scholarly journals Inequality and Emancipation : An Educational Approach

2013 ◽  
Vol 2 ◽  
pp. 9-16
Author(s):  
Stefan Gross
Keyword(s):  
Social Inequality ◽  
The Political ◽  
Educational Approach ◽  
Ancient Time ◽  
Present Essay ◽  
Primary Function ◽  
Political Function ◽  
History Of ◽  
The 1960S ◽  
Educational Debate

Emancipation has lost its charisma. In the 1960s, the term had been one of the saviour-concepts in the educational debate on social inequality and the political function of pedagogy in Western countries. Nowadays, as the discussion is still ongoing, the word is rarely in use. Overloaded with political enmeshments and a plurality of meanings, emancipation seems to be nothing more than a nearly forgotten relict of an ancient time. How could this rise and fall happen? The present essay is tracing the colourful history of emancipation in various contexts, recapitulating its pedagogical importance in the 1960s and discovering how the pillars have kept their primary function, although the word is not in use any longer. DOI: http://dx.doi.org/10.3126/jer.v2i0.7617 Journal of Education and Research Vol. 2, 2010 p.9-16

State-run celebration of Liberation Day in Czechoslovakia (based on audiovisual sources)

2019 ◽  
pp. 251-268
Author(s):  
Timur Gimadeev
Keyword(s):  
Political Development ◽  
Communist Regime ◽  
Political Regime ◽  
The Political ◽  
Historical Experience ◽  
History Of ◽  
Post War ◽  
The 1960S ◽  
The Military

The article deals with the history of celebrating the Liberation Day in Czechoslovakia organised by the state. Various aspects of the history of the holiday have been considered with the extensive use of audiovisual documents (materials from Czechoslovak newsreels and TV archives), which allowed for a detailed analysis of the propaganda representation of the holiday. As a result, it has been possible to identify the main stages of the historical evolution of the celebrations of Liberation Day, to discover the close interdependence between these stages and the country’s political development. The establishment of the holiday itself — its concept and the military parade as the main ritual — took place in the first post-war years, simultaneously with the consolidation of the Communist regime in Czechoslovakia. Later, until the end of the 1960s, the celebrations gradually evolved along the political regime, acquiring new ritual forms (ceremonial meetings, and “guards of memory”). In 1968, at the same time as there was an attempt to rethink the entire socialist regime and the historical experience connected with it, an attempt was made to reconstruct Liberation Day. However, political “normalisation” led to the normalisation of the celebration itself, which played an important role in legitimising the Soviet presence in the country. At this stage, the role of ceremonial meetings and “guards of memory” increased, while inventions released in time for 9 May appeared and “May TV” was specially produced. The fall of the Communist regime in 1989 led to the fall of the concept of Liberation Day on 9 May, resulting in changes of the title, date and paradigm of the holiday, which became Victory Day and has been since celebrated on 8 May.

In Search of Space: The Trope of Escape in German Electronic Music around 1968

2016 ◽  
Vol 26 (2) ◽  
pp. 339-352
Author(s):  
TIMOTHY SCOTT BROWN
Keyword(s):  
Federal Republic ◽  
Electronic Music ◽  
Historical Context ◽  
The Political ◽  
Central Theme ◽  
Musical Genre ◽  
History Of ◽  
The 1960S

‘In Search of Space’ explores the history of Krautrock, a futuristic musical genre that began in Germany in the late 1960s and flowered in the 1970s. Not usually explicitly political, Krautrock bore the unmistakable imprint of the revolt of 1968. Groups arose out of the same milieux and shared many of the same concerns as anti-authoritarian radicals. Their rebellion expressed, in an artistic way, key themes of the broader countercultural moment of which they were a part. A central theme, the article argues, was escape – escape from the situation of Germany in the 1960s in general, and from the specific conditions of the anti-authoritarian revolt in the Federal Republic in the wake of 1968. Mapping Krautrock's relationship to key locations and routes (both real and imaginary), the article situates Krautrock in relationship to the political and cultural upheavals of its historical context.

