scholarly journals Dotykalna trauma: o geście artystycznym Brachy L. Ettinger

2019 ◽  
pp. 138-162
Author(s):  
Anna Kisiel
Keyword(s):  
Traumatic Events ◽  
The Other ◽  
Traumatic Experience ◽  
Ethical Implications ◽  
Works Of Art ◽  
The World ◽  
Aesthetic Practice ◽  
Similar Path ◽  
The Aesthetic ◽  
The One

The article focuses on both theoretical and artistic activities of Bracha L. Ettinger, an Israeli artist, author of the matrixial theory, psychoanalyst, feminist, and daughter of Holocaust survivors. It endeavours to prove that Ettinger’s artistic gesture – on the one hand – stands for almost-borderless closeness to traumatic events and – on the other hand – may occasion the viewer’s suspension between such notions as now and then or presence and absence. To specify, it attempts to demonstrate that gesture can move the viewer towards the traumatic experience of the Other. As Ettinger herself admits that in her case art and theory are strongly interconnected, this article follows a similar path, trying to show how these two instances affect each other in a productive way. The article begins with an introduction to Ettinger’s artistic technique, the notion of trauma(s) in her oeuvre, and the matrixial take on memory. It moves on to the interpretation of chosen paintings from Ettinger’s most famous series, Eurydice, based on the 1942 picture of the execution of naked women in the Mizocz ghetto, and of selected works of art with a mother theme; these artworks are read through the prism of, among others, the trauma of the World and the fort/da game. Lastly, the article hints at ethical implications of chosen Ettingerian concepts that apply to the aesthetic practice.

scholarly journals La visión responsable de Javier Marías: una narrativa entre el pensamiento literario de Julián Marías y la literatura como reconocimiento de Marcel Proust

2020 ◽  
pp. 215-244
Author(s):  
Santiago Bertrán
Keyword(s):  
Creative Writing ◽  
20Th Century ◽  
Marcel Proust ◽  
The Other ◽  
Jose Ortega Y Gasset ◽  
Visual Poetics ◽  
Ethical Implications ◽  
The World ◽  
The One ◽  
Siglo Xx

Este artículo explora los aspectos filosóficos y éticos de la literatura de Javier Marías a la luz de la filosofía de Julián Marías y la literatura de Marcel Proust. Las ficciones de Javier Marías nos presentan una serie de personajes que se demuestran como agudos observadores que interpretan el mundo para entenderlo mejor y para orientarse en él. Este artículo defiende el argumento que esta tarea hermenéutica se extiende también a la propia poética de Javier Marías, la cual refleja dos conceptos esenciales no del todo bien estudiados hasta la fecha: por una parte, lo que Marías, tomando prestado un término de su padre, Julián Marías, denomina "pensamiento literario", un concepto que entiende la escritura como una de las herramientas más poderosas que tiene el autor de explorar y entender la realidad; por otra parte, el concepto de "reconocimiento", una noción muy próxima a la poética de Marcel Proust que describe la experiencia cognitiva por la cual el lector 'se ve' o 'se reconoce' a sí mismo en la narración. Al investigar estas poéticas visuales y sus implicaciones éticas se descubre el contexto metafísico y ontológico al cual se aproxima la obra mariesca, que no es otro que el paradigma filosófico de la "realidad radical" establecido por Ortega y Gasset a comienzos del siglo XX.   This article examines the ethical and philosophical aspects of Javier Marías’s literature in light of the philosophy of Julián Marías and the poetics of Marcel Proust. Javier Marías’s fictions famously present us with a series of characters that prove to be acute observers, interpreting the world both to understand it better and to orientate themselves within it. I argue that this hermeneutical approach extends to Marías’s poetics, which reflect two main concepts not yet well studied: on the one hand, what Marías, borrowing a term from his father, the philosopher Julián Marías, calls ‘pensamiento literario’, which describes creative writing as one of the most powerful tools the author has to explore and understand reality; and on the other, his idea of ‘reconocimiento’, a concept which echoes Marcel Proust’s poetics and which defines the sympathetic process by which the reader ‘sees’ or ‘recognises’ him or herself in the narrative. In investigating these ‘visual’ poetics and their ethical implications, we will discover the metaphysical and ontological context intrinsic to Marías’s narrative, which is based on the philosophical paradigm of the ‘realidad radical’ established by José Ortega y Gasset at the beginning of the 20th Century.

