scholarly journals The Personal is the Political in Tara a play by Mahesh Dattan

2019 ◽  
Author(s):  
Akanksha Barthwal

<p>Mahesh Dattani, the contemporary writer, represents the current day issues of the society where one finds, self-trapped in the clutches of society and is degraded to be the marginalised. The society treats marginalised with content as if they have committed serious damages on the human species at large. The current research is on the play Tara; a play by Mahesh Dattani which explores the issues that sensationalise society. The play is about Siamese twins Tara and Chandan who were con joined from chest till down. Later a surgery is required to separate them, according to Dr Thakkar it was the only, ‘the only chance for their survival’. (CP 331) The theorist, Carol Hanisch, Michel Foucault, Kate Millet and Simone De Beauvoir and discussed in this research where their theory and ideas provide strength to the current work. The format of the research work is MLA, seventh edition. The Personal is the Political and is explored through the play by Mahesh Dattani, <i>Tara.</i></p>

2019 ◽  
Author(s):  
Akanksha Barthwal

<p>Mahesh Dattani, the contemporary writer, represents the current day issues of the society where one finds, self-trapped in the clutches of society and is degraded to be the marginalised. The society treats marginalised with content as if they have committed serious damages on the human species at large. The current research is on the play Tara; a play by Mahesh Dattani which explores the issues that sensationalise society. The play is about Siamese twins Tara and Chandan who were con joined from chest till down. Later a surgery is required to separate them, according to Dr Thakkar it was the only, ‘the only chance for their survival’. (CP 331) The theorist, Carol Hanisch, Michel Foucault, Kate Millet and Simone De Beauvoir and discussed in this research where their theory and ideas provide strength to the current work. The format of the research work is MLA, seventh edition. The Personal is the Political and is explored through the play by Mahesh Dattani, <i>Tara.</i></p>


2014 ◽  
Vol 11 ◽  
pp. 483-488
Author(s):  
Sara Cipolla

The research work concerns the development in the Italian literature of the French theme of Neuf Preux, and Particularly Took into account a crown of sonnets of nine famous men linked to an alleged cycle of paintings attributed to Giotto's in the palace of Castel Nuovo in Naples. The survey highlighted how in medieval Italian literature, beyond the more or less explicit recovery of the French literary tradition, occupies a prominent place the function that these poems take in the view of the literature of the time. The survey actually shows the two faces of the series of famous heroes, which on one hand is the mouthpiece of the political ideals and civil inspired by the courteous and Roman antiquities, on the other hand appears to be ripe fruit of a didactic poem in which the adherence to the motto of "ut pictura poesis" become as a kind of surface projection of images.


Author(s):  
Nicolai Von Eggers ◽  
Mathias Hein Jessen

Michel Foucault developed his now (in)famous neologism governmentality in the first of the two lectures he devoted to ’a history of governmentality, Security, Territory, Population (1977-78) and The Birth of Biopolitics (1978-79). Foucault developed this notion in order to do a historical investigation of ‘the state’ or ‘the political’ which did not assume the entity of the state but treated it as a way of governing, a way of thinking about governing. Recently, the Italian philosopher Giorgio Agamben has taken up Foucault’s notion of governmentality in his writing of a history of power in the West, most notably in The Kingdom and the Glory. It is with inspiration from Agamben’s recent use of Foucault that Foucault’s approach to writing the history of the state (as a history of governmental practices and the reflection hereof) is revisited. Foucault (and Agamben) thus offer another way of writing the history of the state and of the political, which focuses on different texts and on reading more familiar texts in a new light, thereby offering a new and notably different view on the emergence of the modern state and politics.


Author(s):  
Lee Tan Wee Hin ◽  
Thiam-Seng Koh ◽  
Wei-Loong David Hung

This chapter reviews the current work in knowledge management (KM) and attempts to draw lessons from research work in situated cognition about the nature of knowledge which can be useful to the field of KM. The role of technologies and the issues of literacy in technology are discussed in the context of communities of practice (CoPs) and the KM framework with some examples described for K-12 settings. Implications are drawn in terms of how teachers and students can be a community of learners-practitioners through technologies which support their work and learning processes.


2019 ◽  
Vol 16 (3) ◽  
pp. 319-336 ◽  
Author(s):  
Tyler Wall

This article unpacks the idea of police as a “thin blue line” as narrating a story about the police invention of the human through a civilizing and exterminating war against beasts. To speak in the name of the “thin blue line,” then, is to articulate the police as the primary force which secures, or makes possible, all the things said to be at the core of “human” existence: liberty, security, property, sociality, accumulation, law, civility, and even happiness. The current project is less a history of the thin blue line slogan than a more conceptually grounded sketch, and abolitionist critique, of its most basic premises: the idea at the heart of thin blue line is that the most routine mode of violent state prerogative—the police power—is imagined as always a defense of civilization, which at once means the “human species.” In other words, thin blue line, to use a formulation from Sylvia Wynter, is best understood as a defense of a particular genre of the human, or “Man,” that “overrepresents itself as if it were the human itself.” But importantly, thin blue line articulates this police project of inventing the human as always incomplete, insecure, and unstable. Of course, it must always be incomplete, because it is through its inability to fully eradicate the bestial trace that police claim a license to endless war in the name of humanity. As a discourse of ordinary emergency, thin blue line becomes an expression of what Diren Valayden outlines as “racial feralization,” or the colonial bourgeois anxiety that humanity will regress back into a violent nature. A critique of the thin blue line encourages a consideration of how fantasies and failures of becoming human animate all things police, including the racialized violence at the heart of the police project.