‘Morals can not be drawn from facts but guidance may be’: the early life of W.D. Hamilton's theory of inclusive fitness

2015 ◽  
Vol 48 (4) ◽  
pp. 543-563 ◽  
Author(s):  
SARAH A. SWENSON
Keyword(s):  
Social Order ◽  
Inclusive Fitness ◽  
Point Of View ◽  
The Political ◽  
Selfish Gene ◽  
New Synthesis ◽  
Sociopolitical Context ◽  
History Of ◽  
The 1960S ◽  
New Social Order

AbstractW.D. Hamilton's theory of inclusive fitness saw the evolution of altruism from the point of view of the gene. It was at heart a theory of limits, redefining altruistic behaviours as ultimately selfish. This theory inspired two controversial texts published almost in tandem, E.O. Wilson's Sociobiology: The New Synthesis (1975) and Richard Dawkins's The Selfish Gene (1976). When Wilson and Dawkins were attacked for their evolutionary interpretations of human societies, they claimed a distinction between reporting what is and declaring what ought to be. Can the history of sociobiological theories be so easily separated from its sociopolitical context? This paper draws upon unpublished materials from the 1960s and early 1970s and documents some of the ways in which Hamilton saw his research as contributing to contemporary concerns. It pays special attention to the 1969 Man and Beast Smithsonian Institution symposium in order to explore the extent to which Hamilton intended his theory to be merely descriptive versus prescriptive. From this, we may see that Hamilton was deeply concerned about the political chaos he perceived in the world around him, and hoped to arrive at a level of self-understanding through science that could inform a new social order.

scholarly journals ‘HIGH POLITICS’ AND THE ‘NEW POLITICAL HISTORY’

2010 ◽  
Vol 53 (2) ◽  
pp. 453-475 ◽  
Author(s):  
DAVID M. CRAIG
Keyword(s):  
Political History ◽  
History Of Ideas ◽  
The Political ◽  
Political Behaviour ◽  
Political World ◽  
History Of ◽  
Michael Oakeshott ◽  
1960S And 1970S ◽  
The 1960S ◽  
High Politics

ABSTRACTRecent claims about the convergence in methodology between ‘high politics’ and the ‘new political history’ remain unclear. The first part of this review examines two deeply entrenched misunderstandings of key works of high politics from the 1960s and 1970s, namely that they proposed elitist arguments about the ‘closed’ nature of the political world, and reductive arguments about the irrelevance of ‘ideas’ to political behaviour. The second part traces the intellectual ancestry of Maurice Cowling's thinking about politics, and places it within an interpretative tradition of social science. The formative influences of R. G. Collingwood and Michael Oakeshott are examined, and Mark Bevir's Logic of the history of ideas is used to highlight how Cowling's approach can be aligned with ‘new political history’.

Between Science and Politics: Science Fiction as a Critical Discourse in South Korea, 1960s–1990s

2018 ◽  
Vol 23 (2) ◽  
pp. 347-367
Author(s):  
Sunyoung Park
Keyword(s):  
South Korea ◽  
Science Fiction ◽  
Social Protest ◽  
Critical Discourse ◽  
The Political ◽  
Social Challenges ◽  
Present Essay ◽  
Science And Politics ◽  
Cultural Texts ◽  
The 1960S

AbstractA positivist vision of science fiction as a discourse closely bound to science and technology has been influential in South Korea ever since the first flourishing of the genre in the 1960s. Using that normative vision as a reference, the present essay investigates the ways in which select science-fictional texts have actually represented the technoscientific enterprise in South Korea in the period spanning the 1960s through the 1990s. As the analysis suggests, the heyday of positivist-oriented science fiction in the country was largely limited to the 1960s, which was a time when Koreans looked keenly upon science for its utopian promise of development and modernization for the nation. As later years brought dictatorship and forced industrialization, however, a marked shift toward dystopia and social protest became evident in cultural texts that critically depicted technoscience and modernization as tools of oppression rather than as progress and liberation. The historical existence of this more critical vein of science fiction, it is argued, attests to the genre’s hitherto underappreciated potential for fruitful engagement with the political and social challenges of modernization both globally and within South Korea’s technologically saturated society.

scholarly journals Setting the Ground for Global City Formation: Neoliberalisation and Local Elites in Frankfurt on the Main

2014 ◽  
Vol 33 (4) ◽  
pp. 81-88
Author(s):  
Samuel Mössner ◽  
Tim Freytag
Keyword(s):  
Perspective Taking ◽  
Political Action ◽  
Global City ◽  
The Political ◽  
Urban Restructuring ◽  
Local Elites ◽  
City Formation ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S

Abstract This paper approaches the global city concept from a local perspective taking into account the political action of local elites in times of urban neoliberalisation. Drawing on the empirical research carried out in Frankfurt (Main), we argue that the very beginnings of the global city formation were less a result of global processes superseding local ones, as is often argued, but rather emerged out of local political action contested by local protests. In the first part, we will revisit the global city concept and contrast it against a critique of urban neoliberalisation. The second focuses on reviewing the history of urban restructuring in the Frankfurt Westend during the 1960s and 1970s. We suggest that the transformation of the Westend into a “strategic site of global control” (Sassen 2011) has been constructed as a narrative in order to legitimise local forms of real estate speculation, marketisation of commodification. Our paper tries to unfold the logics and strategies of such neoliberal urbanisation by critically reflecting upon historical events since the 1960s

scholarly journals Spain Was Not Living a Celebration

2012 ◽  
Vol 1 (2) ◽  
pp. 11 ◽  
Author(s):  
Juan Francisco Gutiérrez Lozano
Keyword(s):  
Technological Development ◽  
Building Blocks ◽  
Political Interest ◽  
The Political ◽  
Democratic Regime ◽  
Political Propaganda ◽  
Eurovision Song Contest ◽  
History Of ◽  
The Media ◽  
The 1960S

