scholarly journals «THE FLOWERS OF WALLPAPERS, THE CHAINS OF BOOKS…» (ON V. BRUSOV’S STUDY ROOM IN THE MUSEUM OF LITERATURE OF THE SILVER AGE)

2019 ◽  
pp. 349-356
Author(s):  
MIKHAIL SHAPOSHNIKOV ◽  
MONIKA ORLOVA
Keyword(s):  
Silver Age ◽  
Ground Floor ◽  
The Mansion

The paper is devoted to V.Brusov’s study room, on the ground floor of the mansion located on the First Meschanskaya Street (currently Avenue of Peace) in Moscow. The paper describes the furniture, the renowned visitors’ impressions, dwells upon the poetic meetings V. Brusov initiated in his study room on Wednesdays. Currently the study hosts the Museum of Literature of the Silver Age.

scholarly journals EXAMINATION OF THE DINING ROOM IN THE PRESIDENTIAL ATATURK MUSEUM MANSION IN TERMS OF INTERIOR AND FURNITURE

2021 ◽  
Vol 11 (1) ◽  
pp. 282-300
Author(s):  
Tuğba ANDAÇ GÜZEL ◽  
Hacı Hasan EFE
Keyword(s):  
Scientific Evaluation ◽  
Ground Floor ◽  
History Of ◽  
The Republic ◽  
Dining Room ◽  
Republic Of Turkey ◽  
The Mansion

Ataturk Museum Pavilion formerly known as “Çankaya Mansion” is a building that has witnessed many important events of the history of the Republic of Turkey, and is one of the most important buildings that were put into service for Atatürk. This study covers the Dining Room which was added to the ground floor of the mansion after the renovation carried out between 1923-1924. This study is about the examination and scientific evaluation of the dining room in terms of interior and furniture. The dining room is a meeting place rather than a place used for dining in Ataturk's era. In this place, along with Atatürk, well-known and important personalities of that period came together. Many precious conversations affecting the history of the Republic of Turkey has hosted. As a result of the work carried out in the dining room, it was determined that the room was decorated in a mix of Renaissance, Baroque and Rococo style and in an original style. The furniture is carved in the same original style. Also, some of the examined furniture were found to be compatible with the numerical measurement values of today's furniture in terms of ergonomic and anthropometric criterias. As a result of the study, many new data obtained about the mansion have been added to the literature about the mansion.

scholarly journals EXAMINATION OF THE DINING ROOM IN THE PRESIDENTIAL ATATURK MUSEUM MANSION IN TERMS OF INTERIOR AND FURNITURE

2021 ◽  
Vol 11 (1) ◽  
pp. 282-300
Author(s):  
Tuğba ANDAÇ GÜZEL ◽  
Hacı Hasan EFE
Keyword(s):  
Scientific Evaluation ◽  
Ground Floor ◽  
History Of ◽  
The Republic ◽  
Dining Room ◽  
Republic Of Turkey ◽  
The Mansion

Ataturk Museum Pavilion formerly known as “Çankaya Mansion” is a building that has witnessed many important events of the history of the Republic of Turkey, and is one of the most important buildings that were put into service for Atatürk. This study covers the Dining Room which was added to the ground floor of the mansion after the renovation carried out between 1923-1924. This study is about the examination and scientific evaluation of the dining room in terms of interior and furniture. The dining room is a meeting place rather than a place used for dining in Ataturk's era. In this place, along with Atatürk, well-known and important personalities of that period came together. Many precious conversations affecting the history of the Republic of Turkey has hosted. As a result of the work carried out in the dining room, it was determined that the room was decorated in a mix of Renaissance, Baroque and Rococo style and in an original style. The furniture is carved in the same original style. Also, some of the examined furniture were found to be compatible with the numerical measurement values of today's furniture in terms of ergonomic and anthropometric criterias. As a result of the study, many new data obtained about the mansion have been added to the literature about the mansion.

scholarly journals DIRECTIONS OF STYLISTIC SEARCHES OF SILVER AGE ARCHITECTS ON THE EXAMPLES OF VINNYTSYA

2021 ◽  
pp. 128-138
Author(s):  
Serhii Tsarenko
Keyword(s):  
Russian Empire ◽  
Cultural Development ◽  
Creative Work ◽  
Self Awareness ◽  
Cultural Inheritance ◽  
Silver Age ◽  
Aesthetic Experiences ◽  
The Russian Empire ◽  
The Mansion ◽  
The Church

