scholarly journals The role of masked responses in the solution of Compound Remote Associate Problems

2020 ◽  
Author(s):  
Elisa Puvia ◽  
Davide Taibi ◽  
Patrizio Tressoldi
Keyword(s):  
Sensation Seeking ◽  
Extrasensory Perception

With this study we tested whether the solutions to the Compound Remote Associate problems (CRAp) can be facilitated when presented masked. One-hundred-fourteen participants solved 19 CRA problems presented online. Participants were randomly assigned to a condition in which either the solution to the CRA problems was presented in a masked condition or no solution was provided.The results showed no statistical and substantial raw differences between the two conditions even when participants were categorized according to the degree of Insight-type of strategy used for problems solution, the degree of sensation seeking, a measure of linguistic creativity and the outcome of the manipulation check.This study does not support the hypothesis that masked solutions can be detected by extrasensory perception.

The Role of Gender and Sensation Seeking in Film Choice

2008 ◽  
Vol 20 (3) ◽  
pp. 97-105 ◽  
Author(s):  
Smita C. Banerjee ◽  
Kathryn Greene ◽  
Marina Krcmar ◽  
Zhanna Bagdasarov ◽  
Dovile Ruginyte
Keyword(s):  
United States ◽  
Undergraduate Students ◽  
Sensation Seeking ◽  
Negative Mood ◽  
Positive Mood ◽  
The United States ◽  
High Arousal ◽  
Subject Design ◽  
Happy Mood

This study demonstrates the significance of individual difference factors, particularly gender and sensation seeking, in predicting media choice (examined through hypothetical descriptions of films that participants anticipated they would view). This study used a 2 (Positive mood/negative mood) × 2 (High arousal/low arousal) within-subject design with 544 undergraduate students recruited from a large northeastern university in the United States. Results showed that happy films and high arousal films were preferred over sad films and low-arousal films, respectively. In terms of gender differences, female viewers reported a greater preference than male viewers for happy-mood films. Also, male viewers reported a greater preference for high-arousal films compared to female viewers, and female viewers reported a greater preference for low-arousal films compared to male viewers. Finally, high sensation seekers reported a preference for high-arousal films. Implications for research design and importance of exploring media characteristics are discussed.

Impulsivity and Aggression: A Meta-analysis Using the UPPS Model of Impulsivity

2019 ◽  
Author(s):  
Konrad Bresin
Keyword(s):  
Structural Equation Modeling ◽  
Sensation Seeking ◽  
Structural Equation ◽  
Meta Analysis ◽  
The Other ◽  
Equation Modeling ◽  
Negative Urgency ◽  
Two Stage ◽  
Trait Impulsivity

Trait impulsivity has long been proposed to play a role in aggression, but the results across studies have been mixed. One possible explanation for the mixed results is that impulsivity is a multifaceted construct and some, but not all, facets are related to aggression. The goal of the current meta-analysis was to determine the relation between the different facets of impulsivity (i.e., negative urgency, positive urgency, lack of premeditation, lack of perseverance, and sensation seeking) and aggression. The results from 93 papers with 105 unique samples (N = 36, 215) showed significant and small-to-medium correlations between each facet of impulsivity and aggression across several different forms of aggression, with more impulsivity being associated with more aggression. Moreover, negative urgency (r = .24, 95% [.18, .29]), positive urgency (r = .34, 95% [.19, .44]), and lack of premeditation (r = .23, 95% [.20, .26]) had significantly stronger associations with aggression than the other scales (rs < .18). Two-stage meta-analytic structural equation modeling showed that these effects were not due to overlap among facets of impulsivity. These results help advance the field of aggression research by clarifying the role of impulsivity and may be of interest to researchers and practitioners in several disciplines.

Alcohol use in daily life: Examining the role of trait and state impulsivity facets

2020 ◽  
Author(s):  
Sarah A Griffin ◽  
Timothy J Trull
Keyword(s):  
Alcohol Use ◽  
Sensation Seeking ◽  
Daily Life ◽  
Drinking Behavior ◽  
Cross Sectional ◽  
Trait Level ◽  
Trait Impulsivity ◽  
Drinking Behaviors ◽  
Ecological Momentary

Objectives: Using Ecological Momentary Assessment methods (EMA) we aimed to investigate the influence of trait and state (momentary) impulsivity on alcohol use behaviors in daily life. Facets of the UPPS trait model of impulsivity (Whiteside and Lynam, 2001) have been found to differentially relate to alcohol-related outcomes and behaviors in cross-sectional and longitudinal studies. The present work expands on this by assessing UPPS facets in daily life and examining the contributions of trait and state impulsivity facets to daily life drinking behavior. Methods: 49 participants were prompted at least six times per day for 21 days. A total of 4,548 collected EMA reports were included in analyses. Multi-level models were computed predicting daily life alcohol use behaviors from state and trait impulsivity facets and relevant covariates. Results: Individual facets of momentary impulsivity differentially related to alcohol outcomes, such that (lack of) premeditation and, to a lesser extent, sensation seeking showed unique patterns of association with drinking and drinking quantity. Only trait levels of (lack of) premeditation were related to drinking behavior in daily life; no other trait UPPS scale significantly related to alcohol use. Conclusions: These results highlight state difficulties with premeditation as particularly relevant to drinking behavior in daily life. Our results also support the incremental validity of state impulsivity facets over trait level measures in relation to drinking behavior in daily life. These findings offer important insight into the phenomenology of daily-life alcohol use and highlight possible avenues for intervention and prevention efforts. Public Health Statement: Momentary fluctuations in premeditation predict alcohol use in daily life. Treatments targeting planning or forethought in relation to alcohol use may interrupt this process contributing to daily life drinking behaviors.

The role of trait sensation seeking in the acceptance of entomophagy.

Appetite ◽  
2021 ◽  
pp. 105557
Author(s):  
Maya Gumussoy ◽  
Danielle Ferriday ◽  
Peter J. Rogers
Keyword(s):  
Sensation Seeking

scholarly journals SANITATION AND TELEPATHY: GEORGE ELIOT'S THE LIFTED VEIL

2017 ◽  
Vol 45 (1) ◽  
pp. 55-76
Author(s):  
Derek Woods
Keyword(s):  
Science Fiction ◽  
First Person ◽  
Sense Of Smell ◽  
Extrasensory Perception ◽  
Sanitary Reform ◽  
Foul Odor ◽  
One Year

The Great Stink of London took place one year before the publication of George Eliot's The Lifted Veil (1859). As a peak sanitary crisis, the Great Stink helps us to understand the particular telepathy of Eliot's narrator, since The Lifted Veil combines the rhetoric of telepathy with that of a more threatening form of transmission among bodies: foul odor and contagious air. Throughout the figurative structure of Eliot's story, tropes that convey the narrator's ostensibly supernatural experience contain traces – sometimes cryptic, sometimes explicit – of the earthly matter of sanitary crisis. The first section of this essay explores the sanitary dimension of The Lifted Veil, linking the story to sanitary crisis and to Victorian materialist psychology – particularly the work of George Henry Lewes – which conceived mind in physical terms. With the role of sanitation established, the second section shows the importance of the sense of smell to Latimer's first-person narration of telepathy. This section outlines the transition, contemporaneous with sanitary reform, from the use of animal to the use of vegetable perfumes. Throughout the story, vegetable scents act as prophylaxes against the narrator's too-physical telepathy. From these readings, it becomes clear that Eliot writes “extrasensory” perception with recourse to sensory figures. Telepathy and sanitation overlap in this exceptional gothic science fiction in such a way as to demand a new concept of olfactory telepathy.

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