"The Reproduction of the City and the Imagined Geography of the Cold War in North Korean Films in the 1970s - With a Focus on The Fate of Kum Hui and Un Hui -"

2020 ◽  
Vol 86 ◽  
pp. 733-757
Author(s):  
Jee-nee Jun
Keyword(s):  
Cold War ◽  
Urban History ◽  
2021 ◽  
pp. 1-21
Author(s):  
Asif Siddiqi

Abstract This article recovers the early history of the Soviet ‘closed city’, towns that during the Cold War were absent from maps and unknown to the general public due to their involvement in weapons research. I argue that the closed cities echoed and appropriated features of the Stalinist Gulag camp system, principally their adoption of physical isolation and the language of obfuscation. In doing so, I highlight a process called ‘atomized urbanism’ that embodies the tension between the obdurate reality of the city and the goal of the state to obliterate that reality through secrecy. In spatial terms, ‘atomized’ also describes the urban geography of these cities which lacked any kind of organic suburban expansion.


Slavic Review ◽  
2020 ◽  
Vol 79 (3) ◽  
pp. 566-590
Author(s):  
Patryk Babiracki

Engaging with regional, international, and spatial histories, this article proposes a new reading of the twentieth-century Polish past by exploring the vicissitudes of a building known as the Upper Silesia Tower. Renowned German architect Hans Poelzig designed the Tower for the 1911 Ostdeutsche Ausstellung in Posen, an ethnically Polish city under Prussian rule. After Poland regained its independence following World War I, the pavilion, standing centrally on the grounds of Poznań’s International Trade Fair, became the fair's symbol, and over time, also evolved into visual shorthand for the city itself. I argue that the Tower's significance extends beyond Posen/Poznań, however. As an embodiment of the conflicts and contradictions of Polish-German historical entanglements, the building, in its changing forms, also concretized various efforts to redefine the dominant Polish national identity away from Romantic ideals toward values such as order, industriousness, and hard work. I also suggest that eventually, as a material structure harnessed into the service of socialism, the Tower, with its complicated past, also brings into relief questions about the regional dimensions of the clashes over the meaning of modernity during the Cold War.


Urban History ◽  
2015 ◽  
Vol 42 (4) ◽  
pp. 663-685
Author(s):  
DAVID JOHNSON LEE

ABSTRACT:The reconstruction of Managua following the 1972 earthquake laid bare the contradictions of modernization theory that justified the US alliance with Latin American dictators in the name of democracy in the Cold War. Based on an idealized model of urban development, US planners developed a plan to ‘decentralize’ both the city of Managua and the power of the US-backed Somoza dictatorship. In the process, they helped augment the power of the dictator and create a city its inhabitants found intolerable. The collective rejection of the city, the dictator and his alliance with the United States, helped propel Nicaragua toward its 1979 revolution and turned the country into a Cold War battleground.


2010 ◽  
Vol 54 (4) ◽  
pp. 3-21
Author(s):  
Zuzanna Bogumił ◽  
Joanna Wawrzyniak

The authors analyse the presentation of WWII in the city museums of St Petersburg, Warsaw and Dresden. These narratives, they argue, are the effect of merging and interconnection of themes and elements coming from various types of discourse, shaped respectively by the local communities and by the state’s historical policy. Having characterised the most important elements of these two discourses, the authors indicate that to this day, the exhibitions contain interpretation patterns characteristic for the Cold War era. The dominant state discourse strongly influences the presentation of the city’s destruction and its inhabitants’ trauma. The exhibitions in both Warsaw and St Petersburg emphasize the image of an innocent victim attacked by the enemy, and present the city’s destruction in terms of lost but heroic struggle. In Dresden, there are visible references to the discourses of German guilt and German suffering. The exhibitions cannot detach themselves from the context of national history, and they fail to present many aspects of the local experience of WWII.


2020 ◽  
Vol 16 (1) ◽  
pp. 11-26 ◽  
Author(s):  
Stephen Baker

This article looks at media representations of the projected regeneration of Northern Ireland, paying particular attention to a recent promotional film made to elicit support for the redevelopment of a part of Belfast’s city centre. Commissioned by Castlebrooke Investments, ‘Tribeca Belfast’ offers a future prospectus of the city that is as superficial as it is bland. It is, however, illustrative of two influential ideas and strategies that took flight at the end of the Cold War and the ‘triumph of capitalism’. One seeks peace through the application of neo-liberal nostrums; the other combines brand theory with state-craft in pursuit of global competitiveness. Both propose models of citizenship that are politically benign, either preferring middle class solipsism or demanding brand loyalty. In Castlebrooke’s projection of a future Belfast, this translates into a city peopled by a mobile professional class, waited upon and entertained by servile locals. But such a sterile vision is inimical to building peace and political progress because it underestimates and downplays the significance of marginalized groups who through their activism and expressions of solidarity can lay better claim to the ‘heart and soul’ of Belfast evoked by Castlebrooke.


