scholarly journals STABILITY DESIGN OF PLANE STEEL FAMES USING LINEARIZED BUCKLING ANALYSIS : Part 1 A basic framework and application to an unbraced frame

2004 ◽  
Vol 69 (586) ◽  
pp. 211-218 ◽  
Author(s):  
Yoshikazu ARAKI ◽  
Jiro TAKAGI ◽  
Koji UETANI
2012 ◽  
Vol 21 (2) ◽  
pp. 157-180
Author(s):  
David Foster

This article examines the use of movement and visual form in the film adaptation of Samuel Beckett's Comédie (Marin Karmitz, 1966). The article broaches the kinetic elements of the work through addressing the manner in which the diegetic motion of the film can be seen to reflect extra-diegetic cinematic processes. The sense of movement that is created through Comédie's montage is then considered at length, making use of work on this theme by two quite different (though tangentially related) theorists: Sergei Eisenstein and Jean-François Lyotard. The article then charts the film's different manifestations of formal movement, and a basic framework is proposed to explain the manner in which the film creates moments of intensity, through what is termed the ‘local movement’ of the montage, and the manner in which the film manifests an overall curve of intensity, through what is termed the montage's ‘global movement’. It is argued that each form of montagic motion is reflected in the other, and that ultimately these movements might be seen to dramatise a human drive towards, and a concomitant flight from, an impossible state of ontological totality.


Author(s):  
Husam Al Qablan ◽  
Hazim M. Dwairi ◽  
Omar Al Hattamleh ◽  
Samer Rabab'ah

AIAA Journal ◽  
2001 ◽  
Vol 39 ◽  
pp. 951-955
Author(s):  
Hoon Cheol Park ◽  
Chahngmin Cho ◽  
Younho Choi

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