Clifford Mason, Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun
Ira Frederick Aldridge is often believed by historians to herald the zenith of Black theatre, but he may instead herald the nadir of Black theatre. So argues actor, director, dramatic critic, and playwright Clifford Mason in his book Macbeth in Harlem, which presents thoughtful and provocative interpretations of musicals and plays by and about Black people before, during, and after freedom.
2020 ◽
Vol 7
(4)
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pp. 1023-1039
1997 ◽
Vol 161
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pp. 707-709
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