scholarly journals The Book of Negroes’ Illustrated Edition: Circulating African-Canadian History through the Middlebrow

2014 ◽  
Vol 48 ◽  
pp. 53-66
Author(s):  
Gillian Roberts
Keyword(s):  
Canadian History ◽  
African Canadian

scholarly journals Queen Of The Bands: Carnival And “Monarchy” In The (416)

2021 ◽  
Author(s):  
Chante Barnwell
Keyword(s):  
Cultural Influences ◽  
Documentary Photography ◽  
National Narrative ◽  
Canadian Society ◽  
Canadian History ◽  
Photographic Documentation ◽  
Current Production ◽  
The Caribbean ◽  
Tangible Element ◽  
African Canadian

Queen of the Bands: Carnival and “Monarchy” in the (416) is a solo multimedia gallery installation which explores the complexity of Queenliness through the audio and photographic documentation of four women who perform as the head female masqueraders within the complex political framework of Toronto Caribbean Carnival's 2017 King and Queen competition. The Canadian national narrative reserves Queenliness for historically dominant European figures such as the Queen of England, so what does it mean to be a woman of colour performing as a queen in a Canadian carnival celebration? The complexity of this history and the prominence of African masking traditions in carnival Mas’ making, among other cultural influences in the Caribbean, contribute to the notion of Queenliness within the framework of carnival. <div>The purpose of my photographic investigation is both to capture a tangible element of carnival’s relationship to Emancipation Day history in Toronto and, among other things, to examine the women’s representation and power in Afro-Caribbean communal celebrations. My additional objectives were the following: First, to evaluate how the historical framework of Emancipation Day in Ontario has shaped the current production of these celebrations in Toronto. Second, to contextualize the head female masquerader’s position within the historical framework of emancipation and carnival. Third, to determine the role carnival celebrations play in defining a racialized woman’s identity in Canadian society. Fourth, to investigate how employing documentary photography practices can shape the understanding of Emancipation Day and contextualize African Canadian history. Lastly, to investigate the effect British monarchal representation in Canada has on Queenliness when performed by women of colour.</div>

scholarly journals African Canadian Anti-Discrimination Activism and the Transnational Civil Rights Movement, 1945–1965

2014 ◽  
Vol 24 (2) ◽  
pp. 386-424 ◽  
Author(s):  
Rosanne Waters
Keyword(s):  
United States ◽  
Human Rights ◽  
African American ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
The United States ◽  
Canadian History ◽  
The World ◽  
Human Rights History ◽  
African Canadian

Several recent historical works have challenged interpretations of the civil rights movement in the United States as a strictly domestic story by considering its connections to anti-racist struggles around the world. Adding a Canadian dimension to this approach, this article considers linkages between African Canadian anti-discrimination activism in the 1950s and early 1960s and African American civil rights organizing. It argues that Canadian anti-discrimination activists were interested in and influenced by the American movement. They followed American civil rights campaigns, adapted relevant ideas, and leveraged the prominent American example when pressing for change in their own country. African Canadian activists and organizations also impacted the American movement through financial and moral support. This article contributes to the study of African Canadian history, Canadian human rights history, and the American civil rights movement by emphasizing the local origins of anti-discrimination activism in Canada, while also arguing that such efforts are best understood when contextualized within a broader period of intensive global anti-racist activism that transcended national borders.

scholarly journals Queen Of The Bands: Carnival And “Monarchy” In The (416)

2021 ◽  
Author(s):  
Chante Barnwell
Keyword(s):  
Cultural Influences ◽  
Documentary Photography ◽  
National Narrative ◽  
Canadian Society ◽  
Canadian History ◽  
Photographic Documentation ◽  
Current Production ◽  
The Caribbean ◽  
Tangible Element ◽  
African Canadian

Queen of the Bands: Carnival and “Monarchy” in the (416) is a solo multimedia gallery installation which explores the complexity of Queenliness through the audio and photographic documentation of four women who perform as the head female masqueraders within the complex political framework of Toronto Caribbean Carnival's 2017 King and Queen competition. The Canadian national narrative reserves Queenliness for historically dominant European figures such as the Queen of England, so what does it mean to be a woman of colour performing as a queen in a Canadian carnival celebration? The complexity of this history and the prominence of African masking traditions in carnival Mas’ making, among other cultural influences in the Caribbean, contribute to the notion of Queenliness within the framework of carnival. <div>The purpose of my photographic investigation is both to capture a tangible element of carnival’s relationship to Emancipation Day history in Toronto and, among other things, to examine the women’s representation and power in Afro-Caribbean communal celebrations. My additional objectives were the following: First, to evaluate how the historical framework of Emancipation Day in Ontario has shaped the current production of these celebrations in Toronto. Second, to contextualize the head female masquerader’s position within the historical framework of emancipation and carnival. Third, to determine the role carnival celebrations play in defining a racialized woman’s identity in Canadian society. Fourth, to investigate how employing documentary photography practices can shape the understanding of Emancipation Day and contextualize African Canadian history. Lastly, to investigate the effect British monarchal representation in Canada has on Queenliness when performed by women of colour.</div>

Historical Perspectives: Confederation, Biography, and Canadian History

2017 ◽  
Vol 98 (2) ◽  
pp. 294-296 ◽  
Author(s):  
Dimitry Anastakis ◽  
Mary-Ellen Kelm
Keyword(s):  
Canadian History ◽  
Historical Perspectives
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