Franco’s Dictatorship (1939-1975) used Spanish Television (TVE) as a key element in the political propaganda of its apparent ‘openness’ during the 1960s. The propaganda co-existed with political interest in showing the technological development of the media and the international co-operation established with other European broadcasters, mainly in the EBU. In a country ruled by strong political censorship, the Eurovision Song Contest was used as a political tool to show the most amiable image of the non-democratic regime. Spain’s only two Eurovision wins (1968 and 1969) are still, 50 years on, two of the building blocks of the history of TVE and of televised entertainment and popular memory in Spain.

scholarly journals Captain Swing: A Retrospect

2009 ◽  
Vol 54 (3) ◽  
pp. 419-427 ◽  
Author(s):  
Adrian Randall
Keyword(s):  
Social History ◽  
The Political ◽  
Popular Protest ◽  
Fortieth Anniversary ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S

SummaryCaptain Swing, authored by Eric Hobsbawm and George Rudé and published in 1969, was one of the key texts in the development of the new British social history of the 1960s and 1970s. On its fortieth anniversary, this introduction to the special theme looks back at the significance and impact that Captain Swing had, and continues to have, on the study of popular protest. The author locates the approach taken by its writers within the political and historiographical context of its time and examines how successive historians – including the two authors following this retrospect – have built upon and challenged the arguments which the book advanced.

Sensation, Relation and Neoconcrete Poetics

2020 ◽  
pp. 62-99
Author(s):  
Rebecca Kosick
Keyword(s):  
The Political ◽  
Object Language ◽  
Avant Garde ◽  
Political Sphere ◽  
History Of ◽  
The 1960S

Chapter 2 discusses the 1960s interdisciplinary movement known as neoconcretism. It argues for a relational poetics in which language is plastic and what’s plastic is language. Analysing examples of poetry and art that either calls itself poetry or makes use of the book form – including poet Ferreira Gullar’s ‘Buried Poem’ (an underground poem-room that invites the ‘reader’ to enter), artist Lygia Pape’s Book of Creation (a language without words which the ‘reader’ can order) and artist Hélio Oiticica’s Secret Poetics (a lyric that stills the sensible for the ‘reader’ to perceive) – this chapter shows that language powerfully shapes the history of what neoconcrete artist Lygia Clark calls the ‘relational object’. Not just a score which would guide, from the outside, the co-creation of an object, language, in a relational poetics, joins the creator and participant in becoming the object created. This conclusion also points towards one way in which avant-garde experimentation (often accused of being apolitical) can engage the political sphere – by creating the opportunity for an engagé poetics that takes shape inside sensory engagement itself.

DREAMS AND POLITICAL IMAGINATION IN COLONIAL BUGANDA

2017 ◽  
Vol 58 (1) ◽  
pp. 85-105
Author(s):  
JONATHON L. EARLE
Keyword(s):  
Intellectual History ◽  
New Technologies ◽  
The Political ◽  
Late Nineteenth Century ◽  
Political Imagination ◽  
Religious Wars ◽  
Political Implications ◽  
Colonial Authority ◽  
Political Function ◽  
History Of

AbstractThis article explores the intellectual history of dreaming practices in the eastern African kingdom of Buganda. Whereas Muslim dissenters used their dreams to challenge colonial authority following the kingdom's late nineteenth-century religious wars, political historians such as Apolo Kaggwa removed the political practice of dreaming from Buganda's official histories to deplete the visionary archives from which dissenters continued to draw. Kaggwa's strategy, though, could only be pressed so far. Recently unearthed vernacular sources show that Christian activists, such as Erieza Bwete and Eridadi Mulira, continued to marshal their dreams and literacy to imagine competing visions of Buganda's colonial monarchy. Earlier scholars had argued that modernity and literacy would displace the political function of dreams. This article, by contrast, proposes that sleeping visions took on new, more complicated meanings throughout the twentieth century. Literacy offered new technologies to expound upon the political implications of dreams and a vast repository of symbols to enrich interpretative performances.

Sign in / Sign up

Export Citation Format

Share Document