scholarly journals Leo Tolstoy's moralizing in context of ethical and aesthetic synthesis

2021 ◽  
Vol 10 (43) ◽  
pp. 257-263
Author(s):  
Svetlana A. Simonova ◽  
Tatiana V. Shvetsova ◽  
Marina A. Shtanko ◽  
Denis G. Bronnikov ◽  
Alexei A. Mikhailov
Keyword(s):  
The Other ◽  
Leo Tolstoy ◽  
Childhood And Adolescence ◽  
Aesthetic Theory ◽  
Russian Culture ◽  
Works Of Art ◽  
Aesthetic Pleasure ◽  
The Aesthetic ◽  
The One

The article examines the moralizing of Leo Tolstoy on the example of his theoretical ideas. The authors, examining their genesis, come to the conclusion that the writer formed his ideas under the influence of French enlighteners and sentimentalists, on the one hand, and absorbed the ethical dominant of Russian culture, on the other hand. The article analyzes the idea of absolutizing good, which runs through Tolstoy's entire aesthetic theory as a leitmotif. As a result of the study of the aesthetic views of the writer, it is concluded that Tolstoy understood the role of art solely as a translation of feelings and a means of communication. The writer deprives art of its aura of mystery and does not recognize the latter as a source of aesthetic pleasure and spiritual enrichment. The article analyzes the worldview of the writer, reveals the influence on him of the experience acquired by Tolstoy in childhood and adolescence. Tolstoy's works of art and theoretical views are another example of the fact that the artist's worldview does not always coincide with his work.

scholarly journals Magic roots of the aesthetic in art and technicity

2011 ◽  
pp. 521-532
Author(s):  
Aleksandar Cuckovic
Keyword(s):  
The World ◽  
The Future ◽  
Aesthetic Practice ◽  
The Aesthetic ◽  
The One ◽  
Objective Aspect

In order to respond to the challenges that nature placed in front of him, man became more and more independent, and his relationship to the world grew more and more mediated. On quitting experiencing himself in the magic unity with the world, he invented the practices of technicity and religion, and, later, the one of art. In technicity, the objective aspect of the mediation of the world has been emphasized, and in the religion the subjective one. However, nostalgia for the lost magical unity would never cease to determine not only these, but all of the future practices as well. In that light, the very important integration of technical and aesthetic practice should be understood, the practice from which it has been expected to compensate the separation and the fragmentation of technical objects by their aesthetic networking and their technical reproduction.

scholarly journals Toward the Expression of Shoah. Language Issue in Erwin Schenkelbach’s Stories.

2018 ◽  
pp. 22-26
Author(s):  
V. Durkalevych
Keyword(s):  
Short Stories ◽  
The Other ◽  
Traumatic Experience ◽  
Reading Technique ◽  
The World ◽  
Character Reading ◽  
The Times ◽  
The One ◽  
Simultaneous Reading ◽  
Identification Processes

Language represents different levels and is characterized by different semiotic registers in the context of the investigated collection of narratives. In particular, it relates to the language connections with acts of reading, speaking and writing. One of the clearly defined levels of language manifestation can be considered the functional field of the main character. Reading for him is the key to the world of culture and one of the ways of being in the world. Child narrator also creates his own reading technique – parallel simultaneous reading. Reading is meaningful sign of the narrator’s family life too. Narrator’s memories bring out images of reading parent, their favourite books and authors. Catastrophe carries a quantity of different dimensions of language, among which language as a strategy of survival. Stylistic speech registers actuate gender and sociolect issue. Unconventional dimension of language saves life of the hero in extreme survival situations. In the times of war language, on the one hand, divides world into ours and strangers, cuts the time for then and now, on the other hand, language is subjected to the pressure of alienation and ambivalence. Language also plays significant role in the process of hero’s self- identification. Traumatic experience of Shoah motivates the narrator to formulate fundamental questions in the context of self-identification processes. An important level of language functioning in short stories is the level of author's poetic system with its dialogical and intertextual peculiarities. This level is influenced by B. Schulz’s prose, E. Jabès’ poems and K. Jaspers’ concept of talking through the Second World War traumatic experience. Phenomenon under analysis requires further examination, including the involvement of a wider range of comparative materials connected with survivors' experience of Shoah from the child narrator modeling perspective. Specificity of the creation of the Other in E. Schenkelbach’s short stories deserves for a separate subject conversation. This will be the subject of our further research studies.

