A Conversation with Robert Wilson and Heiner Müller

Modern Drama ◽  
1988 ◽  
Vol 31 (3) ◽  
pp. 454-458 ◽  
Author(s):  
Arthur Holmberg
Keyword(s):  
Robert Wilson ◽  
Heiner Müller

The History of Dance as Hypertext

Maska ◽  
2018 ◽  
Vol 33 (189) ◽  
pp. 116-117
Author(s):  
Thomas Irmer
Keyword(s):  
Robert Wilson ◽  
History Of ◽  
Heiner Müller ◽  
Pina Bausch

This review presents Transforming Acts, a theatrical installation conceived by Penelope Wehrli and Detlev Schneider in 2014, which brings more than a hundred hours of documentary footage of performances and interviews with their authors, Pina Bausch, Laurent Chétouan, Joe Fabian, Jan Fabre, Johann Kresnik, Thomas Lehmen, Heiner Müller, Einar Schleef, Meg Stuart, Robert Wilson and others. The arrangement enabling their simultaneous screenings on five screens establishes numerous new connections between their works and thoughts.

scholarly journals « Tout leur art est pure grimace ». Le personnage du médecin dans l'oeuvre de Wilson

Protée ◽  
2005 ◽  
Vol 27 (1) ◽  
pp. 81-86
Author(s):  
Sharon Aronson-Lehavi
Keyword(s):  
Robert Wilson ◽  
Heiner Müller

Cet article porte sur le personnage du docteur dans La Mort de Molière de Robert Wilson et de Heiner Müller. Mon argument principal est que toutes ses apparitions dans la vidéo sont de complexes citations de ce personnage de Molière qu’est Sganarelle, qui s’habille en docteur dans de nombreuses pièces pour porter un regard critique sur cette profession. C’est un des procédés ironiques que Wilson utilise pour montrer l’impuissance de la médecine à aider un Molière moribond. D’un point de vue stylistique, cette relation intertextuelle montre que l’esthétique de Wilson et ses mondes surréalistes contiennent des associations culturelles et intellectuelles, qui permettent de procéder à des interprétations.

Mimo di voci, mimo di corpi: intervocalità in scena

2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Helga Finter
Keyword(s):  
Julia Kristeva ◽  
Virtual Space ◽  
Robert Wilson ◽  
The Social ◽  
History Of ◽  
Single Voice ◽  
Heiner Müller ◽  
General Aspects ◽  
The Impact ◽  
The Voice

As one of the keynote conferences at the Lyon Firth Congress of 2000 on Theater: Sound Space, virtual Space, this text proposes the concept of intervocality to seize the phenomena of plural vocal quotations (colour, timber and melos of voice conduction) in one single voice. Intervocality is first discussed in its general aspects as result of psychogenesis and socialization as well as gender, and second as an esthetic vocal feature in theatre praxis. Considering voice as a heterotopic phenomenon between body and language (Guy Rosolato) its force to project utopian and imaginary bodies in daily life is shown as giving place to vocal rhetoric of scene personae in theatre. In this context, Artaud’s voice experiments reveal intervocality as being part as well of the vocal psychogenesis as of the social vocal norms of language and voice delivery. Artaud’s extreme personal and theatrical voice is than confronted to the extreme public voice of Hitler, both defying the rhetoric code of decency of their time. The quotation of these extreme voices by performers of different contemporary productions (I magazzini, Jan Fabre, Einar Schleef, Bert Brecht/Heiner Müller, Christoph Marthaler, Robert Wilson etc.) is analyzed in its psycho-semiotic and historical functions implicating a History of theatrical voice and their dialectics with public historical voices as for instance the voice battle of Fritz Kortner against Hitler’s voice , The conclusion enounces eight theses on intervocality modellized on the conceptualization of intertextuality as proposed for the text by Julia Kristeva and Michael Riffaterre: they focuse for the voice the impact of intervocality on the projection of body and/mind of the staged persona as well as its affirmative or analyzed status.

: The Film Criticism of Otis Ferguson . Robert Wilson.

1973 ◽  
Vol 26 (4) ◽  
pp. 30-31
Author(s):  
Ernest Callenbach
Keyword(s):  
Film Criticism ◽  
Robert Wilson

scholarly journals Discovering Auctions: Contributions of Paul Milgrom and Robert Wilson*

2021 ◽  
Vol 123 (3) ◽  
pp. 709-750
Author(s):  
Alexander Teytelboym ◽  
Shengwu Li ◽  
Scott Duke Kominers ◽  
Mohammad Akbarpour ◽  
Piotr Dworczak
Keyword(s):  
Robert Wilson

The International Law Standard in the Statutes of Australia and the United Kingdom

1979 ◽  
Vol 73 (4) ◽  
pp. 628-646 ◽  
Author(s):  
James Crawford
Keyword(s):  
United States ◽  
United Kingdom ◽  
New Zealand ◽  
International Relations ◽  
International Law ◽  
20Th Century ◽  
Foreign Affairs ◽  
Robert Wilson ◽  
The United Kingdom ◽  
International Role

In a series of articles in this Journal, Professor Robert Wilson drew attention to the incorporation of references to international law in United States statutes, a technique designed to allow recourse to international law by the courts in interpreting and implementing those statutes, and, consequently, to help ensure conformity between international and U.S. law. The purpose of this article is to survey the references, direct and indirect, to international law in the 20th-century statutes of two Commonwealth countries in order to see to what extent similar techniques have been adopted. The choice of the United Kingdom and the Commonwealth of Australia as the subjects of this survey is no doubt somewhat arbitrary (although passing reference will be made to the legislation of Canada and New Zealand). But the United Kingdom, a semi-unitary state whose involvement in international relations has been substantial throughout the century, and the Commonwealth of Australia, a federal polity with substantial legislative power over foreign affairs and defense -whose international role has changed markedly since 1901, do provide useful examples of states with constitutional and legislative continuity since 1901, and (as will be seen) considerable legislative involvement in this field.

Robert Wilson,Walking(Holkham Estate, 2012)

2013 ◽  
Vol 23 (4) ◽  
pp. 568-573
Author(s):  
Louise Owen
Keyword(s):  
Robert Wilson
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