capacity to translate their deeper held political values and predispositions into consistent political attitudes (Zaller 1992). They are able to use their political knowledge in order to make informed vote choices in the sense that they accurately adjust their political positions to the parties’ platforms (Delli Carpini and Keeter 1996, Lau and Redlawsk 1997, 2006). What is more, they are more likely to participate in elections and other political activities and are less susceptible to political propaganda (Delli Carpini and Keeter 1996).However the idea that political sophistication matters for the quality of the public’s political decision-making has met strong theoretical and methodological criticism by the ‘low information rationality’ perspective (Popkin 1991, Lupia 1994,Graber 2001). This group of theories argues that politically inattentive citizens can form their political judgment on the basis of heuristics that allow them to make reasonable choices reflecting their predispositions and interests even though they lack political knowledge.The principal aims of this thesis are: a)to compare different measurement perspectives on political sophistication and assess their methodological potential especially in regard with comparative research on political knowledgeb)to explore the extent to which the pattern of ignorance that has been repeatedly highlighted in the American literature is an internal characteristic of political behavior stemming from the low expected utility of acquiring political information or it is subject to particular cultural and systemic characteristics. To this direction I use Greece as a case study by undertaking an analytical survey of political sophistication, one of the very few that have been conducted across the Atlantic.c)The third aim is to investigate the determinants of political sophistication and especially the potential of the mass media in political learning and in the context of the Greek political and media system.d)d) Finally this thesis addresses the unresolved question concerning the differences in quality of political decisions between the political sophisticated and unsophisticated layers of the public by evaluating the explanatory potential of two competing theories (political sophistication v. low information rationality) in the multi-party political environment of Greece

scholarly journals Petite idole énigmatique aux yeux allongés et pleins de rêve ». Les stéréotypes orientalistes dans Le Harem entr’ouvert d’A.-R. de Lens

2021 ◽  
Vol 16 (2) ◽  
pp. 200-210
Author(s):  
Małgorzata Sokołowicz
Keyword(s):  
Short Story ◽  
North Africa ◽  
Short Story Collection ◽  
Story Collection

The present paper describes some orientalist stereotypes concerning women and manifesting themselves in Le Harem entr’ouvert (1919), a short story collection by Aline Réveillaud de Lens (1881–1925), a French painter and writer, whose works are devoted mainly to North Africa. The paper focuses on three, most common, stereotypical representations of the Oriental woman according to which she is, firstly, a beautiful odalisque serving the man; secondly, extremely sensual and thus unfaithful and, finally, jealous and, sometimes, very cruel. The author attempts to explain the origins of those representations and to answer the question why A.-R. de Lens used them in her writings

scholarly journals The Intertextual Use of Greek Mythology in Agatha Christie’s Detective Fiction

2020 ◽  
Vol 6 (2) ◽  
pp. 321-331
Author(s):  
Tatiana Ternopol
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Detective Fiction ◽  
Comparative Methods ◽  
Greek Mythology ◽  
Short Story Collection ◽  
The Face ◽  
Greek Myths ◽  
Story Collection ◽  
Over Time

This study investigates the intertextual use of Greek mythology in Agatha Christie’s short stories Philomel Cottage, The Face of Helen, and The Oracle at Delphi, a short story collection The Labours of Hercules, and a novel, Nemesis. The results of this research based on the hermeneutical and comparative methods reveal that A. Christie’s intertextual formula developed over time. In her early works, allusions were based on characters' appearances and functions as well as on the use of motifs and themes from Greek myths. Later on, she turned to using allusory character names; this would mislead her readers who thought they already knew the formula of her stories. Although not a postmodern writer, A. Christie enjoyed playing games of allusion with her readers. She wanted them not only to solve a case but also to discover and interpret the intertextual references.

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