Indonesian Literature’s Position in World Literature

TEKNOSASTIK ◽  
2018 ◽  
Vol 14 (2) ◽  
pp. 1
Author(s):  
Dina Amelia
Keyword(s):  
World Literature ◽  
The Other ◽  
National Literature ◽  
Western World ◽  
The World ◽  
The One ◽  
The Voice

There are two most inevitable issues on national literature, in this case Indonesian literature. First is the translation and the second is the standard of world literature. Can one speak for the other as a representative? Why is this representation matter? Does translation embody the voice of the represented? Without translation Indonesian literature cannot gain its recognition in world literature, yet, translation conveys the voice of other. In the case of production, publication, or distribution of Indonesian Literature to the world, translation works can be very beneficial. The position of Indonesian literature is as a part of world literature. The concept that the Western world should be the one who represent the subaltern can be overcome as long as the subaltern performs as the active speaker. If the subaltern remains silent then it means it allows the “representation” by the Western.

Metamorphosen des Autors im Internet

2018 ◽  
Vol 2018 (1) ◽  
pp. 73-82
Author(s):  
Julia Genz
Keyword(s):  
Web 2.0 ◽  
Digital Media ◽  
Intrinsic Value ◽  
The Other ◽  
Cultural Conditions ◽  
Works Of Art ◽  
Periodic Schedule ◽  
Literary Authorship ◽  
The One ◽  
Death Of The Author

Digital media transform social options of access with regard to producers, recipients, and literary works of art themselves. New labels for new roles such as »prosumers « and »wreaders« attest to this. The »blogger« provides another interesting new social figure of literary authorship. Here, some old desiderata of Dadaism appear to find a belated realization. On the one hand, many web 2.0 formats of authorship amplify and widen the freedom of literary productivity while at the same time subjecting such production to a periodic schedule. In comparison to the received practices of authors and recipients many digital-cultural forms of narrating engender innovative metalepses (and also their sublation). Writing in the net for internet-publics enables the deliberate dissolution of the received autobiographical pact with the reader according to which the author’s genuine name authenticates the author’s writing. On the other hand, the digital-cultural potential of dissolving the autobiographical pact stimulates scandals of debunking and unmasking and makes questions of author-identity an issue of permanent contestation. Digital-cultural conditions of communication amplify both: the hideand- seek of authorship as well as the thwarting of this game by recipients who delight in playing detective. In effect, pace Foucault’s and Barthes’ postulates of the death of the author, the personality and biography of the author once again tend to become objects of high intrinsic value

scholarly journals Hiketeia

1973 ◽  
Vol 93 ◽  
pp. 74-103 ◽  
Author(s):  
John Gould
Keyword(s):  
Dominant Role ◽  
Ancient Greece ◽  
Social Institutions ◽  
The Other ◽  
Sixth Century ◽  
Dead Body ◽  
Greek Literature ◽  
The World ◽  
The One ◽  
Working Out

To Professor E. R. Dodds, through his edition of Euripides'Bacchaeand again inThe Greeks and the Irrational, we owe an awareness of new possibilities in our understanding of Greek literature and of the world that produced it. No small part of that awareness was due to Professor Dodds' masterly and tactful use of comparative ethnographic material to throw light on the relation between literature and social institutions in ancient Greece. It is in the hope that something of my own debt to him may be conveyed that this paper is offered here, equally in gratitude, admiration and affection.The working out of the anger of Achilles in theIliadbegins with a great scene of divine supplication in which Thetis prevails upon Zeus to change the course of things before Troy in order to restore honour to Achilles; it ends with another, human act in which Priam supplicates Achilles to abandon his vengeful treatment of the dead body of Hector and restore it for a ransom. The first half of theOdysseyhinges about another supplication scene of crucial significance, Odysseus' supplication of Arete and Alkinoos on Scherie. Aeschylus and Euripides both wrote plays called simplySuppliants, and two cases of a breach of the rights of suppliants, the cases of the coup of Kylon and that of Pausanias, the one dating from the mid-sixth century, the other from around 470 B.C. or soon after, played a dominant role in the diplomatic propaganda of the Spartans and Athenians on the eve of the Peloponnesian War.