2020 ◽  
Vol 49 (4) ◽  
pp. 91-108
Author(s):  
Lucy A. Perry

This paper examines Mahmoud Darwish's exploration of the political, geographical, existential, and metaphysical dimensions of displacement, banishment, and statelessness in his 2005 lyrical epic “Exile.” The paper offers an analysis of Darwish's treatment of dialectic, heteroglossia, the juxtaposition of the national and the existential, and conflicting temporalities, as well as political uncertainty and metaphysical fear. With particular reference to the paradoxical portrayal of space in “Exile”—the juxtaposition of the near and far, real and illusory, localized and dispersed—I also examine the ways in which Palestinian identity, as narrated in this poem, is destabilized and dispersed by what Michel Foucault calls “heterotopic space.”


2019 ◽  
Vol 58 (3) ◽  
pp. 454-468
Author(s):  
Jean François Bissonnette

This article examines the political character of debt relations, focusing in particular on the increasingly important phenomenon of personal indebtedness. Following Michel Foucault and Gilles Deleuze, it distinguishes between three forms of ‘rationality’ that explain the various power dynamics at play beneath the formal and seemingly voluntary loan contract. Debt first exemplifies the open-ended flows of power that circulate in the networked structures of the ‘societies of control’ described by Deleuze. Far from signaling the demise of the modern disciplines analyzed by Foucault, credit relations are, on the contrary, shown to depend on some of the normalizing procedures that constituted the common core of disciplinary institutions. Arguing for a synchronic approach to historical political rationalities, this article highlights the relationship between debt and sovereignty, showing the intrication of contemporary, financialized forms of capitalist exploitation and the state’s ancient pretension to exact from its citizens an infinite debt of existence. Debt thus combines the respective effects of control, discipline and sovereignty and constitutes as such a powerful technology for the governing of individuals and populations.


1991 ◽  
Vol 85 (2) ◽  
pp. 581-592 ◽  
Author(s):  
J. Scott Johnson ◽  
Leslie Paul Thiele

To what extent and in what respects does the political thought of Michel Foucault reflect the influence of Friedrich Nietzsche's ideas? In the September 1990 issue of this Review, Leslie Paul Thiele firmly asserted Nietzschean roots for Foucault's thought. In this Controversy, Thiele's claims are disputed by J. Scott Johnson. Johnson argues that Foucault's theory is rooted as much in Marx as in Nietzsche and that Foucault himself refuted Thiele's interpretation. In his response, Thiele takes issue with Johnson's critique.


2008 ◽  
Vol 40 (2) ◽  
pp. 181-184
Author(s):  
Dina Amin

When asked about “political control of a population,” Michel Foucault responded, “[P]ower had to gain access to the bodies of individual, to their acts, attitudes, and modes of everyday behavior . . .I believe that the political significance of the problem of sex is due to the fact that sex is located at the point of intersection of the discipline of the body and the control of the population.” This insight is often reflected in the relationship between literature that deals with the body and the discipline imposed on it by various institutions (whether religious or social) in the form of censorship. One good example of that “ethical” exercise of power versus dramatic literature emerged when Sameh Mahran, a professor at the Cairo Academy of Arts, wrote Al-Marakbi (The Boatman), a play in two acts with an epilogue.


2018 ◽  
Vol 15 (1) ◽  
pp. 39-84
Author(s):  
Lhamsuren Munkh-Erdene

Analyzing the messages and the responses that Chinggis Khan sent to and received from Ong Khan and his allies after his defeat at the hands of the latter at the battle of Qalaqaljit Elet in the spring of 1203, and explicating the terms of cimar (chimar) and törü that appear in the messages, this article looks at the political order and culture where the Chinggisid state rose. The article argues that pre-modern Mongolian and Inner Asian politics was guided by the idea of törü, which resembles the Indo-Buddhist idea of dharma, the Chinese idea of dao, and the European idea of natural law. It also argues that the hereditary divisional system that the Inner Asian state builders regularly employed to govern their nomadic populations, the institutions of dynastic succession, and the hereditary rights of princes and the nobility for inheritance fundamentally structured Inner Asian politics. Hence, it questions the conventional wisdom that depicts pre-modern Inner Asian politics not only as pragmatic, fluid, and fractious but also dependent on the personal charisma of leadership, and the personal bond and loyalty between leaders and followers, as if it were lacking enduring social, political institutions and order.


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