Manifestations of stylistic decisions aimed at finding national means of expressiveness are analyzed on the example of architectural works in Vinnytsya. Visual prints of the main paradigms of national or international self-awareness in Vinnytsya were: in the "international" spirit of the Viennese Secession – the mansion of a retired captain, teacher O.M. Chetkov (1910-1911, with outdoor services and decorative fencing); in the modernized Neo-Russian – the Church of the Resurrection of Christ in the Orthodox cemetery (project 1902, construction 1910); in the Ukrainian folk, or, as they said in Vinnytsia, "Galician" style – the mansion of the future figure of the UPR doctor M.A. Stakhovsky (1914). Artistic ideologues were differently affected by the awareness of the intelligentsia of the Russian Empire of the importance and common heritage of historical Russia. In addition, on the example of the work of G.G. Artinov, against the background of the search for "new-national" (in the words of the bright memory of Y.S. Aseev), the dominance of the classicist tradition is indisputable, especially in the imagery for public buildings. The modernization of the forms of classical orders with the observance of Renaissance architecture and, thus, the emphasis on belonging to the centuries-old cultural development was associated with the best achievements of European architecture. Stylistic means reflected three main paradigms of self-awareness of artists in the river of architecture of Modern: internationalist and two of Rus – neo-Russian and Ukrainian. Each of the paradigms or their combination became the focus of certain aesthetic experiences and conceptual embodiments of cultural inheritance. This analysis allowed us to formulate the concept of aesthetic compassion on the theory of creative work.

The Spanish Reception of Le Sacre du Printemps (1913–1936)

2018 ◽  
Vol 36 (1) ◽  
pp. 48-66
Author(s):  
Idoia Murga Castro
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Spanish Civil War ◽  
Original Work ◽  
Silver Age ◽  
Avant Garde ◽  
Ballets Russes ◽  
Rite Of Spring ◽  
Le Sacre Du Printemps ◽  
Cultural Expansion

Centenary celebrations are being held between 2016 and 2018 to mark the first consecutive tours of Diaghilev's Ballets Russes in Spain. This study analyses the Spanish reception of Le Sacre du Printemps (The Rite of Spring) (1913), one of its most avant-garde pieces. Although the original work was never performed in Spain as a complete ballet, its influence was felt deeply in the work of certain Spanish choreographers, composers, painters and intellectuals during the so-called Silver Age, the period of modernisation and cultural expansion which extended from the end of the nineteenth century to the beginning of the Spanish Civil War.

“The last chord of the Silver Age”: science and culture in Crimea in 1920

2020 ◽  
Vol 2020 (10-4) ◽  
pp. 4-14
Author(s):  
Vladimir Kalinovsky ◽  
Alexander Puchenkov
Keyword(s):  
Civil War ◽  
The South ◽  
Silver Age ◽  
Russian Culture ◽  
Short Period ◽  
The Crimea ◽  
Science And Culture ◽  
History Of ◽  
Russian Intelligentsia

This article is devoted to the development of science and culture in the short period of the Wrangel Crimea - 1920. At this time, the brightest figures of Russian culture of that time worked on the territory of the small Peninsula: O. E. Mandelstam, M. A. Voloshin, B.D. Grekov, G.V. Vernadsky, V.I. Vernadsky and others. The article provides an overview of the life and activities of the Russian intelligentsia in 1920 in the Crimea, based on materials of periodicals as the most important source for studying the history of the Civil war in the South of Russia whose value is to be fully evaluated.

Semiological Narration in Bakhtyar Ali’s Novel 'The Mansion of Blue Birds'

Twejer ◽  
2018 ◽  
Vol 1 (1) ◽  
pp. 67-105
Author(s):  
Halmat Bayz Rasool ◽  
Keyword(s):  
The Mansion

scholarly journals Ground Penetrating Radar Survey of the Floor of the Accademia Gallery (Florence, Italy)

2021 ◽  
Vol 13 (7) ◽  
pp. 1273
Author(s):  
Lapo Miccinesi ◽  
Alessandra Beni ◽  
Silvia Monchetti ◽  
Michele Betti ◽  
Claudio Borri ◽  
...  
Keyword(s):  
Ground Penetrating Radar ◽  
Air Conditioning ◽  
Underground Structure ◽  
Step Frequency ◽  
Ground Floor ◽  
The Public ◽  
Ground Penetrating

This paper reports the results of a ground penetrating radar (GPR) survey of the ground-floor of Academia Gallery (Florence, Italy) where the Michelangelo’s David is exhibited to the public. The equipment used was a step-frequency GPR operating in the 100 MHz-1 GHz band, named ORFEUS. The survey covered an area of 13 m × 7.3 m, and the scans were performed along two orthogonal directions. Acquisitions in the same direction were separated by 0.25 m from each other. The GPR was able to confirm the underground structure, as it can be deducted by planimetry and historical documentation. In particular, the radar clearly detected the air-conditioning ducts under the floor and an approximately circular foundation below the basement of the statue.

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