2008 ◽  
Vol 14 ◽  
Author(s):  
Frances Reilly

On September 28th 1955, the city of Calgary executed one of the only major civil defence evacuation operations in Canadian history. The exercise, Operation “Lifesaver,” was a product of careful planning over a series of months but failed to attract the interest of most Calgary citizens. The operation exhibited both the Canadian government’s concern for civil defence during the 1950s and the desire for civic pride in a decade that favoured a homogenous and functional society. Operation “Lifesaver” was not an accurate representation of a nuclear attack; instead it was a controlled exercise devised to calm the fears of civilians in the face of possible war. Despite the rich primary sources available, Canada’s civil defence experiences during the Cold War remain an allusive topic in Canadian historiography. Operation “Lifesaver” holds a prominent position in Alberta history in an era that defined much of Canada’s nationality and society. This article is the third chapter of my History MA thesis which examines the place of Atomic Culture in Canadian history and the Canadian Cold War experience.


Author(s):  
Priscilla Roberts

For Hong Kong, the Cold War was a distinct and crucial period in its own evolution and in its relations with China and the rest of the world. Without the global clash of ideologies, the city might well have failed to win and keep the key nodal position it attained in those years. Economically, intellectually, socially, and culturally, the Cold War years were crucial in ensuring that Hong Kong became a unique and cosmopolitan metropolis. Hong Kong, whatever its limitations—and it could at times be parochial, inward looking, and self-obsessed—was set on the path to become one of the world’s greatest and most vibrant cities, a city that would play a key role in the modernization of Greater China, especially the mainland, even as it developed a sense of specifically Hong Kong identity. From its outset, Hong Kong has been unique. During the Cold War and in many ways thanks to the demands, challenges, and opportunities arising from that conflict, already established social, economic, political, and administrative patterns of behavior within Hong Kong were intensified and adapted, transforming the territory. Run initially by British officials but increasingly by local Hong Kong recruits to the civil service, a hub not just for economic networks of capital and governmental exchanges of every variety but also for transnational intellectual, political, and social interchanges at every level, Hong Kong was one of a kind, its essence almost undefinable. Hong Kong developed its own voice, one that, perhaps muted in the immediate aftermath of the 1997 handover and the Asian economic crisis, is once more becoming ever more discernible. Its greatest contribution to China’s modernization may yet lie in the future....


2011 ◽  
Vol 30 (1) ◽  
pp. 3-38 ◽  
Author(s):  
Vedi R. Hadiz

This article explores the genesis of Indonesian political Islam and its interactions with the nationalist secular state in the immediate post-colonial era while examining some of the origins of the ‘radical’ stream that has garnered much attention in the current post-authoritarian period. It puts forward the idea that, rather than an outcome of Indonesian democratisation, this stream was in fact the product of authoritarian New Order rule. The article also considers some parallels in the trajectories of political Islam more generally in Indonesia, the Middle East and North Africa, especially as a kind of populist response to the tensions and contradictions of global capitalism. It addresses the city of Surakarta (Solo) as a case study and highlights the importance of Cold War politics in moulding political Islam in Indonesia and elsewhere. The approach emphasises historical and sociological factors shaping political Islam that have tended to be relegated to the background in prevalent security-oriented analyses concerned with issues of terrorism and violence.


2012 ◽  
Vol 40 (3/4) ◽  
pp. 514-528
Author(s):  
Harri Veivo

In Finnish poetry of the 1960s, the city, and above all the capital Helsinki, is the scene where the metamorphosis of Finland from an agrarian into an urban society is staged, analysed and commented. It is also a symbol that serves to situate the country in the global context, with all the contradictions that were characteristic of the position of Finland in the cold war system. Writing about the city was a means to reflect on the transformations of social and political reality and of the physical environment, a means to represent the confusion these transformations produced or to work towards understanding them. The article analyses the city in texts belonging to the "new poetry" of the 1960s, as well as in texts representing the modernist poetics of the 1950s, arguing that the very co-existence of two contrasting poetic discourses was crucial for the semiotic development of Finnish culture in the period of time in question.


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