The Ultimate Reality and Meaning of the Slave Narrative Tradition: Literary Acts of Imagination and Liberation Theology

1996 ◽  
Vol 19 (2) ◽  
pp. 83-93
Author(s):  
Kimberly Rae Connor
Keyword(s):  
Liberation Theology ◽  
Ultimate Reality ◽  
Slave Narrative ◽  
Narrative Tradition

To Disembark: The Slave Narrative Tradition

1996 ◽  
Vol 30 (1) ◽  
pp. 35 ◽  
Author(s):  
Kimberly Rae Connor
Keyword(s):  
Slave Narrative ◽  
Narrative Tradition

Imaging Grace: Liberating Theologies in the Slave Narrative Tradition

2000 ◽  
Vol 34 (4) ◽  
pp. 710
Author(s):  
Reggie Young ◽  
Kimberly Rae Connor
Keyword(s):  
Slave Narrative ◽  
Narrative Tradition

Racial Violence, Racial Capitalism, and Reading Revolution: Harriet Jacobs, John Jones, Kerry James Marshall, and Kyle Baker

2016 ◽  
Author(s):  
Janet Neary
Keyword(s):  
Slave Narratives ◽  
Racial Violence ◽  
Harriet Jacobs ◽  
Police Brutality ◽  
People Of Color ◽  
Narrative Form ◽  
Slave Narrative ◽  
Racial Capitalism ◽  
Narrative Tradition ◽  
Black Bodies

Meditating on the continued racial speculation on black bodies in our contemporary moment, the epilogue brings the link between racial violence, capitalism, and evidentiary epistemology into sharper focus. Drawing on Harriet Jacobs’s insights into the role racial violence-as-spectacle plays in the construction of wealth, the epilogue considers what ex-slave narrators bring to contemporary debates around racial violence, such as the debate over whether or not police body cameras will resolve or lessen unremitting episodes of police brutality on people of color. While the book opens with an analysis of contemporary visual slave narratives at the end of the 20th century, the epilogue ends with a consideration of the slave narrative form in the 21st century, considering works that contribute to contemporary figurations of slavery but are not all strictly within the slave narrative tradition I have defined, including John Jones, Kerry James Marshall, and Kyle Baker.

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