scholarly journals Two Conceptions of Second Nature

2020 ◽  
Vol 3 (1) ◽  
pp. 68-80 ◽  
Author(s):  
Georg W. Bertram
Keyword(s):  
The Other ◽  
Human Beings ◽  
Open Future ◽  
Second Nature ◽  
Other Hand ◽  
The World ◽  
Cognitive Activities ◽  
The Open Future ◽  
The One ◽  
First Nature

AbstractThe concept of second nature promises to provide an explanation of how nature and reason can be reconciled. But the concept is laden with ambiguity. On the one hand, second nature is understood as that which binds together all cognitive activities. On the other hand, second nature is conceived of as a kind of nature that can be changed by cognitive activities. The paper tries to investigate this ambiguity by distinguishing a Kantian conception of second nature from a Hegelian conception. It argues that the idea of a transformation from a being of first nature into a being of second nature that stands at the heart of the Kantian conception is mistaken. The Hegelian conception demonstrates that the transformation in question takes place within second nature itself. Thus, the Hegelian conception allows us to understand the way in which second nature is not structurally isomorphic with first nature: It is a process of ongoing selftransformation that is not primarily determined by how the world is, but rather by commitments out of which human beings are bound to the open future.

scholarly journals Possibilities of the Development of Edible Insect-Based Foods in Europe

Foods ◽  
2021 ◽  
Vol 10 (4) ◽  
pp. 766
Author(s):  
Magdalena Skotnicka ◽  
Kaja Karwowska ◽  
Filip Kłobukowski ◽  
Aleksandra Borkowska ◽  
Magdalena Pieszko
Keyword(s):  
Material Processing ◽  
Functional Food ◽  
The Other ◽  
Raw Material ◽  
Edible Insects ◽  
Mineral Salts ◽  
Edible Insect ◽  
Alternative Protein ◽  
The World ◽  
The One

All over the world, a large proportion of the population consume insects as part of their diet. In Western countries, however, the consumption of insects is perceived as a negative phenomenon. The consumption of insects worldwide can be considered in two ways: on the one hand, as a source of protein in countries affected by hunger, while, on the other, as an alternative protein in highly-developed regions, in response to the need for implementing policies of sustainable development. This review focused on both the regulations concerning the production and marketing of insects in Europe and the characteristics of edible insects that are most likely to establish a presence on the European market. The paper indicates numerous advantages of the consumption of insects, not only as a valuable source of protein but also as a raw material rich in valuable fatty acids, vitamins, and mineral salts. Attention was paid to the functional properties of proteins derived from insects, and to the possibility for using them in the production of functional food. The study also addresses the hazards which undoubtedly contribute to the mistrust and lowered acceptance of European consumers and points to the potential gaps in the knowledge concerning the breeding conditions, raw material processing and health safety. This set of analyzed data allows us to look optimistically at the possibilities for the development of edible insect-based foods, particularly in Europe.

Domesticated mammoths: Mythic and material in Nenets verbal tradition on ya’ xora

Multilingua ◽  
2020 ◽  
Vol 0 (0) ◽  
Author(s):  
Karina Lukin
Keyword(s):  
The Other ◽  
Verbal Art ◽  
The World ◽  
The One

AbstractThis article discusses language materialities and the Otherworld through the findings of mammoth remains and text-artifacts representing Nenets verbal art. The remains and verbal art are read together as a network of mythic knowledge that forms a semiotic whole, where different signs interact and create potentials for new significations. The article aims to open up a web of relations in which materialities of differing ages and durabilities meet and affect each other through their semiotic potentialities. The materialities operate on several levels of signification, ranging from basic metaphors for mammoths to larger regimes that organize the signification. Consequently, mythic knowledge concerns worlds that are, on the one hand, imperceptible but, on the other, sensible through narration and imagination in terms of materialities. The key material elements of the mythic knowledge are tainted by the narration, such that they cannot be considered without the mythic qualities. In addition, the knowledge concerning the world affects Nenets rituals and ways of dwelling.

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